Ango Sakaguchi
Ango Sakaguchi was a Japanese writer, who wrote short stories and novels and was an essayist. His real name was Heigo Sakaguchi.
Also recorded as Sakaguchi Ango
Ango Sakaguchi

Tadahiko Hayashi · https: hohsi.exblog.jp/14499809 · Public domain
- Name
- Ango Sakaguchi
- Birth Name
- Heigo Sakaguchi
- Born
- 20 October 1906
- Birthplace
- Niigata, Japan
- Died
- 17 February 1955
- Place of death
- Kiryū, Gunma, Japan
- Occupation
- Writer
- Full name
- 坂口 炳五.
- Nationality
- Japan and Empire of Japan.
- Movements
- Buraiha.
- Education
- Toyo University.
- Known for
- Discourse on Decadence, The Idiot, In the Forest and Under Cherries in Full Bloom.
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Documentary summary
Ango Sakaguchi was a Japanese writer, who wrote short stories and novels and was an essayist. His real name was Heigo Sakaguchi.
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Note VALÉORINE
Ango Sakaguchi (1906–1955) was a critic, novelist and screenwriter, among other activities, of Japanese and Japanese nationality. The critic was born 坂口 炳五 in Niigata and died in Kiryū.
Ango Sakaguchi was educated at Toyo University. The critic was associated with Buraiha.
Among the works are Discourse on Decadence, In the Forest, Under Cherries in Full Bloom and The Idiot. Languages used include Japanese.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q132111 · wikipedia · Ango Sakaguchi
In this article
Key facts
Key facts
• Name — Ango Sakaguchi • Birth Name — Heigo Sakaguchi • Born — 20 October 1906 • Birthplace — Niigata, Japan • Died — 17 February 1955 • Place of death — Kiryū, Gunma, Japan • Occupation — Writer • Children — Tsunao Sakaguchi • Genre — Novels, short stories, essay • Notable Works — Darakuron, Kazehakase
Biography
Biography
Born in Niigata, Sakaguchi was part of a group of young Japanese writers to rise and prominence in the years immediately following Japan's defeat in World War II. Ango Sakaguchi was associated with the Buraiha or "Decadent School" (無頼派 buraiha, the school of irresponsibility and decadence), which designated a group of dissolute writers who expressed their perceived aimlessness and identity crisis of post-World War II Japan. In 1946, he wrote his most famous essay, "Darakuron" ("Discourse on Decadence"), which examined the role of bushido during the war. It is widely argued that he saw postwar Japan as decadent, yet more truthful than a wartime Japan built on illusions like bushido. (The work itself does not make any claims about the meaning of decadence.) Ango was born in 1906 and was the 12th child of 13. He was born in the middle of a Japan perpetually at war. His father was the president of the Niigata Shimbun newspaper, a politician, and a poet. Ango wanted to be a writer at 16. He moved to Tokyo at 17, after hitting a teacher who caught him truanting. His father died from brain cancer the following year, leaving his family in massive debt. At 20, Ango taught for a year as a substitute teacher following secondary school. He became heavily involved in Buddhism and attended Toyo University to study Indian philosophy, graduating at the age of 25. Throughout his career as a student, Ango was very outspoken about his opinions. He wrote various works of literature after graduating, receiving praise from writers such as Makino Shin'ichi. His literary career started around the same time as Japan's expansion into Manchuria. At 27, he met and became friends with Yada Tsuneko. His mother died when he was 37, in the middle of World War II. He struggled for recognition as a writer for years before finally finding it with "A Personal View of Japanese Culture" in 1942, and again with "On Decadence" in 1946. In 1947, Ango Sakaguchi wrote an ironical murder mystery, Furenzoku satsujin jiken ("The Non-serial Murder Incident", translated and published in French as Meurtres sans série), for which he received the Mystery Writers of Japan Award in 1948. Ango had a child at 42 with his wife, Michiyo Kaji. Ango later died from a brain aneurysm at age 48 in 1955, in Kiryū, Gunma.
Works in English translation
Works in English translation
• Literary Mischief: Sakaguchi Ango, Culture, and the War, edited by James Dorsey and Doug Slaymaker, with translations by James Dorsey. Lanham, MA: Lexington Books, 2010. (Critical essays by Doug Slaymaker, James Dorsey, Robert Steen, Karatani Kojin, and Ogino Anna.) • Short story • "Pearls" (Shinju, 1942) • Essays • "A Personal View of Japanese Culture" (Nihon bunka shikan, 1942) • "Discourse on Decadence" (Darakuron, 1946) • "Discourse on Decadence, Part II" (Zoku darakuron, 1946) • Short stories • "The Idiot" (Hakuchi, 1946). Transl. by George Saitо̄ in Modern Japanese Stories, ed. by Ivan Morris. Rutland and Tokyo: Charles E. Tuttle Company, 1962, pp. 383–410. • "I Want to Be Holding the Sea" (海を抱きしめていたい), Transl. by Shogo Oketani and Leza Lowitz in Towards a Literature of the Periphery: Manoa (Honolulu, Hawaii: 1995), 7, no. 1. • "One Woman and the War" (Zoku Sensо̄ to hitori no onna, 1946). Transl. by Lane Dunlop in Autumn Wind and Other Stories. Rutland and Tokyo: Charles E. Tuttle Company, 1994, pp. 140–160. • "In the Forest, Under Cherries in Full Bloom" (Sakura no mori no mankai no shita, 1947). Trans. by Jay Rubin in The Oxford Book of Japanese Short Stories, ed. by Theodore W. Goossen. Oxford and New York: Oxford University Press, 1997, pp. 187–205. • "The War and a Woman" (Sensо̄ to hitori no onna, 1946). Transl. by Robert Zetzsche in Sakiko Nomura: Ango. Tokyo: Match and Company, 2017. • Wind, Light, and the Twenty-Year-Old-Me (風と光と二十の私と) (abridged), translated by Reiko Seri and Doc Kane. Kobe: Maplopo, 2020. • Essay • "A Personal View of Japanese Culture" (Nihon bunka shikan, 1942) (abridged). Transl. by James Dorsey in The Columbia Anthology of Modern Japanese Literature, Volume 1, ed. by Thomas Rimer and Van Gessel. New York: Columbia University Press, 2002, pp. 823–835.
Identity and origins
Identity and origins
Ango Sakaguchi was recorded at birth as 坂口 炳五. The authorities additionally record the heading Sakaguchi Ango. His recorded language was Japanese. He was the child of Niichiro Sakaguchi. He married Michiyo Sakaguchi. One child is recorded: Tsunao Sakaguchi.
Work and production
Work and production
Works recorded as notable number 3: Discourse on Decadence, The Idiot and In the Forest, Under Cherries in Full Bloom.

