Yvonne McKague Housser
Yvonne McKague Housser, (1897–1996) was a Modernist Canadian painter, and a teacher.
Also recorded as Muriel Yvonne Mckague Housser
Yvonne McKague Housser
- Name
- Yvonne McKague Housser
- Birth Name
- Muriel Yvonne McKague
- Born
- 4 August 1897
- Birthplace
- Toronto, Canada
- Died
- 26 January 1996
- Education
- Ontario College of Art (1913-1918); Académie de la Grande Chaumière, Colarosi, Ranson academies (1920-1921 and 1924) with Lucien Simon and Maurice Denis; Vienna (1930); New Mexico
- Field
- Painter
- Spouse
- marriage to Frederick B.
- Nationality
- Canada
- Fields
- painting
- Honours
- Member of the Order of Canada
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Yvonne McKague Housser, (1897–1996) was a Modernist Canadian painter, and a teacher.
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In this article
Biography
Biography
The field of work recorded is painting. Work by Yvonne McKague Housser is recorded in the collections of National Gallery of Canada, Musée national des beaux-arts du Québec and Art Gallery of Ontario. Distinctions recorded are Member of the Order of Canada.
Key facts
Key facts
• Name — Yvonne McKague Housser • Birth Name — Muriel Yvonne McKague • Born — 4 August 1897 • Birthplace — Toronto, Canada • Died — 26 January 1996 • Place of death — Toronto, Canada • Education — Ontario College of Art (1913-1918); Académie de la Grande Chaumière, Colarosi, Ranson academies (1920-1921 and 1924) with Lucien Simon and Maurice Denis; Vienna (1930); New Mexico • Field — Painter • Spouse — marriage to Frederick B. Housser in 1935. (Housser died in 1936.)
Early life and education
Early life and education
Yvonne McKague was born in Toronto in 1897 to Hugh Henry McKague and Louise Elliott. She studied at the Ontario College of Art (OCA), Toronto, from 1913 to 1918, with George Agnew Reid, J. W. Beatty, William Cruikshank, Robert Holmes and Emanuel Hahn.
Career
Career
• Illustration — Whitefish Falls in 1936. Top row: Randolph Hewton, Mr. Whittall, Charles Comfort, Yvonne McKague Housser. Middle row: Isabel McLaughlin, Gordon Webber, Bennie Hewton. Bottom row: Hal Hayden, Audrey Taylor, Prudence Heward, Rody Kenny Courtice, Mr. Macdonald. After one more year as post-graduate and assistant, Housser began teaching as assistant instructor at OCAD, then called OCA. In the 1920 OCA Prospectus, she and Edith Coombs were the only women listed on the teaching staff. In 1921–1922, Housser took a leave of absence to study in Paris, France, at the Académie de la Grande Chaumière, Académie Colarossi, and Académie Ranson. In 1923, she first exhibited her work with the Royal Canadian Academy, and in 1924 with the Ontario Society of Artists of which became a member in 1928. From 1926, she showed her work in numerous solo and group shows in the Heliconian Club in Toronto, also in the Art Gallery of Toronto and in private galleries. The Robert McLaughlin Gallery in Oshawa held her retrospective in 1995 curated by Joan Murray. McKague also was a founding member of the Canadian Group of Painters in 1933 (President, 1955–1956), and the Federation of Canadian Artists in 1941. She was made a full member of the Royal Canadian Academy of Arts in 1951. She retired from the Ontario College of Art in 1946 but went on to teach at the Doon School of Fine Art in Kitchener and at the Ryerson Polytechnical Institute in Toronto (now Toronto Metropolitan University) and elsewhere. In 1954, she was one of eighteen Canadian artists commissioned by the Canadian Pacific Railway to paint a mural for the interior of one of the new Park cars entering service on the new Canadian transcontinental train. Each mural depicts a different national or provincial park; Housser's was Sibley Provincial Park. She was the only woman artist who was asked to do a mural. She received the Order of Canada in 1984 and received the OCA's A. J. Casson Award for Distinguished Service in 1991.
Group of Seven
Group of Seven
Housser was invited to exhibit with the Group of Seven in 1928, 1930 and 1931. The group disbanded to form the country-wide Canadian Group of Painters in 1933, of which Housser was a founding member. In 1935 she married Frederick B. Housser, financial editor of the Toronto Star and author of A Canadian Art Movement: The Story of the Group of Seven, published in 1926. He is called the chief mythologizer of the Group by writers such as Sara Angel.
Legacy
In 1998, Housser was one of the four artists in 4 Women Who Painted in the 1930s and 1940s, curated by Alicia Boutilier for the Carleton University Art Gallery, Ottawa.
Selected public collections
• Art Gallery of Ontario, Toronto • National Gallery of Canada • Art Gallery of Hamilton • McMichael Canadian Art Collection • Musée national des beaux-arts du Québec • Robert McLaughlin Gallery, Oshawa
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Paintings
19,183 published records in this field, each with its sources named.
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