Xaver Scharwenka
Theophil Franz Xaver Scharwenka (6 January 1850 – 8 December 1924) was a German pianist, composer and teacher of Polish descent. He was the brother of Ludwig Philipp Scharwenka (1847–1917), who was also a composer and teacher of music.
Also recorded as Franz Xaver Scharwenka · Theophil Franz Xaver Scharwenka
Xaver Scharwenka

http: strucID=1879378 imageID=1713147 total=1 num=0 word=Scharwenka s=1 notword= d= c= f= k=0 lWord= lField= sScope= sLevel= sLabel= im · Public domain
- Born
- 1850. · Szamotuły.
- Died
- 1924. · Berlin.
- Nationality
- Kingdom of Prussia and Germany.
- Occupation
- composer, conductor, pianist, musicologist, teacher and music arranger.
- Fields
- classical music and piano music.
- Teachers
- Theodor Kullak.
- Languages
- English, German and Polish.
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Documentary summary
Theophil Franz Xaver Scharwenka (6 January 1850 – 8 December 1924) was a German pianist, composer and teacher of Polish descent. He was the brother of Ludwig Philipp Scharwenka (1847–1917), who was also a composer and teacher of music.
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Note VALÉORINE
Xaver Scharwenka (1850–1924) was a composer, conductor and music arranger, among other activities, of German and Prussian nationality. The composer was born in Szamotuły and died in Berlin. Xaver Scharwenka worked for Klindworth-Scharwenka Conservatory.
The work spans classical music and piano music. Languages used include English, German and Polish.
Composed from admitted, traceable facts · 26 September 2026
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Authority files
wikidata · Q703370 · wikipedia · Xaver Scharwenka
In this article
Life and career
Life and career
Training under Theodor Kullak is recorded. Bettina Walker, José Vianna da Motta and Stella Stocker are recorded as having studied under Xaver Scharwenka. The recorded working language is English, German and Polish. Subjects and genres recorded for the work are classical music and piano music. Employment is recorded with Klindworth-Scharwenka Conservatory.
Scharwenka was born in 1850 in Samter, Prussia (Polish: Szamotuły; until 1793 and since 1919 part of Poland). His paternal ancestors originally came from Prague, then moved to Frankfurt on the Oder in 1696 - probably for reasons of faith - and settled thereafter in Samter. His father, August Wilhelm, was a gifted master-builder but decidedly did not have an ear for music. His mother, née Golisch, was an ethnic Pole from a family of some means, who was musically inclined and early on instilled in her children a love of music. Although he began learning to play the piano by ear when he was 3, Scharwenka did not start formal music studies until he was 15, when his family moved to Berlin and he enrolled at the Akademie der Tonkunst. Under Theodor Kullak, his pianistic skills developed rapidly, and he made his debut at the Singakademie in 1869. He taught at the academy until entering military service in 1873. Upon his discharge in 1874, Scharwenka began touring as a concert pianist. Praised for the beauty of his tone, he became a renowned interpreter of the music of Frédéric Chopin. In 1881 Scharwenka organized a successful annual series of chamber and solo concerts at the Singakademie in conjunction with Gustav Holländer and Heinrich Grünfeld. That October he founded his own music school in Berlin. In 1886, he conducted the first in a series of orchestral concerts devoted to the music of Hector Berlioz, Franz Liszt and Ludwig van Beethoven while continuing to tour extensively and play his works in collaboration with other artists such as the conductor Hans Richter and the violinist Joseph Joachim. This triple role as pianist, composer and educator would occupy Scharwenka for the rest of his career. In 1891, Scharwenka made his first tour of America. Deciding to emigrate, he opened a New York branch of his Scharwenka Music School. In 1893 the Berlin Scharwenka Conservatory was united with the Klindworth Conservatory, and in 1898 he returned there as Director, from New York. In 1914, with W. Petzet, he opened a School of Music with a piano teachers' seminary attached. Among pianists who received some instruction from him were José Vianna da Motta, Fridtjof Backer-Grøndahl and Selmar Janson. See: List of music students by teacher: R to S#Xaver Scharwenka. His Methodik des Klavierspiels was published in Leipzig in 1907. Sometime in the very early 1900s he conducted Felix Mendelssohn's G minor Concerto, at which the composer and pianist Marthe Servine made her debut. Scharwenka made several recordings for Columbia Records in 1910 and 1913, including works of his own, as well as pieces by Chopin, Mendelssohn, Weber and Liszt: his account of Chopin's Fantaisie-Impromptu (Op. posth. 66) is admired. His playing is also preserved on Welte-Mignon and Hupfeld piano rolls, including the Chopin A-flat Waltz, Op 42, and the F minor Fantaisie (Op. 49), his performance of which was famous. Some of his Hupfeld rolls were also converted for the American Ampico reproducing piano.
