Alberto da Veiga Guignard

His mother remarried and moved with Alberto to Germany to be with her new husband Louis von Schilgen, a baron. In Europe, Guignard began studying painting at the age of 11 and continued his studies for the next 22 years. He attended the Academy of Fine Arts in Munich, where he studied with Herman Groeber and Adolf Engeler and visited Florence. After he returned to Brazil in 1929, he became an examplar of Brazilian Modernist painting alongside Candido Portinari, Ismael Nery and Cícero Dias. • Illustration — Escola Guignard (in Belo Horizonte), which bears his name In 1931 he took part in the group exhibition Salão Revolucionário (Revolutionary Salon) at the Escola Nacional de Belas Artes in Rio de Janeiro, the first of its annual exhibitions to host modernists. He became a mentor to painters such as Iberê Camargo, Vera Mindlin and Alcides da Rocha Miranda. In 1944, Guignard was invited by Juscelino Kubitschek, then mayor of Belo Horizonte, to establish a program for drawing and painting at the newly created Instituto de Belas Artes (now the Guignard University of Art of Minas Gerais). He lived in Belo Horizonte until his death in 1962. Guignard had several exhibitions in Brazil. In 1953, he was honored with a retrospective in the Museu de Arte Moderna do Rio de Janeiro and, in 1992, at the Museu Lasar Segall. His body was entombed in the Church of São Francisco de Assis in Ouro Preto.

Alberto da Veiga Guignard studied at Academy of Fine Arts, Munich. The recorded working language is Portuguese and Brazilian Portuguese. Work by Alberto da Veiga Guignard is recorded in the collections of Museum of Modern Art and São Paulo Museum of Art.

• Name — Alberto da Veiga Guignard • Born — 25 February 1896 • Birthplace — Nova Friburgo, Rio de Janeiro, Brazil • Died — 25 June 1962 • Place of death — Belo Horizonte, Minas Gerais, Brazil • Movement — Modernism / Post-Impressionism • Field — Painting, drawing, education • Works — Ouro Preto landscape series • Patrons — Juscelino Kubitschek

In August 2015, his painting Vaso de Flores was sold for R$5.7 million, becoming the most expensive work of art by a Brazilian artist ever auctioned.