Assia Dagher
Assia Dagher (6 March 1908 – 12 January 1986) was a Lebanese-Egyptian actress and film producer.
Assia Dagher

Not credited · Public domain
- Name
- Assia Dagher
- Birth Name
- Almaza Dagher
- Born
- 6 March 1908
- Birthplace
- Tannourine, Lebanon
- Died
- 12 January 1986
- Place of death
- Cairo, Egypt
- Occupation
- Actress, film producer
- Nationality
- Egypt · Ottoman Empire
- Languages
- Arabic · Egyptian Arabic
Reference Check
Propose documentary evidence for Assia Dagher. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q4119397 · wikipedia · Assia Dagher
In this article
Key facts
Key facts
• Name — Assia Dagher • Native Name — آسيا داغر • Birth Name — Almaza Dagher • Born — 6 March 1908 • Birthplace — Tannourine, Lebanon • Died — 12 January 1986 • Place of death — Cairo, Egypt • Occupation — Actress, film producer
Biography
Biography
Dagher (Almaza Dagher) was born in Tannourine, Lebanon on 6 March 1908. She moved to Cairo with her sister Mary, and niece Mary Queeny in 1919, when she was only 11 years old, after the French occupation of Syria and Lebanon. She stayed with Asaad Dagher, her cousin, who was a writer and journalist at the famous Al-Ahram newspaper. She got the Egyptian nationality in 1933. • Illustration — Assia Dagher in The Fifth Groom (1942) The first time she acted was in 1927 in a film called Laila, directed by Wadad Orfi, and starring Aziza Amir. Dagher was the first Lebanese to be on the big screen. She produced over 100 films including Return My Heart (1957) and Saladin the Victorious (1963) and played the lead role in only 20 of them.
As producer
As producer
• Ghadat al-sahara — (1929) — غادة الصحراء — The Desert Belle (International: English title) • Uyun sahira — (1934) — عيون ساحرة — Bewitching Eyes (International: English title) • Shajarat al-durr — (1935) — شجرة الدر — Queen Shajarat al-Durr (International: English title) • The Pretty Mothers-in-law — (1954) — الحماوات الفاتنات — The Pretty Mothers-in-law (International: English title) • Return My Heart — (1957) — رد قلبي — Back Again (International: English title) • Saladin the Victorious — (1963) — الناصر صلاح الدين — Saladin the Victorious (International: English title)
As actress
As actress
• Laila — (1927) — ليلى — Laila (International: English title) • Ghadat al-sahara — (1929) — غادة الصحراء — The Desert Belle (International: English title) • Wakhz el damir — (1932) — وخز الضمير — A Guilty Conscience (International: English title) • Endama toheb el maraa — (1933) — عندما تحب المرأة — When a Woman Loves (International: English title) • Uyun sahira — (1934) — عيون ساحرة — Bewitching Eyes (International: English title) • Shajarat al-durr — (1935) — شجرة الدر — Queen Shajarat al-Durr (International: English title) • Banknote — (1936) — بنكنوت — Banknote (International: English title) • Zawja bil nayaba — (1937) — زوجة بالنيابة — Wife in Waiting (International: English title) • Bint el-Basha el-Mudir — (1938) — بنت الباشا المدير — Daughter of the Pasha in Charge (International: English title) • Fattich an el-mar'a — (1939) — ابحث عن المرأة — Look for the Woman (International: English title) • Zelekha tuhib Achur — (1939) — زليخة تحب عاشور — Zelkha Loves Ashour (International: English title) • Fatat mutamarrida — (1940) — فتاة متمردة — A Rebellious Girl (International: English title) • El-arris el-khamis — (1941) — العريس الخامس — The Fifth Suitor (International: English title) • Imra'a khatira — (1941) — إمرأة خطيرة — Dangerous Woman (International: English title) • El-charid — (1942) — الشريد — The Wanderer (International: English title) • El-muttahama — (1942) — المتهمة — The Suspect (International: English title) • Law kunt ghani — (1942) — لو كنت غني — If I Were Rich (International: English title) • Imma guinan — (1944) — اما جنان — What Madness! (International: English title) • El-qalb louh wahid — (1945) — القلب له واحد — The Heart Has Its Reasons (International: English title) • Haza ganahu abi — (1945) — هذا جناه أبي — This Was My Father's Crime (International: English title) • El-hanim — (1946) — الهانم — The Lady (International: English title)

آسيا داغر عام 1942 في فيلم العريس الخامس بدور شخصية بهيرة
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Tannourine.
Birth place
Cairo.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Assia Dagher, revision 1335355721 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
Elsewhere in Film memorabilia
38,713 published records in this field, each with its sources named.
- Asrul SaniPerson
- Assaf BernsteinPerson
- AssalaPerson
- Assi DayanPerson
- Assia DjebarPerson
- Assouma AdjikéPerson
- Assumpta SernaPerson
- Asta NielsenPerson
Best supported in this field
For owners
Own a work by Assia Dagher?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.