Bernardino Poccetti

The recorded working language is French and Italian. The field of work recorded is painting. Santi di Tito is recorded as an influence. Places of work recorded in the authority are Florence. Works named in the authority record are Nativity and Adoration of the Child and Hall of Bona. Work by Bernardino Poccetti is recorded in the collections of Museum Boijmans Van Beuningen, Minneapolis Institute of Art, Museo del Prado, Art Institute of Chicago and J. Paul Getty Museum.

• Name — Bernardino Poccetti • Born — 26 August 1548 • Birthplace — Florence, Duchy of Florence • Died — 10 October 1612 • Known for — Painting • Training — Michele Tosini • Movement — Counter-Mannerism

Born in Florence, he was initially trained as a decorator of facades and ceilings, enrolling in 1570 in the Florentine painters guild for such work, the Accademia delle Arti del Disegno, (Academy of the Arts of Drawing). He is also referred to as: Bernardino Barbatelli or Bernardino delle Grottesche, delle Facciate, or delle Muse. He initially worked in the shop of Michele Tosini, and he participated in the broadly shared decoration of the Chiostro Grande of Santa Maria Novella in the 1580s. In 1583–85, he helped decorate panegyric frescoes for the Palazzo Capponi. He also completed frescoes in San Pier Maggiore in San Pierino. In 1592–93, he worked on frescoes in the Certosa di Galluzzo relating to Life and Death of San Bruno. He painted scenes from the life of founder of the Convent of the Servites for the Annunziata. He painted scenes from the Life of St. Anthony (fresco) for San Marco. He frescoed scenes from the Life of Cosimo I as decoration of great Salon of the Pitti Palace. He also labored for other charterhouses in Pisa and Siena. He also painted frescoes, considered his masterpiece, in the Cappella del Giglio (Cappella Neri, 1599) in Santa Maria Maddalena dei Pazzi. In his later works, he is considered one of the Florentine reformers—the so-called Counter-Maniera (Counter-Mannerism)—along with Santi di Tito, Domenico Cresti (Il Passignano), Lodovico Cigoli, Jacopo Chimenti da Empoli, Andrea Boscoli, and Gregorio Pagani. Among the painters he trained or influenced was Michelangelo Cinganelli.

• Palazzo Usimbardi (now Palazzo Acciaiuoli (1603)) • Santissima Annunziata di Pistoia Pistoia (1601) • Cloister of Sant'Antonino in San Marco, Florence (1602) • Massacre of the Innocents, Ospedale degli Innocenti, Florence (1610)

• Illustration — Capella Strozzi, Santa Trinita • Illustration — Self portrait (1604)

• Illustration — Foundation of Monastery of Monte Senario • Illustration — Vocation of Cloistered Life • Illustration — Death of San Alessio Falconieri • Illustration — Death of San Bonagiunta