Will Alsop

Will Alsop studied at Architectural Association School of Architecture and University of Northampton. The recorded working language is English. The field of work recorded is architecture and architectural design. Employment is recorded with University of the Arts Bremen and TU Wien. Works named in the authority record are Hôtel du Département des Bouches-du-Rhône and Peckham Library. Work by Will Alsop is recorded in the collections of Design Museum Gent, London Transport Museum, Royal Collection, Victoria and Albert Museum and Royal Academy of Arts. Distinctions recorded are Officer of the Order of the British Empire, Stirling Prize, RIBA International Award and Civic Trust Award.

• Name — Will Alsop • Birth Name — William Allen Alsop • Born — 12 December 1947 • Birthplace — Northampton, Northamptonshire, England, UK • Died — 12 May 2018 • Practice — Alsop and Störmer; aLL Design • Significant Buildings — * Hôtel du département des Bouches-du-Rhône • Peckham Library, Peckham • Sharp Centre for Design, Ontario College of Art & Design, Toronto (2004) • Blizard Building, Whitechapel • Gao Yang cruise terminal development, Shanghai • Palestra London • North Greenwich tube station • Goldsmiths College London • Significant Projects — Yonkers Power Plant project; Clarke Quay Redevelopment project • Awards — Stirling Prize (2000); RIBA Worldwide Award (2004); Civic Trust Award (2003, 2006); RIBA Regional Award (London) (2006) • Education — Architectural Association School of Architecture

Alsop always wanted to be an architect, even before he really knew what architects did; when he was six years old, he designed a house for his mother to live in – its most striking specification was that it had to be built in New Zealand. When he was 16 his father, an accountant, died, and being bored with school, at the private Eaglehurst College he left to work for an architect, doing his A-levels at evening classes. • Illustration — Will Alsop's apartment block at New Islington, Manchester (2009), is situated alongside the Ashton Canal, and the facades feature the names of local waterways. 9 storeys high, the building has been said to look like three potato chips on top of each other. He was greatly influenced by his drawing tutor, Henry Bird while at foundation course at Northampton Art School. He recalled how he was taught to draw by him. He gave me a brick, told me to draw it and promptly left the room. I proceeded to draw it with all its shadows. On his return he went into a rage and chastised me for destroying the vision with shading, shouting: 'What is wrong with a simple line?' He insisted that I redo the drawing with line only so that I could begin to see the brick and its proportions. I drew that brick for two three hour sessions per week, line only, for three months. Eventually, he admitted that I had mastered the brick and I was allowed to progress onto the tin can. Alsop then studied at the Architectural Association School of Architecture where at 23 he entered the competition to design the Centre Georges Pompidou in Paris and came second to the eventual winners, Richard Rogers & Renzo Piano. He worked briefly for Maxwell Fry and Jane Drew, a couple who had been instrumental in introducing modernism to Britain in the 1930s, then joined Cedric Price for four years. After a short period with Roderick Ham, in 1981 Alsop set up a practice, Alsop & Lyall, with his classmate John Lyall in Hammersmith. Jan Störmer later joined the practice and a decade later, in 1991, the practice was renamed Alsop & Störmer after Lyall's departure. Alsop's first major commission was a swimming pool for Sheringham in Norfolk in 1984, followed by a visitor centre for Cardiff Bay. Thereafter he worked on a number of projects in Germany, including the Hamburg Ferry Terminal. In 1992, Alsop came first, against competitor Norman Foster, in the competition to design the Hôtel du département des Bouches-du-Rhône (the county government office of Bouches-du-Rhône) in Marseille, France. The building, now considered a major work of late 20th century architecture and a Marseille landmark, nicknamed Le Grand Bleu, was designed by Alsop and Störmer, and developed its visual identity through the design process in collaboration with the architectural artist Brian Clarke, with the completed building externally clad in Yves Klein blue glass, with one elevation formed of a 1,200 m 2 artwork by Clarke screenprinted in ceramic glaze onto the facade. Alsop and Störmer divided into separate practices in 2000, with Alsop renaming the practice Alsop Architects. Alsop admitted to never being very good at handling finances, and his practice went through several difficult periods, including the cancellation in June 2004 of plans to build a "Fourth Grace" to be built on Liverpool's Pier Head waterfront. Since 2001–2002, three historical buildings at the Pier Head in Liverpool have been known as the "Three Graces": they are the Royal Liver Building (1908–11) by Walter Aubrey Thomas, the Cunard Building (1914–16) by Willinck & Thicknesse with Arthur J. Davis, and the Port of Liverpool Building (1903–07) by Briggs & Wolstenholme with Hobbs & Thornely – the so-called "Cloud Building" – officially because of rising costs and unrealistic design. In early 2006, Alsop sold his practice to a design conglomerate called the SMC Group to concentrate on architecture. After leaving ARCHIAL (formerly Alsop Architects, then SMC Alsop), he joined RMJM's London Headquarters as International Principal on 1 October 2009. The office's name was "Will Alsop at RMJM". Alsop's latest practice was called All Design and had practices in London and Chongqing. Alsop's London office was located in Battersea. Alsop was a tutor of sculpture at Central Saint Martins College of Art and Design in London for several years, and held many other academic posts, among others at the Vienna University of Technology, Universities of London and Hannover, and actively promoted the artistic contribution to built environments. In 2013, Alsop became Professor of Architecture at the University for the Creative Arts's Canterbury School of Architecture. Alsop was made an Officer of the Order of the British Empire (OBE), and was elected to the Royal Academy on 18 May 2000.