Music
Music
Scharwenka's own compositions include an opera (Mataswintha), a symphony, four piano concertos, chamber music (all with piano part) and numerous piano pieces; his piano idiom somewhat resembles Schumann and Rachmaninoff. The four piano concertos are substantial works. The first, in B-flat minor, Op. 32, was completed in 1874 and premiered the following year. It was originally written as a solo piano fantasy, but Scharwenka was dissatisfied, and reworked it with orchestra into this form. Franz Liszt accepted the dedication and performed it in Berlin. Its first recording was made in 1968 with Earl Wild and the Boston Symphony Orchestra under Erich Leinsdorf. Wild had learned the concerto as a boy under Selmar Janson, who had studied it directly with the composer. When Leinsdorf asked Wild to record the concerto, he was able to say "I've been waiting by the phone for forty years for someone to ask me to play this". The fourth concerto, in F minor, Op. 82 (1908), was premiered on 18 October 1908 in the Beethovensaal, Berlin, with Scharwenka's student Martha Siebold as the soloist and the composer himself conducting. Scharwenka's works were neglected for some years after his death; however, his "Polish Dance No. 1" in E-flat minor, Op. 3, No. 1, remained popular. Since the mid-1990s, however, interest in his music has been rekindled, and recordings of most of his works are now commercially available. The recording of his Fourth Piano Concerto played by Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Lawrence Foster was voted Record of the Year by the British music magazine Gramophone in 1996. His Symphony in C minor, Op. 60, received its CD premiere in 2004.
Concertos
Concertos
Piano Concerto No. 1 in B-flat minor, Op. 32 (1876) Piano Concerto No. 2 in C minor, Op. 56 (1881) Piano Concerto No. 3 in C-sharp minor, Op. 80 (1889) Piano Concerto No. 4 in F minor, Op. 82 (1908)
Orchestral
Orchestral
Overture in C minor, ScharWV 123 (1869) Andante religioso, Op. 46a/ScharWV 120, the composer's arrangement of the Cello Sonata (1881) Symphony in C minor, Op. 60/ScharWV 121 (1885)
Opera
Opera
Mataswintha, ScharWV 150 (1896), opera in 3 acts with libretto by Ernst Koppel after Felix Dahn
Chamber music
Chamber music
Piano Trio No. 1 in F-sharp minor, Op. 1 (1868) Violin Sonata in D minor, Op. 2 (1868) Piano Quartet in F major, Op. 37 (1876-1877?) Cello Sonata in E minor, Op. 46 (1877) Piano Trio No. 2 in A minor, Op. 45 (1878) Serenade for violin and piano, Op. 70 (1895)
Piano
Piano
5 Polish Dances, Op. 3 Scherzo in G major, Op. 4 Stories at the Piano, Op. 5 Piano Sonata No. 1 in C-sharp minor, Op. 6 (1872) Polonaise in C-sharp minor, Op. 12 Barcarolle in E minor, Op. 14 Impromptu in D major, Op. 17 2 Piano Pieces, Op. 22: Novelette, Melodie Valse-Caprice in A major, Op. 31 Piano Sonata No. 2 in E-flat major, Op. 36 (1878) Dance Suites, Op. 41 Polonaise, Op. 42 Polish Dances, Op. 47 Theme and Variations, Op. 48 4 Polish Dances, Op. 58: Moderato, Lento, Allegro non tanto, Moderato Eglantine Waltz, Op. 84 3 Piano Pieces, Op. 86: Nocturne, Serenade, Maerchen Ballade in B Minor, Op. 8
Life and career
Dated record
Life and career
The full dated record · 2 entries
1850
Xaver Scharwenka was born in 1850 at Szamotuły.
