Alfredo Andersen
Illustration — Self-portrait (date unknown) Alfred Emil Andersen, known as Alfredo (3 November 1860, Kristiansand - 9 August 1935, Curitiba) was a Norwegian-born painter, sculptor, scenographer and art professor, who spent most of his life in Brazil. He is sometimes referred to as the "Father of painting of Paraná".
Also recorded as Andersen-Sand · Alfred Emil Andersen
Alfredo Andersen

Alfred Emil Andersen (1860-1935) · Bitacora Hedonista (cropped) · Public domain
- Born
- 1860 · Kristiansand Municipality.
- Died
- 1935 · Curitiba.
- Nationality
- Brazil · Norway
- Occupation
- painter · sculptor · scenographer
- Fields
- art of sculpture
- Known for
- Bust of Nilo Cairo and Curitiba
- Languages
- Portuguese
VALÉORINE Encyclopedia
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Documentary summary
Illustration — Self-portrait (date unknown) Alfred Emil Andersen, known as Alfredo (3 November 1860, Kristiansand - 9 August 1935, Curitiba) was a Norwegian-born painter, sculptor, scenographer and art professor, who spent most of his life in Brazil. He is sometimes referred to as the "Father of painting of Paraná".
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Note VALÉORINE
Alfredo Andersen (1860–1935) was a painter, scenographer and sculptor, of Brazilian and Norwegian nationality. The painter was born in Kristiansand Municipality and died in Curitiba.
Alfredo Andersen worked in Copenhagen, Curitiba and Oslo, among others. Activity centred on art of sculpture.
Among the works is Bust of Nilo Cairo, Curitiba. Languages used include Portuguese. Works are held at Memorial de Curitiba, Museu Alfredo Andersen and Museu Antônio Parreiras, among others.
Composed from admitted, traceable facts · 26 September 2026
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Documentary evidence
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Authority files
wikidata · Q4582950 · wikipedia · Alfredo Andersen
In this article
Life and work
Life and work
The recorded working language is Portuguese. The field of work recorded is art of sculpture. Places of work recorded in the authority are Oslo, Copenhagen and Paranaguá. Works named in the authority record are Bust of Nilo Cairo, Curitiba. Work by Alfredo Andersen is recorded in the collections of São Paulo Museum of Art, National Museum of Art, Architecture and Design, Museu Nacional de Belas Artes, Oscar Niemeyer Museum and Museu Alfredo Andersen.
His father, Tobias Andersen, was a captain in the merchant marine. He created his first painting at the age of thirteen. He began his formal studies at the age of seventeen, in Christiania (Oslo) at the Academy of Fine Arts, under the direction of Wilhelm Krogh (1829–1913). He would be Krogh's assistant from 1877 to 1879. After that, he attended the Royal Danish Academy of Fine Arts in Copenhagen, while working as a drawing teacher at an elementary school. He graduated in 1883 and returned to Christiania, where he took private lessons from Olaf Isaachsen. He had his first solo exhibition in 1884. • Illustration — The Port of Paranaguá In 1891, he went on a voyage with his father; sailing throughout the Atlantic. Their ship crashed in the port of Antonina, in Paraná, and they spent some time there while it was repaired; during which he painted some landscapes. When they arrived home, they found that most of old Kristiansand had been destroyed by a fire. The technical school had survived, but they rejected his application on the grounds that he was a "freethinker". He decided to go back to South America, first to Buenos Aires, then to Brazil, where he settled in Paranaguá in 1893. There, he met Anna de Oliveira, a Native-American woman of Carijó ancestry, who was much younger than him. Eventually, they began living together. In 1902, they moved to Curitiba and had four children, including Thorstein Andersen (1905–1964), who also became a painter. Later, he opened a drawing and painting school at their home. After becoming established, he served as a professor of drawing at the Escola Alemã (German School) and the Colégio Paranaense. He was also director of the evening classes at the Escola de Belas Artes e Indústria. His first exhibition in Curitiba came in 1907. He would hold four more exhibitions there by 1930, as well as in Rio de Janeiro (1918) and São Paulo (1921). The Norwegian government offered him a position at the Christiania Academy in 1927 but, after a year there, he returned to Paraná. During that time, he painted his well-known portrait of the author, Knut Hamsun, who had been awarded the Nobel Prize in Literature in 1920. On his seventy-first birthday, in 1931, he was made an honorary citizen of Curitiba, for his services to the local art community. It was the first such citizenship the city had awarded. This led to his nickname, "pai da pintura Paranaense". Four years later, he died of pneumonia. • Illustration — Washerwomen In 1959, the government of Paraná turned his home into an official art school and museum. Later, it was added to the Patrimônio Histórico e Artístico do Estado and, in 1979, it became the Museu Alfredo Andersen.
Identity
Identity
Alfredo Andersen is recorded with the occupation scenographer. Recorded as painter, sculptor and scenographer.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1860
Alfredo Andersen born at Kristiansand Municipality.
1935
Alfredo Andersen died on 9 August 1935.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Kristiansand Municipality.
Birth place
Curitiba.
Death place
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q4582950: Alfredo Andersen
General reference · Wikidata
reference work
- “Alfredo Andersen”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Mais discípulos, 151 anos depois" by Helena Carnieri, In: Gazeta do Povo
- 2.Alfredo Andersen @ the Norsk biografisk leksikon
- 3.Carlos Rubens In: Site Pitoresco
Bibliography printed in the source article · 1
- Amélia Siegel Corrêa, Alfredo Andersen, Alameda, 2015
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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