Zaria Rebels
The Zaria Art Society (also called Zaria Rebels) was a coalition of artists that lasted from 1958 to 1962. The society was notable for their rejection of the precepts of their mainly British art lecturers whose curriculum was focused Western. They rather adopted and promoted local visual art traditions like Nok sculptures and the Uli painting.
Also recorded as The Zaria Art Society
Zaria Rebels
- Period
- 1958
Reference Check
Propose documentary evidence for Zaria Rebels. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q98912326
In this article
History
History
The style of art promoted by the Zaria Art Society is now called natural synthesis. The society included Jimoh Akolo, Yusuf Grillo, Ogbonaya Nwagbara, Demas Nwoko, Emmanuel Odita, Simon Okeke, Uche Okeke, Bruce Onobrakpeya, Oseloka Osadebe, and Solomon Wangboje.
In 1958, a group of students at the Nigeria College of Arts, Science and Technology in Zaria (now Ahmadu Bello University) came together to explore indigenous Nigerian art as opposed to against Western art. The notably rebelled through the concept of natural synthesis. Each member explored their Nigerian heritage with Western expressions to drive new conversations about art at the time. They explored how society had developed from being traditional and colonial to being more modern and independent. Their art was shown to lecturers, as they frowned on students' attempts to stage exhibitions outside the college. The movement was ended in 1962 as each of the artists moved on to pursue their own careers.
Natural synthesis
Natural synthesis
Natural synthesis is an art style that blends elements from local Nigerian visual traditions with modern techniques. Instead of copying traditional forms exactly, artists use them as inspiration to create new, modern Nigerian designs and symbols.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Zaria Art Society, revision 1294119242 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.https://artop.bmth.ac.uk/legacies-of-the-zaria-rebels.html
- 2.Institution, Smithsonian. The Zaria Art Society. Smithsonian Institution.
- 3.How the Zaria Art Society Rebelled. Google Arts & Culture.
- 4.Inner Light by Oseloka Osadebe. SMO Contemporary Art.
- 5.https://www.rem.routledge.com/articles/zaria-art-society-the
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Terminology
620 published records in this field, each with its sources named.
- Young British ArtistsMovement
- Young PolandMovement
- youth crewMovement
- YouthquakeMovement
- Zen'ei shashinMovement
Best supported in this field
For owners
Own an object connected with Zaria Rebels?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.