Yves Mirande

• Name — Yves Mirande • Born — 8 May 1876 • Birthplace — Bagneux, Maine-et-Loire, France • Died — 17 March 1957 • Place of death — Paris, France • Occupation — Screenwriter, director, actor, producer

Yves Mirande began his acting career in the theater, transitioning to movies in the silent era.

• She Wolves, directed by Maurice Elvey (Silent, 1925, based on the play Un homme en habit) • Evening Clothes, directed by Luther Reed (Silent, 1927, based on the play Un homme en habit) • The Porter from Maxim's, directed by Roger Lion and Nicolas Rimsky (Silent, 1927, based on the play Le Chasseur de chez Maxim's) • Trois jeunes filles nues (film), directed by Robert Boudrioz (Silent, 1929, based on the operetta Trois jeunes filles nues) • Kiss Me, directed by Robert Péguy (Silent, 1929, based on the play Embrassez-moi) • The Wonderful Day, directed by René Barberis (Silent, 1929, based on the play La Merveilleuse Journée) • L'Arpète, directed by Émile-Bernard Donatien (Silent, 1929, based on the play L'Arpète) • A Hole in the Wall, directed by René Barberis (French, 1930, based on the play Le Trou dans le mur) • När rosorna slå ut, directed by Edvin Adolphson (Swedish, 1930, based on the play Le Trou dans le mur) • A Lucky Man, directed by Benito Perojo (Spanish, 1930, based on the play Le Trou dans le mur) • The Matrimonial Bed, directed by Michael Curtiz (English, 1930, based on the play Au premier de ces messieurs) • The Man in Evening Clothes, directed by René Guissart (French, 1931, based on the play Un homme en habit) • A Gentleman in Tails, directed by Roger Capellani and Carlos San Martín (Spanish, 1931, based on the play Un homme en habit) • To Live Happily, directed by Claudio de la Torre (French, 1932, based on the play Pour vivre heureux) • Simone Is Like That, directed by Karl Anton (French, 1932, based on the play Simone est comme ça) • Kiss Me, directed by Léon Mathot (French, 1932, based on the play Embrassez-moi) • Mon cœur balance, directed by René Guissart (French, 1932, based on the play Une femme dans un lit) • The Wonderful Day, directed by Yves Mirande and Robert Wyler (French, 1932, based on the play La Merveilleuse Journée) • The Porter from Maxim's, directed by Karl Anton (French, 1933, based on the play Le Chasseur de chez Maxim's) • Je te confie ma femme, directed by René Guissart (French, 1933, based on the play La Femme de mon ami) • Un Petit Trou pas cher, directed by Pierre-Jean Ducis (French, 1934, based on the play Un petit trou pas cher) • Mr. What's-His-Name?, directed by Ralph Ince (English, 1935, based on the play Au premier de ces messieurs) • It Happened in Paris, directed by Carol Reed and Robert Wyler (English, 1935, based on the play L'Arpète) • The Porter from Maxim's, directed by Maurice Cammage (French, 1939, based on the play Le Chasseur de chez Maxim's) • Kisses for Breakfast, directed by Lewis Seiler (English, 1941, based on the play Au premier de ces messieurs) • A Hole in the Wall, directed by Émile Couzinet (French, 1950, based on the play Le Trou dans le mur) • Ce coquin d'Anatole, directed by Émile Couzinet (French, 1951, based on the play La Grande vie) • The Porter from Maxim's, directed by Henri Diamant-Berger (French, 1953, based on the play Le Chasseur de chez Maxim's) • The Cucuroux Family, directed by Émile Couzinet (French, 1953, based on the play Une femme dans un lit) • The Porter from Maxim's, directed by Claude Vital (French, 1976, based on the play Le Chasseur de chez Maxim's) • The Wonderful Day, directed by Claude Vital (French, 1980, based on the play La Merveilleuse Journée)

• 1932: The Wonderful Day • 1935: Baccara • 1936: Seven Men, One Woman • 1936: The Great Refrain • 1936: The Bureaucrats • 1937: À nous deux, madame la vie • 1938: Café de Paris • 1939: Behind the Facade • 1940: Paris-New York • 1940: Moulin-Rouge

• 1927: L'Arpète, written with Gustave Quinson • 1933: The Porter from Maxim's by Karl Anton • 1939: Behind the Facade by Georges Lacombe and Yves Mirande, as Le clochard sur le banc • 1942: Les Petits Riens (film) by Raymond Leboursier, as Brignolles

• 1933: Je te confie ma femme

• 1909: Un petit trou pas cher (with Henri Caen), Comédie-Royale • 1909: Ma gosse (with Henri Caen) • 1910: Les Jeux sont faits? (with Guillaume Wolff), Théâtre Michel • 1912: Pour vivre heureux (with André Rivoire), Théâtre de la Renaissance • 1920: Un homme en habit (with André Picard), Théâtre des Variétés • 1920: La Femme de mon ami (with Henri Géroule), Théâtre Michel • 1920: The Porter from Maxim's (play) (with Gustave Quinson), Théâtre du Palais-Royal • 1921: Simone est comme ça (with Alexis Madis), Théâtre des Capucines • 1922: La Merveilleuse Journée (with Gustave Quinson), Théâtre du Palais-Royal • 1922: Pourquoi m'as-tu fait ça? (with Alexis Madis and Gustave Quinson), Théâtre des Capucines • 1923: Embrassez-moi (with Tristan Bernard and Gustave Quinson), Théâtre du Palais-Royal • 1925: Trois jeunes filles nues (with Raoul Moretti and Albert Willemetz), Théâtre des Bouffes-Parisiens • 1925: Voulez-vous être ma femme? (by Jacques Richepin, adaptation by Yves Mirande), Théâtre de la Renaissance • 1926: Au premier de ces messieurs (with André Mouëzy-Éon), Théâtre du Palais-Royal • 1927: Une femme dans un lit (with Gustave Quinson), Théâtre du Palais-Royal • 1927: L'Arpète (with Gustave Quinson), Théâtre La Scala • 1929: Le Trou dans le mur, Théâtre de la Michodière • 1929: La Grande vie (with Henri Géroule), Théâtre du Palais-Royal • 1946: Ce soir je suis garçon! (with André Mouëzy-Éon), Théâtre Antoine

• 1943: À la gloire d'Antoine by Sacha Guitry, Théâtre Antoine

• 1949: Le Petit by Tristan Bernard, Théâtre Antoine

Yves Mirande is recorded as screenwriter, librettist, actor, film producer and director. Recorded at birth as Anatole Charles Le Querrec. Identity and origins. His recorded language was French. He married Simone Berriau.