William Dobell

William Dobell studied at Slade School of Fine Art and Julian Ashton Art School. The recorded working language is English. Subjects and genres recorded for the work are portrait. Work by William Dobell is recorded in the collections of National Gallery of Victoria, Art Gallery of South Australia, National Portrait Gallery, Art Gallery of New South Wales and National Gallery of Australia. Distinctions recorded are Officer of the Order of the British Empire, Archibald Prize, Wynne Prize and Knight Bachelor.

• Honorific Prefix — Sir • Name — William Dobell • Honorific Suffix — OBE • Born — 24 September 1899 • Birthplace — Cooks Hill, Colony of New South Wales • Died — 13 May 1970 • Place of death — Wangi Wangi, New South Wales, Australia • Education — Cooks Hill Public School Slade School of Fine Art • Known for — Artist • Style — Portrait and Landscape painting • Awards — Archibald Prize: 1943, 1948, 1959 Wynne Prize: 1948

Dobell was born in Cooks Hill, a working-class neighbourhood of Newcastle, New South Wales in Australia to Robert Way Dobell and Margaret Emma (née Wrightson). His father was a builder and there were six children. Dobell's artistic talents were evident early. In 1916, he was apprenticed to Newcastle architect, Wallace L. Porter and in 1924 he moved to Sydney as a draftsman. In 1925, he enrolled in evening art classes at the Sydney Art School (which later became the Julian Ashton Art School), with Henry Gibbons as his teacher. He was influenced by George Washington Lambert. He was also gay and consequently never married, while several of his works carried strong homoerotic overtones. In 1929, Dobell was awarded the Society of Artists' Travelling Scholarship and travelled to England to the Slade School of Fine Art where he studied under Philip Wilson Steer and Henry Tonks. In 1930, he won first prize for figure painting at Slade and also travelled to Poland. In 1931 he moved on to Belgium and Paris, and after 10 years in Europe returned to Australia – taking with him a new Expressionist style of painting as opposed to his earlier naturalistic approach. In 1939, he began as a part-time teacher at East Sydney Technical College. After the outbreak of war, he was drafted into the Civil Construction Corps of the Allied Works Council in 1941 as a camouflage painter; he later became an unofficial war artist. During his two years as a camouflage painter, he shared a tent with artist Joshua Smith. In 1944, he had his first solo exhibition including public collection loans at the inauguration of the David Jones Art Gallery, Sydney. In 1949, he visited New Guinea as a guest of Sir Edward Hallstrom with writers Frank Clune and Colin Simpson. The trip inspired a new series of tiny, brilliantly coloured landscapes. In 1950, he revisited New Guinea; on his return to Australia he continued to paint scenes of New Guinea, as well as portraits. Dobell was interviewed in 1959 by Hazel de Berg about his time painting Dame Mary Gilmore's portrait. The recording can be found at the National Library of Australia. • Illustration — Sir William Dobell visiting an art class at the Newcastle Technical College Art School in 1956 Between 1960 and 1963 TIME magazine commissioned Dobell to paint four portraits for covers, one per year, of: Sir Robert Menzies, Prime Minister of Australia; South Vietnam's President Ngô Đình Diệm; Frederick G. Donner, the Chairman of General Motors; and Tunku Abdul Rahman, Prime Minister of Malaysia. In 1964, Dobell exhibited in a major retrospective at the Art Gallery of New South Wales and the first monograph of his work was written by James Gleeson.

• The Pro Hart Art Gallery in Broken Hill has a dedicated 'Sir William Dobell Room' that displays more than 300 of Dobell's drawings

In 1943, Dobell's portrait of Joshua Smith, titled "Portrait of an artist", was awarded the Archibald Prize. This was contested in 1944 by two unsuccessful entrants (Mary Edwell-Burke and Joseph Wolinski), who brought a lawsuit against Dobell and the Gallery's Board of Trustees in the Supreme Court of New South Wales on the grounds that the painting was a caricature and therefore not eligible for the prize. Public opinion was sharply divided, with most viewers puzzled by the unexpected portrait. One art critic was highly laudatory: • Creating a man in the simplicity of everyday existence, Dobell reaches profundity by his understanding of this life which, at this instant, is realised and merged with his own nature. During his courtroom defense of the piece Dobell stated: "Art fails to be Art if you fail to select for your design. All artists must do that and I did it." The claim was dismissed and the award was upheld, but the ordeal left Dobell emotionally disturbed and he retreated in 1945 to his sister's home at Wangi Wangi on Lake Macquarie, where he began to paint landscapes. The Supreme Court opinion by Mister Justice Roper said: • The picture in question is characterized by some startling exaggeration and distortion, clearly intended by the artist, his technique being too brilliant to admit of any other conclusion. It bears, nevertheless, a strong degree of likeness to the subject and is, I think, undoubtedly a pictorial representation of him. I find it a fact that it is a portrait within the meaning of the words in the will, and consequently the trustees did not err in admitting it to the competition.

• In 1943, Archibald Prize for Mr Joshua Smith, a portrait of the artist Joshua Smith (unsuccessfully challenged in court as being caricature rather than portraiture) • In 1948, Archibald Prize for a portrait of Margaret Olley • In 1948, the Wynne Prize for Storm Approaching Wangi • In 1959, Archibald Prize for a portrait of Dr E. G. MacMahon

• Officer of the Order of the British Empire (OBE) 1 January 1965, "In recognition of service to the arts as a portrait and landscape painter" • Knight Bachelor 3 June 1966, "In recognition of service to the arts" • The federal electoral Division of Dobell in New South Wales is named after Dobell