Barry McGee

Barry McGee studied at San Francisco Art Institute and El Camino High School. Training under Carlos Villa is recorded. The recorded working language is English. Work by Barry McGee is recorded in the collections of San Francisco Museum of Modern Art, Museum of Modern Art, Berkeley Art Museum and Pacific Film Archive, Walker Art Center and Fondazione Prada. Distinctions recorded are SECA Art Award and Artadia Award.

• Name — Barry McGee • Born — 1966 • Birthplace — San Francisco, California, U.S. • Education — San Francisco Art Institute • Occupation — Visual artist • Known for — Painting • Movement — Mission School, street art • Spouse — Margaret Kilgallen (1999–2001; death); Clare Rojas (m.2005) • Children — 1

Barry McGee was born in 1966 in San Francisco, California. He is of Chinese and Irish descent. McGee's father worked at an auto body repair shop. McGee graduated from El Camino High School in South San Francisco, California. He attended the San Francisco Art Institute, where he graduated in 1991 with a concentration in painting and printmaking. McGee was married to the artist Margaret Kilgallen in 1999, who later died of breast cancer in 2001. They have a daughter named Asha. After Kilgallen's death, McGee married artist Clare Rojas in 2005.

• Illustration — Commissioned murals typical of Barry McGee's earlier work and graffiti in the LACMA parking garage (now torn down) McGee was a central figure in the graffiti art scene in San Francisco from the late 1980s and into the 1990s. As Twist, he became well known nationally by his stylized black and white pictographic flathead screw graffiti 'throw ups'. Later he was part of a group of young, San Francisco artists known as the Mission School art movement based in the aesthetics of the Mission District of San Francisco. His work is founded on a pessimistic view of the urban experience, which he describes as, "urban ills, over-stimulations, frustrations, addictions & trying to maintain a level head under the constant bombardment of advertising". He was also an artist in residence at inner-city McClymonds High School in Oakland, California, in the early '90s. Although his artistic origins lie in New York subway graffiti he has been included as a member of the street art movement. • Illustration — Installation, Xe Biennale de Lyon McGee's installations consist of simple bold paintings which are influenced by Islamic patterns on tiles, vernacular sign painting, or use caricatures of the destitute. These paintings are clustered together in combination with photographs of other graffiti writers. Older work included layering of shapes, and buff marks, backgrounds of drips painted directly on the gallery wall. He has painted stylized portraits on empty bottles of liquor, flattened spray cans, and wrecked vehicles for art shows. He has collaborated frequently with Amaze, allowing him to paint the exterior and interior of the galleries exhibiting McGee's work. They have also utilized realistic moving mechanical human figures that appear to be tagging gallery walls. The market value of his work rose considerably after 2001 as a result of his being included in the Venice Biennale and other major exhibitions. As a result, much of his San Francisco street art has been scavenged or stolen.

In September 1999, a 64-foot-long, 8-foot-high mural made up of 300 pieces, made by Barry McGee and financially sponsored by the Luggage Store Gallery and the Creative Work Fund, was stolen off a vacant commercial building in the South of Market neighborhood of San Francisco. It was never recovered. In 2004, as part of an exhibit at San Francisco's City Hall, McGee spray-painted "Smash the State" on the walls of Supervisor Matt Gonzalez's office. SFGate wrote: "The timing and placement of the artwork are interesting, seeing how City Hall is a registered historical landmark, and you need approval just to hang a bulletin board". Gonzalez told the press that he knew his office would be repainted for the next occupant. McGee was involved in a controversy regarding the Adidas Y1 HUF, a shoe for which he provided the artwork. This gave rise to a protest campaign by some Asian-Americans who claimed that the picture on the shoe's tongue depicts a racist stereotype. McGee responded to the controversy in a March 2006 press release. He stated that the drawing was a portrait of himself as an 8-year-old child.

• Illustration — Woman photographing a Barry McGee installation, Xe Biennale de Lyon • 1999: The Buddy System, Deitch Gallery in New York City, NYC • 1999: HOSS, Rice Gallery in Houston, TX • 2001: with Todd James, and Stephen Powers, Venice Biennale • 2004: Barry McGee and Josh Lazcano, Gallery Paule Anglim in San Francisco, CA • 2004: Rose Art Museum • 2006: Featured in Beautiful Losers exhibition at Circleculture Gallery in Berlin, Germany • 2006–2007: LOFT installation at Roberts & Tilton Gallery in Los Angeles, CA • 2007: Watari Museum of Contemporary Art • 2008: Baltic Centre for Contemporary Art • 2008: The Big Sad (With Clare Rojas), Riverside Art Museum • 2008: Life on Mars Carnegie International • 2008: Ratio 3 in San Francisco, CA • 2009: McGee / Templeton / Pettibon exhibition curated by Aaron Rose at Circleculture Gallery in Berlin, Germany • 2009–2010: Biennale de Lyon, France • 2010: The Last Night (With HuskMitNavn), A.L.I.C.E. gallery in Brussels, Belgium • 2012: Retrospective at the Berkeley Art Museum • 2019: The Other Side, solo show, Perrotin Gallery, Hong Kong • 2021: Fuzz Gathering, solo show, Galerie Perrotin, Paris • 2022: Everyday Sunrise, solo show, Perrotin, Seoul • 2024: Old Mystified, solo show, Berggruen, San Francisco