1924
Xaver Scharwenka died in 1924 at Berlin.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Szamotuły.
Birth place
Berlin.
Death place
Selected discography
Piano Concerto No. 1 in B-flat minor, Op. 32 played by Earl Wild with the Boston Symphony Orchestra conducted by Erich Leinsdorf. Recorded in 1969. (As LP, RCA Red Seal SB 6815.) CD also contains Paderewski's Piano Concerto and Balakirev's Fantasia on Themes by Glinka (Elan Recordings no. 22660). Piano Concerto No. 1 in B-flat minor, Op. 32 played by Marc-André Hamelin with the BBC Scottish Symphony Orchestra conducted by Michael Stern. Recorded in 2005. CD also contains Anton Rubinstein's Piano Concerto No. 4 (Hyperion Records no. 67508). Piano Concerto No. 1 in B-flat minor, Op. 32 played by Seta Tanyel with the Philharmonia Orchestra conducted by Yuri Simonov. CD also contains Chopin's Piano Concerto No. 1 with the same orchestra conducted by Carlo Rizzi. The recording was made for the now defunct label Collins Classics (No. 12632). Piano Concerto No. 2 in C minor, Op. 56 played by Michael Ponti with the Hamburg Symphony Orchestra conducted by Richard Kapp. Issued in 1971 as LP, VOX Candide STGBY 651. Also contains Scherzo Op. 4, Erzählung am Klavier No 2, Op. 5, Novelette Op. 22, No. 1, and Polonaise, Op 42. Piano Concerto No. 3 in C-sharp minor, Op. 80 played by Seta Tanyel with the Radio Philharmonie Hannover conducted by Tadeusz Strugała. Recorded in 1996. CD also contains Piano Concerto No. 2 (Hyperion no. 67365). This recording is a rerelease of a Collins Classics CD. Piano Concerto No. 4 in F minor, Op. 82 played by Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Lawrence Foster. Recorded in 1995. CD also contains Emil von Sauer's Piano Concerto No. 1 (Hyperion no. 66790). Complete Piano Concertos played by Alexander Markovitch with the Estonian National Symphony Orchestra conducted by Neeme Järvi (Chandos CHAN 10814(2)) 2014. Symphony in C minor, Op. 60 (1885). Gävle Symphony Orchestra conducted by Christopher Fifield (Sterling 1060-2).

Xaver Scharwenka (1850-1924), a German pianist and composer
Hemeroteca Digital: "A arte musical: revista publicada quinzenalmente", Ano 1, N.º 9, 15 de Maio de 1899

1891 sketch of pianist and composer Xaver Scharwenka
The Musical Courier · Front cover of The Musical Courier, August 5, 1891
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q703370: Xaver Scharwenka
Reputable secondary · Wikimedia Foundation
- “Xaver Scharwenka”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
- The life and keyboard works of (Franz) Xaver Scharwenka (1850–1924).
Scholarly · Crossref registry
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Xaver Scharwenka, Sounds From My Life: Reminiscences of a Musician, 7
- 2.Haus Wieynk - Bad Saarow. Xaver Scharwenka
- 3.Suttoni, New Grove (2001), 22:339.
- 4.Suttoni, New Grove (2001), 22: 439–440.
- 5.A. Eaglefield-Hull, Dictionary of Modern Music and Musicians (Dent, London 1924).
- 6.Suttoni, New Grove (2001), 22: 440.
- 7.The Roth String Quartet in a Program of Compositions by Marthe Servine. Program for concert at Town Hall, New York, NY, 9 February 1941.
- 8.Methuen-Campbell, James: Catalogue of recordings by classical players, Vol. 1 (1984)
- 9.J. Methuen-Campbell, Chopin Playing from the Composer to the Present Day (Gollancz, London 1981), pp. 101-102.
- 10.Referred to as "Scharwenka's B-flat-minor horror" by Glenn Gould in: Tim Page (ed.), The Glenn Gould Reader (Knopf, New York 1984), 74.
- 11.Frank Cooper, 1970 Sleevenote to RCA SB 6815.
- 12.Debora Arder, The Piano Teaching of Earl Wild.
References
Citations
References
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scholarly publication
Verifiedreference work
Wikidata, structured authority record Q703370: Xaver ScharwenkaWikimedia Foundation
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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