Assia Djebar
Also recorded as Fatima-Zohra Imalayen
Assia Djebar

https: scienceetbiencommun.pressbooks.pub/femmessavantes/chapter/assia-djebar-ecrivaine-et-historienne-1936-2015/ · CC BY-SA 4.0
- Full name
- Fatima-Zohra Imalhayène.
- Born
- 1936 · Cherchell.
- Died
- 2015 · 19th arrondissement of Paris.
- Nationality
- France · Algeria
- Occupation
- linguist · film director · professor · translator · writer · historian
- Education
- École Normale Supérieure · Lycée Fénelon and Paris · École normale supérieure de jeunes filles
- Known for
- La Femme sans sépulture · Nowhere in my Father's House · Fantasia: An Algerian Cavalcade
- Honours
- Commandeur des Arts et des Lettres · Neustadt International Prize for Literature · Peace Prize of the German Publishers' and Booksellers' Association · Knight of the Legion of Honour · Grand prix de la francophonie · honorary doctor of the University of Vienna
- Languages
- French
In this article
Key facts
Assia Djebar studied at École Normale Supérieure, Lycée Fénelon, Paris and École normale supérieure de jeunes filles. The recorded working language is French. Employment is recorded with New York University and University of Algiers 1. Positions recorded include seat 5 of the Académie française. Works named in the authority record are La Femme sans sépulture, Nowhere in my Father's House and Fantasia: An Algerian Cavalcade. Distinctions recorded are Commandeur des Arts et des Lettres, Neustadt International Prize for Literature, Peace Prize of the German Publishers' and Booksellers' Association and Knight of the Legion of Honour.
• Name — Assia Djebar • Birth Name — Fatima-Zohra Imalayen • Born — 1936 6 30 • Birthplace — Cherchell, Colonial Algeria • Died — 2015 2 6 • Place of death — Paris, France • Education — École Normale Supérieure • Subject — Feminism Fatima-Zohra Imalayen (30 June 1936 – 6 February 2015), known by her pen name Assia Djebar, was an Algerian novelist, translator and filmmaker. Most of her works deal with obstacles faced by women, and she is noted for her feminist stance. She is "frequently associated with women's writing movements, her novels are clearly focused on the creation of a genealogy of Algerian women, and her political stance is virulently anti-patriarchal as much as it is anti-colonial." Djebar is considered to be one of North Africa's pre-eminent and most influential writers. She was elected to the Académie Française on 16 June 2005, the first writer from the Maghreb to achieve such recognition. For the entire body of her work she was awarded the 1996 Neustadt International Prize for Literature. She was often named as a contender for the Nobel Prize for Literature.
Early life
Fatima-Zehra Imalayen or Djebbar was born on 30 June 1936 in Cherchell, Algeria, to Tahar Imalhayène and Bahia Sahraoui, a family of Chenouas Berber origin. She was raised in Cherchell, a small seaport village near Algiers in the province of Aïn Defla. Djebar's father taught French at Mouzaïaville, a primary school she attended. Later, Djebar attended a Quranic private boarding school in Blida, where she was one of only two girls. She studied at Collège de Blida, a high school in Algiers, where she was the only Muslim in her class. She attended the École normale supérieure de jeunes filles in 1955, becoming the first Algerian and Muslim woman to be educated at France's most elite schools. Her studies were interrupted by the Algerian War, but she later continued her education in Tunis.
Career
In 1957, she chose the pen name Assia Djebar for the publication of her first novel, La Soif ("The Thirst"). Another book, Les Impatients, followed the next year. Also in 1958, she and Ahmed Ould-Rouïs began a marriage that would eventually end in divorce. Djebar taught at the University of Rabat (1959–1962) and then at the University of Algiers where she was made the department head for the French section. In 1962, Djebar returned to Algeria and published Les Enfants du Nouveau Monde, and followed that in 1967 with Les Alouettes Naïves. She lived in Paris between 1965 and 1974 before returning to Algeria again. She remarried in 1980 to the Algerian poet Malek Alloula. The couple lived in Paris, where she had a research appointment at the Algerian Cultural Center. In 1997, Djebar became the director for the Center of French and Francophone Studies at Louisiana State University. She held that position until 2001. In 1985, Djebar published L'Amour, la fantasia (translated as Fantasia: An Algerian Cavalcade, Heinemann, 1993), in which she "repeatedly states her ambivalence about language, about her identification as a Western-educated, Algerian, feminist, Muslim intellectual, about her role as spokesperson for Algerian women as well as for women in general." In 2005, Djebar was elected to France's foremost literary institution, the Académie Française, an institution tasked with guarding the heritage of the French language and whose members, known as the "immortals", are chosen for life. She was the first writer from North Africa to be elected to the organization. and the fifth woman to join the academy. Djebar was a Silver Chair professor of Francophone literature at New York University. Djebar was known as a voice of reform for Islam across the Arab world, especially in the field of advocating for increased rights for women.
Death
Djebar died in February 2015, aged 78 in Paris, France.