自宅の仕事場の坂口安吾 (昭和22年)
Tadahiko Hayashi · 林忠彦『カストリの時代』ピエ・ブックス、2007年、 ISBN 978-4-89444-597-0 (1987年に朝日文庫から刊行された『カストリの時代』を再編集した本)

「 坂口安吾 」
Hayashi Tadahiko · 『日本の肖像 幕末から明治・大正・昭和』社団法人日本写真文化協会、1999年6月24日
Life and career
Dated record
Life and career
The full dated record · 2 entries
1906
Ango Sakaguchi born at Niigata.
1955
Ango Sakaguchi died at Kiryū.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Niigata.
Birth place
Kiryū.
Death place
Catalogued output
Catalogued works
Category:novels by Ango Sakaguchi
Literature
Literature
Sakaguchi Ango, The Body in Postwar Japanese Fiction, 2004
Sakiko Nomura and Ango Sakaguchi
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Sakaguchi, Ango. Discourse on Decadence. Review of Japanese Culture and Society. 1. 1–5. 1986. 42800058.
- 2.Dorsey, James. Literary Mischief: Sakaguchi Ango, Culture, and the War. Lexington Books. 2010. 978-0-7391-3866-3.
Bibliography printed in the source article · 9
- Dorsey, James. “Culture, Nationalism, and Sakaguchi Ango,” Journal of Japanese Studies vol. 27, no. 2 (Summer 2001), pp. 347~379.
- Dorsey, James. “Sakaguchi Ango,” in Modern Japanese Writers, ed. Jay Rubin (New York: Charles Scribner's Sons, 2000), pp. 31~48.
- Ikoma, Albert Ryue. 1979. Sakaguchi Ango: His Life and Work. Thesis (Ph. D.)--University of Hawaii, 1979.
- Nishikawa Nagao. “Two Interpretations of Japanese Culture.” Transl. by Mikiko Murata and Gavan McCormack. In Multicultural Japan: Palaeolithic to Postmodern, ed. by Donald Denoon, Mark Hudson, Gavan McCormack, and Tessa Morris-Suzuki, 245-64. London: Cambridge University Press, 1996.
- Rubin, Jay. “From Wholesomeness to Decadence: The Censorship of Literature under the Allied Occupation.” Journal of Japanese Studies, vol. 1, no. 1 (Spring 1985), 71-103.
- Steen, Robert. 1995. To Live and Fall: Sakaguchi Ango and the Question of Literature. Thesis (Ph. D.)--Cornell, 1995.
- Ed. James Dorsey and Doug Slaymaker, with translations by James Dorsey, Literary Mischief: Sakaguchi Ango, Culture, and the War. Lantham, MD: Lexington Books, 2010. Critical essays by Doug Slaymaker, James Dorsey, Ogino Anna, Karatani Kojin, and Robert Steen. Annotated English translations of "A Personal View of Japanese Culture" (「日本文化私観」, 1942), "Pearls" (「真珠」, 1942), and "Discourse on Decadence" (「堕落論」parts 1 and 2, 1946).
- Yongfei Yi, 'Sakaguchi Ango's Conceptualizations of the Function of Literature in the Postwar Era', Graduate Program in East Asian Studies, The Ohio State University, 2011 https://web.archive.org/web/20171027181438/https://etd.ohiolink.edu/rws_etd/document/get/osu1313435605/inline
- James Shield, 'Smashing the Mirror of Yamato: Sakaguchi Ango, Decadence and a (Post-metaphysical) Buddhist Critique of Culture', Journal of the International Research Center for Japanese Studies, Volume 23, Pages 225-246, September 2011, http://shinku.nichibun.ac.jp/jpub/pdf/jr/JN2310.pdf
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