• Illustration — THEPUBLIC, West Bromwich. The design has been likened to a massive fish tank or a Friesian cow. Alsop's architectural heroes were Le Corbusier, Sir John Soane, John Vanbrugh and Mies van der Rohe. His avant-garde, modernist buildings are usually distinguished by their vibrant use of bright colour and unusual forms. Before Alsop begins to work on a new project, he uses painting to clear his mind, think freely and create an uncontaminated design approach. "One of the reasons for painting is that you are not really in control of what you are doing – and that interests me a lot. Instead of having a specific starting point, which perhaps, in architectural terms, would lead through to a series of logical thoughts working towards a designed building, you can start anywhere." For him, the act of painting together with working closely with the client and the local community are necessary ingredients in urban design and architecture. In 2004, Alsop published a book entitled Supercity which elicited much debate. It was the subject of a Channel 4 television documentary and an exhibition at the Urbis museum in Manchester. This book described his vision of a "Supercity" – a futuristic conurbation – stretching along the M62 corridor from Liverpool to Hull. It included a discussion of how the increasing interconnectivity of the cities along this corridor is changing the concepts of a "city", and how they can be developed to merge the idea of the rural and urban. It also included a number of architectural ideas of possible buildings and communities in this city. Although there was some political support for his ideas, with The Times claiming that former British Deputy Prime Minister John Prescott was a supporter, the Supercity has its critics. Alsop featured significantly in Iain Sinclair's book Ghost Milk (2011), especially the chapter "In the belly of the architect". The book is a critique – written using the literary technique of psychogeography – of the capital used to drive through vanity planning projects such as the London Olympics, and Alsop's unbuilt planning projects in the north of England, such as Supercity, are seen as typical of these, where the architect fantasizes about how architectural design solves social and economic problems. Alsop's architectural talents may be the subject of controversy built up an international reputation and a degree of celebrity and professional recognition, described by the Observer as "number three in the hierarchy of British architects after Lords Rogers and Foster". Notwithstanding this, like fellow avantgardist Dame Zaha Hadid, he actualised relatively few buildings from his designs. Alsop estimated that only about 10% of his designs have been built, something he stated did not worry him because of the enjoyment he derived in designing buildings even without a particular commission or competition in mind. In a 2007 interview, Alsop stated "It's like tennis – you have to keep doing it all the time, whether you have a client or not. I believe that absolutely. You can speculate in your sketchbook – you're allowed to think about anything, with or without a client." In April 2007, The Observer commented that Alsop's approach to architecture could broadly be defined by his statement: "I like people. I hope it shows."

• Image — Information — Awards and nominations • — Cardiff Bay Visitor Centre Cardiff, Wales Completed 1991, demolished 2010. — * Royal Institute of British Architects (RIBA) Regional Award for Architecture (1991). * RIBA National Award for Architecture (1992) • — Hamburg Ferry Terminal Hamburg-Altona, Germany Completed 1993 (with:de:Jan Störmer, Hamburg) • — Hôtel du département des Bouches-du-Rhône (Le Grand Bleu) Marseille, Bouches-du-Rhône, France Completed 1994 (with Brian Clarke) — *Stirling Prize nominee (1997) *RIBA Worldwide Projects Award (1997) *RIBA Civic & Community Architecture Award (1995) *Palmarés Award for Architecture (1995) • — North Greenwich tube station Greenwich, London, England Completed 1999 — *Stirling Prize nominee (1999) • — Peckham Library Peckham, London, England Completed 2000 — *Stirling Prize (2000) *Civic Trust Award (2003) • — Colorium Düsseldorf, Germany Completed 2001 • — Urban Entertainment Center Mixed-use complex with a hotel, shops and a casino Almere, Netherlands Completed 2003 • — Sharp Centre for Design, Ontario College of Art & Design Toronto, Ontario, Canada Completed 2004 — *RIBA Worldwide Award (2004) *City of Toronto Urban Design Award (2006) • Fawood Children's Centre Harlesden, North London, England Completed in 2004 — *Stirling Prize nominee (2005) • — Ben Pimlott Building, Goldsmiths, University of London New Cross, London, England Completed 2005 • — Blizard Building, Barts and The London School of Medicine and Dentistry Whitechapel, London, England Completed March 2005 — *Civic Trust Award (2006) *RIBA Regional Award (London) (2006) • Alsop Toronto Sales Centre for Westside Lofts (1151 Queen Street West) Toronto, Ontario, Canada Completed 2006 • — Palestra, 197 Blackfriars Road, Southwark, London, England Completed 2006 — * RIBA Regional Award (London) (2007) *Private Eye magazine Sir Hugh Casson Award for the Worst New Building (2006) • — Quay Redevelopment project Clarke Quay, Singapore Completed 2006 • — The Public, West Bromwich West Bromwich, West Midlands, England Part completed 2008 — *Private Eye magazine Sir Hugh Casson Award for the Worst New Building (2008) • Stratford Docklands Light Railway Station Stratford, London, England Commissioned in 2003, completed in 2007 • Yonkers Power Plant project Glenwood Waterfront, Yonkers, New York, United States Completion expected in 2008 • KingTowns King West Village, Toronto, Ontario, Canada Estimated completion date unknown • — New Islington Manchester, England Completed 2009 • Westside Gallery Lofts 1151 Queen Street West – 8-storey condo lofts (135 units) Toronto, Ontario, Canada Completed 2012 • Raffles City Apartment Hotel Beijing, China Completed 2009 — * 2008 Cityscape Asia Awards, Best Future Mixed-Use Development • — Gao Yang International Cruise Terminal Shanghai, China Completed 2009/2010 • Testbed1 Cultural Centre Battersea, London Completed 2009

