Yoruba art

6 scholarly publications naming this subject were located in the registry of record.

Review of: Mikelle Smith Omari-Tunkara, Manipulating the Sacred: Yorùbá Art, Ritual, and Resistance in Brazilian Candomblé. Detroit: Wayne State University Press, 2005, Journal of Art Historiography, 2011. Yoruba Epistemology, Art, Language and the Universe of Meanings: A Meta-Analysis, Yoruba Studies Review, 2021. On the Imperative of Language for Understanding African Art, Yoruba Studies Review, 2021. Practice as research as a decolonial praxis: Yoruba culture retrieval, Frontiers in Sociology, 2026. A Semiotic Analysis of Orin Ọ̀tẹ̀: Yorùbá Performance Art in Song-Lashing, Yoruba Studies Review, 2026. The Landbound Chicken and the Deliberate Chameleon yet have their Uses: Yorùbá Art History, Language, and Interpretation., Yoruba Studies Review, 2021.

2 digitised items associated with this heading are catalogued by DataCite (Journal of Education, Communication, and Digital Humanities) and DataCite (Unpublished).

Art, Society and Development in the Yoruba Southwest, Nigeria: A Postcolonial Cultural Analysis (2025) — DataCite (Journal of Education, Communication, and Digital Humanities). YORUBA VOCAL ART MUSIC OF SEUN OWOAJE IN THE CONTEXT OF SUSTAINABLE DEVELOPMENT (2023) — DataCite (Unpublished).

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 10 further registers were consulted and returned nothing for this heading.

Authority records. The identifiers under which Yoruba art may be traced in institutional catalogues.

Yoruba art is established in the international name authorities as Wikidata Q8055874.

Scholarly footprint. Bibliographic registers publish measured figures for this heading: 21 deposited research records (DataCite Commons). A count of publications is evidence of attention, not of standing, and is given here only as a measure.