Works
• La Soif, 1957 (English: The Mischief) • Les impatients, 1958 • Les Enfants du Nouveau Monde, 1962 (English: Children of the New World: a novel, trans. Marjolijn De Jager: New York: Feminist Press at the City University of New York, 2005) • Les Alouettes naïves, 1967 • Poèmes pour une algérie heureuse, 1969 • Rouge l'aube • Femmes d'Alger dans leur appartement, 1980 (English: Women of Algiers in Their Apartment; Charlottesville: UP of Virginia, 1999) • L'Amour, la fantasia, 1985 (English: Fantasia: An Algerian Cavalcade, trans. Dorothy S. Blair; Portsmouth, N.H., Heinemann, 1993 (repr. 2003)) • Ombre sultane 1987 (English: A Sister to Scheherazade) • Loin de Médine, (English: Far from Medina) • Vaste est la prison, 1995 (English: So Vast the Prison, trans. Betsy Wing; Sydney: Duffy & Snellgrove, 2002) • Le blanc de l'Algérie, 1996 (English: Algerian White) • Oran, langue morte, 1997 (English: The Tongue's Blood Does Not Run Dry: Algerian Stories) • Les Nuits de Strasbourg, 1997 • La femme sans sépulture, 2002 • La disparition de la langue française, 2003 • Nulle part dans la maison de mon père, 2008
Cinema
• La Nouba des femmes du Mont Chenoua, 1977 • La Zerda ou les chants de l'oubli, 1979

Assia Djebar signature
Riad Salih · Signature Assia Djebar
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Cherchell.
Birth place
19th arrondissement of Paris.
Death place
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Assia Djebar, revision 1371326893 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Tributes
On 30 June 2017, Google dedicated a Doodle to the novelist for the 81st anniversary of her birth. The Doodle reached all the countries of the Arab World. A library named after Djebar was opened in 2018 in the 20th arrondissement of Paris.
Awards
In 1985, she won the Franco-Arab Friendship Prize, for L'Amour la Fantasia. In 1996, Djebar won the Neustadt International Prize for Literature for her contribution to world literature. The following year, she won the Marguerite Yourcenar Prize. In 1998, she won the International Prize of Palmi. In 2000, she won the Peace Prize of the German Book Trade.
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Hiddleston, Jane. Assia Djebar: In Dialogue with Feminisms (review). French Studies: A Quarterly Review. 61. 2. 248–9. 10.1093/fs/knm041.
- 2.Alison Flood, "Assia Djebar, Algerian novelist, dies aged 78", The Guardian, 9 February 2015.
- 3.Combe, Dominique. Assia Djebar: littérature et transmission. Presses Sorbonne Nouvelle. 280. 2010. 9782878544879.
- 4."Assia Djebar", Voices from the Gaps, University of Minnesota. Retrieved 6 October 2013.
- 5.Al Jazeera. Assia Djebar: Algeria's 'immortal' literary hero. 30 June 2017.
- 6.C. Naylor, Phillip. Historical Dictionary of Algeria. Rowman & Littlefield. 210. 7 May 2015. 9780810879195.
- 7.Assia Djebar | Algerian writer and filmmaker. 27 February 2024.
- 8.Christopher John Murray. Encyclopedia of Modern French Thought. Routledge. 181. 11 January 2013. 978-1-135-45564-4.
- 9.Mildred P. Mortimer. Assia Djebar. CELFAN Editions. 7. 1988.
- 10.History of the Center Center for French and Francophone Studies at LSU. www.lsu.edu.
- 11.Ghaussy, Soheila. A Stepmother Tongue: "Feminine Writing" in Assia Djebar's Fantasia: An Algerian Cavalcade. World Literature Today. 68. 3. 457–462. 1994. 10.2307/40150357.
- 12.MAÏA de la BAUME, "Assia Djebar, Novelist Who Wrote About Oppression of Arab Women, Dies at 78", The New York Times, 13 February 2015.
- 13.Cidcom/Le Groupe Jeune Afrique. Jeune Afrique. 16. 2006.
- 14.Assia Djebar décédée : Perte d'une intellectuelle majeure. El Watan. 7 February 2015 in lang.
- 15.Chikhi, Beïda. Assia Djebar: histoires et fantaisies. PUPS. 186. 2007. 9782840505068.
- 16.1996 Neustadt Prize Laureate – Assia Djebar. World Literature Today. 28 March 2012.
- 17.Assia Djebar's 81st Birthday. 30 June 2017.
- 18.La bibliothèque Assia Djebar a ouvert ses portes. Paris.fr. 2018-01-26.
- 19.ThriftBooks. Far From Madina book by Assia Djebar.
Bibliography printed in the source article · 10
- Hiddleston, Jane. Assia Djebar: Out of Algeria. Liverpool: Liverpool University Press, 2006.
- Ivantcheva-Merjanska, Irene. Ecrire dans la langue de l'autre. Assia Djebar et Julia Kristeva. Paris: L'Harmattan, 2015.
- Merini, Rafika. Two Major Francophone Women Writers, Assia Djébar and Leila Sebbar: A Thematic Study of Their Works. New York: P. Lang, 1999.
- Mortimer, Mildred P. Assia Djebar. Philadelphia: CELFAN Editions, 1988.
- Murray, Jenny. Remembering the (post)colonial Self: Memory and Identity in the Novels of Assia Djebar. Bern: Peter Lang, 2008.
- O'Riley, Michael F. Postcolonial Haunting and Victimization: Assia Djebar's New Novels. New York: Peter Lang, 2007.
- Rahman, Najat. Literary Disinheritance: The Writing of Home in the Work of Mahmoud Darwish and Assia Djebar. Lanham, MD: Lexington Books, 2008.
- Ringrose, Priscilla. Assia Djebar: In Dialogue with Feminisms. Amsterdam: Rodopi, 2006.
- Thiel, Veronika. Assia Djebar. La polyphonie comme principe générateur de ses textes Vienna: Praesens, 2005.
- Thiel, Veronika. [http://othes.univie.ac.at/19318/1/2011-12-09_9903391.pdf Une voix, ce n’est pas assez... La narration multiple dans trois romans francophones des années 1980. Le Temps de Tamango de Boubacar B. Diop, L’Amour, la fantasia d’Assia Djebar et Solibo Magnifique de Patrick Chamoiseau.] PHD thesis, Vienna University, 2011
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