Ye Yanlan

He spent his post-retirement career as a teacher at the Yueha Academy. An avid collector of art, Ye produced collections depicting the Eight Beauties of Qinhuai, Ming- and Qing-dynasty literati, and prominent Qing leaders. He also wrote numerous poems, gaining recognition as one of Guangdong's best ci writers. His calligraphy was noted for its refined brushwork.

• Name — Ye Yanlan • Born — 1823 • Birthplace — Panyu County, Guangdong, China • Died — 1897/1898 • Relatives — Ye Gongchuo (grandson) Ye Yanlan (1823–1897/1898) was a Chinese poet, painter, calligrapher, and official in the Qing dynasty. Born in Panyu County, Guangdong, he attended the Yuehua Academy and Xuehai Academy before taking the imperial examination, earning the title of juren in 1852 and the title of jinshi in 1856. Before his retirement in 1882, he had worked at the Hanlin Academy and headed the Ministry of Revenue. He spent his post-retirement career as a teacher at the Yueha Academy. An avid collector of art, Ye produced collections depicting the Eight Beauties of Qinhuai, Ming- and Qing-dynasty literati, and prominent Qing leaders. He also wrote numerous poems, gaining recognition as one of Guangdong's best ci writers. His calligraphy was noted for its refined brushwork.

Ye was born in Panyu County, Guangdong, in 1823. His father, Ye Yinghua, had been a noted lyricist who also produced numerous paintings of orchids. He took up poetry at a young age, studying under Zhang Weiping. While attending the Yuehua Academy, he gained attention for a series of twelve works known collectively as the Mandarin Duck Poems, which were widely discussed in contemporary poetry circles. Ye also attended the Xuehai Academy, under the tutelage of Chen Li. As an adult, Ye took the courtesy name Nanxue (meaning "Southern Snow"). He completed the provincial examination, gaining the title of juren in 1852, followed by the imperial examination in 1856, gaining the title of jinshi. Ye therefore became an official in the Qing dynasty. He first worked at the Hanlin Academy and later became the magistrate for Jiujiang, Jianxi. He later headed the Ministry of Revenue and served as secretary of the military. Living and operating in Beijing, Ye interacted frequently with artists and bureaucrats and built an extensive art collection. He collected numerous antiquities, showing a fondness for early inscriptions and bronzes and works from the Song dynasty. Ye had one wife, six concubines, and several sons, with some of his sons entering the bureaucracy. His son Ye Peiqiang, for instance, became a muyou (legal specialist) in Shandong. Ye retired from the government in 1882, deciding to return to Guangdong with his family; according to the family's oral tradition, he was dismissed for speaking Cantonese in front of the Manchu emperor. Ye returned to the Yuehua Academy as a teacher, then later as its director. With Zhang Jingqi, Ye produced a book titled Qinhuai Bayan Tuyong in 1892. Detailing the Eight Beauties of Qinhuai, it included portraits and biographies of each woman by Ye as well as lyrical poetry by Ye and Zhang. Ye died in 1897 or 1898.

Ye learned from Zhang Weiping, a poet from Panyu. His early poetry also showed the influences of Jiang Kui and Zhang Yan (poet). In his youth, he was recognized for the Mandarin Duck Poems. One, quoted in the Southern Metropolis Daily, reads: • Chinese — English • 文采翩翩絕世才 棲身池館亦蒿萊 湖邊翡翠傷心侶 江上芙蓉薄命胎 雲水為家雙宿慣 穠華被服五銖裁 生涯畢竟煙波好 不羨鯨魚跋浪開 — A gifted writer of extraordinary talent Living in a pond pavilion, covered with weeds A sad couple of emeralds by the lake A fateful lotus on the river The clouds and water his home, and he lives alongside A gorgeous quilt made of five-zhu cloth Life is better in the mist and waves, after all I don't envy the whales that travel on the waves Imagery of the moon and flowers was common in his poetry. Some later works, however, responded to contemporary political developments. With the destruction of the Beiyang Fleet during the First Sino-Japanese War, he wrote a poem titled "Bodhisattva", which saw wide circulation. Ye became known as one of the three masters of ci in Guangdong, together with Wang Quan (poet) and Shen Shiliang. In his preface to Ye's collection Haiyun Pavilion Poetry Collection, the poet Wang Quan described his works as "clear and rich, ornate, with an unconcealed spirit; strict in rhythm, but unconstrained in talent". Other literary publications by Ye included Qiu Meng An Poetry Notes and Qiu Meng An Poems. In his calligraphy, Ye was noted for his refined brushwork. He specialized in ancient seals, semi-cursive script, and regular script.