Antonio Molinari
Illustration — Molinari's Adoration of the golden calf (1700–1702) is in the Hermitage Museum. Antonio Molinari, also known as il Caraccino, (21 January 1655 – 3 February 1704) was an Italian painter of the Baroque era in Venice.
Also recorded as Molinaro · figliolo di Zuane Molinari · Molinari
Antonio Molinari

Antonio Molinari · Web Gallery of Art: Image Info about artwork wga QS:P11807,"/m/molinari/goldcalf" · Public domain
- Nationality
- Republic of Venice.
- Occupation
- painter and artist.
- Teachers
- Antonio Zanchi and Giovanni Molinari.
- Languages
- Italian.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Molinari's Adoration of the golden calf (1700–1702) is in the Hermitage Museum. Antonio Molinari, also known as il Caraccino, (21 January 1655 – 3 February 1704) was an Italian painter of the Baroque era in Venice.
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Note VALÉORINE
Antonio Molinari (1655–1704) was an artist, graphic artist and painter and a national of the Republic of Venice. The artist was born and died in Venice. Antonio Molinari worked in Venice.
Languages used include Italian. Works by the artist are held at Auckland Art Gallery, Hermitage Museum and Hessen Kassel Heritage, among others.
Composed from admitted, traceable facts · 01 October 2026
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Documentary evidence
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Authority files
wikidata · Q603707
In this article
Biography
Biography
Training under Antonio Zanchi and Giovanni Molinari is recorded. Giovanni Battista Piazzetta is recorded as having studied under Antonio Molinari. The recorded working language is Italian. Places of work recorded in the authority are Venice. Work by Antonio Molinari is recorded in the collections of Auckland Art Gallery, Hessen Kassel Heritage, Slovak National Gallery, John and Mable Ringling Museum of Art and National Museum in Warsaw.
The son of a painter, Molinari was apprenticed to Antonio Zanchi in Venice. He was strongly influenced by the vigorous and athletic paintings of Neapolitan painters such as Luca Giordano. He typically painted tumultuous narratives of mythology and religion in large canvases. Many of Molinari’s drawings survive, a large number in Düsseldorf (Kunstmuseum). His preliminary studies for known paintings, laid out in free and flowing ink and chalk lines with wash and hatching to indicate tone, show great speed and fluency in the conception of compositional schemes. Molinari has been called an artist of transition, but he was never a direct precursor of Venetian 18th-century styles. His voluminous, firmly modelled forms and his rich, deep colours remained rooted in the Baroque. He had few followers, but his pupil Giovanni Battista Piazzetta carried some elements of his style into the next century.
Works
Works
His works include: • Feeding of the Five Thousand (1690; San Pantalon, Venice) • Darius and His Family Before Alexander (1690) • Judith with the Head of Holofernes (1690) • Death of Uzzah (c. 1695; Santa Maria degli Angeli in Murano) • Fight of Centaurs and Lapiths (c. 1698, Ca' Rezzonico). • The Boy Moses Stepping on Pharaoh's Crown (c. 1690s–1704), Museum Kunstpalast • Adoration of the Golden Calf (1700–1702), The Hermitage Museum, Saint Petersburg • Adam and Eve (1701–1704), David Owsley Museum of Art • David and Abigail
Gallery
Gallery
• Illustration — Adam and Eve David Owsley Museum of Art • Illustration — Battle between centaurs and lapiths • Illustration — David and Abigail • Illustration — Darius and his family before Alexander
Life and career
Dated record
Life and career
The full dated record · 2 entries
1655
Antonio Molinari was born on 21 January 1655.
1704
Antonio Molinari died on 3 February 1704.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Antonio Molinari was born at Venice.
Birthplace
Antonio Molinari died at Venice.
Deathplace
Venice.
Birth place
Antonio Molinari was born in Venice.
Birthplace
Antonio Molinari died in Venice.
Deathplace
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
Bibliography printed in the source article · 2
- Grove encyclopedia biography on Artnet.
- Wittkower, Rudolf. Art and Architecture Italy, 1600–1750. Penguin Books. 349–350. 1993.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
He trained under Antonio Zanchi and Giovanni Molinari. Each of those relationships is stated by the authority record rather than inferred from style.
The authorities additionally record the headings Molinaro, figliolo di Zuane Molinari and Molinari. His recorded language was Italian. He was the child of Giovanni Molinari.
Identity and origins
Recognition and collections
Work by Antonio Molinari is
Auckland Art Gallery, Hessen Kassel Heritage, Slovak National Gallery and John and Mable Ringling Museum of Art
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Paintings
19,183 published records in this field, each with its sources named.
- Antonio MarinettiArtist
- Antonio Marini di PratoArtist
- Antonio Marziale CarracciArtist
- Antonio MohedanoArtist
- Antonio MoscaArtist
- Antonio Muñoz DegrainArtist
- Antonio Ortiz EchagüeArtist
- Antonio PacheraArtist
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