Beatriz Ferreyra
Beatriz Mercedes Ferreyra (born 21 June 1937) is an Argentine composer. She lives and works in Hameau de Hodeng, France.
Also recorded as Béatriz Ferreyra · Beatriz Mercedes Ferreyra
Beatriz Ferreyra

Circuito Electrovisiones · CC BY-SA 4.0
- Born
- 1937
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Beatriz Mercedes Ferreyra (born 21 June 1937) is an Argentine composer. She lives and works in Hameau de Hodeng, France.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Beatriz Ferreyra. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q4877254 · wikipedia · Beatriz Ferreyra
In this article
Early work and study
Early work and study
Ferreyra was born in Cordoba, Argentina, and studied piano with Celia Bronstein in Buenos Aires. She continued her study of music with Nadia Boulanger in Paris, and worked with Earle Brown and György Ligeti in Germany.
Groupe de Recherches Musicales (GRM)
Groupe de Recherches Musicales (GRM)
In 1963 she took a position in the research department of the Office de Radiodiffusion Television Francaise (ORTF), working with the Groupe de Recherches Musicales (GRM) directed by Pierre Schaeffer. She assisted with Henri Chiarucci's and Guy Reibel's Rapport entre la hauteur et la fondamentale d'un son musical, published in 1966 in Revue Internationale d'Audiologie and Pierre Schaeffer's Solfège de l'Objet Sonore. During this time she also lectured at the Conservatoire National Supérieur de Musique de Paris.
Collaborations
Collaborations
She worked with Bernard Baschet and his Structures Sonores in 1970, and served residencies in electronic music with Dartmouth College in 1976 and in 1998. In 2015 Ferreyra toured and released an album with Christine Groult, Nahash, on trAce label. The work was commissioned by former of INA-GRM artistic director Christian Zanesi in 2011. The live recording features Ferreyra using "four Revox tape recorders, augmented with an analog matrix and a synchronizer box with self-designed variable speed drives."
Works
Works
Ferreyra continues to perform internationally commissioned works for concerts and festivals and has also previously composed for ballet, film, radio, television and music therapy. She is an honorary member of CIME/IMC UNESCO. Selected works include: • Mer d’Azov, étude aux itérations (1963) • Médisances (1968) • L’orviétan (1970) • Siesta Blanca (1972) • Canto del Loco (1974) • Echos (1978) • Petit Poucet magazine (1985) • The UFO Forest (1986) • Souffle d’un petit Dieu distrait (1987) • Ríos del sueno (1998–2000) • Vivencias (2001) • Cantos de antes (2002) • La rivière des oiseaux (2003) • Dans un point infini (2005) • L’art de l’étude (2006) • La condition captive (2006) • Sourire de l’ange (2006) with Christine Groult • L'autre Rive / The Other Shore (2007) • Marche, quitte et va (2008) with Christine Groult • Impasse (2008) with Inés Wickmann • Les larmes de l’inconnu (2011) Her works have been issued on CD and vinyl, including: • Petit Poucet Magazine (CD) Le Chant Du Monde 1998
Film music
In 1973, Ferreyra was invited to write the music for Fiorella Mariani's film Homo Sapiens (Fiorella is the niece of filmmaker Roberto Rossellini). The hour-long work was completely electroacoustic, for which Ferreyra also did the performing, editing, and mixing. Mariani's film weaves together footage of people in different groups interacting in both performative and quotidian tasks. The music by Ferreyra is important to weave together a sense of continuity as the film itself presents the contradictions of reality in these different scenarios.
Live performance and recordings in the 21st century
Ferreyra has released several albums in the 21st century to critical acclaim. While some of these are re-releases of important earlier works, she has also continued to create new work and perform live (see below, live performance from Festival Zeppelin, 2015), as well as give acoustic composition workshops. • La Rivière des oiseaux (CD) Motus 2003 • GRM Works (CD) Recollections GRM 2015 • Huellas Entreveradas (vinyl) Persistence of Sound 2020 • Echos + (vinyl) Room40 2020 • Canto + (vinyl) Room40 2021 • UFO Forest + (vinyl) Room40 2023 • Illustration — Festival Zeppelin 2015 @ Barcelona • Illustration — Festival Zeppelin 2015 @ Barcelona
Primary material
Documents and archives
reference work
- “Beatriz Ferreyra”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q4877254: Beatriz Ferreyra
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Courchene, Kim S. A Conversation with Beatriz Ferreyra. Computer Music Journal. 25 / Issue 3. 3. 14–21. Fall 2001. 10.1162/014892601753189501.
- 2.Beatriz Ferreyra: Making Music with All the Sounds in the World. National Sawdust Log.
- 3.Fernández, Miguel Ezquiaga. El arte de ensamblar ruidos. El País. 2019-04-03. 1134-6582.
- 4.Hall, Charles J. Hall. Chronology of Western Classical Music: 1751-1900. 2002.
- 5.Mariani, Fiorella. Homo Sapiens: a film by Fiorella Mariani (1971/1974). Vimeo. 11 February 2017.
- 6.Homo sapiens, a film by Fiorella Mariani NOMADICA.
- 7.Nahash (CD) Trace Label. Bandcamp. January 24, 2021.
- 8.Beatriz Ferreyra & Christine Groult at ISSUE Project Room. Issue Project Room.
- 9.ZEPPELIN 2014. sonoscop.net.
- 10.Beatriz Ferreyra / Michel Redolfi: GRM Works / Pacific Tubular Waves/Immersion. Pitchfork. 8 May 2015.
- 11.Beatriz Ferreyra: Huellas Entreveradas. Pitchfork.
- 12.Echos +, by Beatriz Ferreyra. Room40.
- 13.The Quietus Features Rum Music Rum Music For March Reviewed By Jennifer Lucy Allan. The Quietus.
- 14.Canto +, by Beatriz Ferreyra. Room40.
- 15.Canto +, by Beatriz Ferreyra. Room40.
- 16.Sherburne, Philip. Review of 'Echos' by Beatriz Ferreyra. Pitchfork.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Citizenship
1- ArgentinaPlace
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
Elsewhere in Music memorabilia
42,307 published records in this field, each with its sources named.
- Beatrice EgliPerson
- Beatrice HarrisonPerson
- Beatrice OhanessianPerson
- Beatrice RanaPerson
- Beatriz Francisca de Assis BrandãoPerson
- Beatriz LockhartPerson
- Beatservice RecordsOrganisation
- BeatzarrePerson
Best supported in this field
For owners
Own a work by Beatriz Ferreyra?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.