Alsop was known to be constantly drawing and painting either for his architectural work or for his own sake. His paintings and sketches have been exhibited alongside his architectural projects in dedicated exhibitions at Sir John Soane's Museum, Milton Keynes Gallery, Cube Gallery in Manchester, and the British Pavilion at the Venice Biennale, among other venues. Alsop was a patron of the charity 1=The Nightingale Project, which uses the arts to enhance the environment in hospitals, and has exhibited his paintings in a London hospital under the auspices of this charity. Alsop also conducted a series of workshops with psychiatric patients at London's St Charles, Chelsea and Westminster hospitals, creating large communal artworks. He has been chair of the board of Trustees of The Architecture Foundation. Major exhibitions: • 2011 – Proper Behaviour in the Park, Royal Academy of Arts, London • 2007 – Towards..., Chelsea Space, London • 2007 – Future City, The Barbican, London • 2007 – Cultural Fog, Olga Korper Gallery, Toronto • 2007 – Bathing Beauties, The Hub:National Centre for Craft & Design, Lincolnshire • 2007 – Creative Prisons, Touring exhibition • 2005 – Supercities, Urbis, Manchester • 2005 – Groundswell; MoMA, New York City • 2004 – Middlehaven Masterplan, Venice Biennale • 2002 – Malagarba Works, Will Alsop & Bruce McLean: Milton Keynes Gallery • 2002 – All Barnsley Might Dream, Venice Biennale • 2002 – Beauty, Joy & the Real, Sir John Soane Museum, London • 2001 – Not Architecture, Aedes East Gallery, Berlin • 2000 – Venice Biennale, British Pavilion • 2000 – National Institute of Architecture (NAI), Rotterdam • 1998 – Alsop Paintings & Architecture, Architekturgalerie, Stuttgart • 1997 – River of Dreams, Mayor Gallery, London • 1995 – Exhibition of Paintings, The Mayor Gallery, London • 1992 – Selected Projects Exhibition, Aedes Gallery, Berlin • 1992 – Arc en Rêve, Hôtel du Département, Marseilles, Bordeaux • 1987 – Bridge/Beam/Floor/Roof, The Architecture Centre, Bremen • 1985 – Paris Biennale Exhibition • 1974 – Group Exhibition: Fruit Market, Edinburgh

Alsop and his wife lived between an Edwardian mansion flat in London and a converted stable block in Norfolk. They have three adult children. He had a twin sister, Elizabeth, who still lives in Northampton. Alsop would try to relax as much as possible on weekends and also took a month off in the summer to go painting in Menorca with his friend Bruce McLean. Alsop enjoyed smoking and drinking. He was, according to an April 2007 article in The Observer, "obviously not a man familiar with gyms". Alsop died in London after a short illness on 12 May 2018 at the age of 70.

* • Bissell, Gerhard, "Alsop, Will", in: Allgemeines Künstlerlexikon (Artists of the World), Suppl. I, Saur, Munich 2005, p. 252 (in German). * * * * * * * * * * * * * * * * * *

Will Alsop worked in architecture and architectural design. He was employed by University of the Arts Bremen and TU Wien. He belonged to Royal Institute of British Architects, Royal Architectural Institute of Canada and Royal Academy of Arts.

Will Alsop is recorded as having received Officer of the Order of the British Empire, Stirling Prize and RIBA International Award.