Walter Lenck
Walter Lenck (1873–1952) was a versatile German artist – sculptor, draftsman, painter, architect, cellist, composer and dramatist. Escaping Nazi persecution he emigrated in 1936 to Johannesburg, South Africa, where he lived until his death. Between 1911 and 1913 he changed his original surname, Lewy, to Lenck.
Walter Lenck

Walter Lenck (1873–1952) [1] · "A Gifted Jewish Artist" by Herr Walter Lenck, in The Zionist Record, publication of South African Zionist Federation, Johannesburg, South Africa, September 16, 1936, p. 21 · Public domain
- Name
- Walter Lenck
- Birth Name
- Walter Lewy
- Born
- 2 September 1873
- Birthplace
- Berlin, Germany
- Died
- 13 August 1952
- Place of death
- Johannesburg, South Africa
- Full name
- Walter Lewy.
- Nationality
- Germany.
- Occupation
- sculptor, draftsperson, painter, architect, cellist, composer and playwright.
- Languages
- German.
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Documentary summary
Walter Lenck (1873–1952) was a versatile German artist – sculptor, draftsman, painter, architect, cellist, composer and dramatist. Escaping Nazi persecution he emigrated in 1936 to Johannesburg, South Africa, where he lived until his death. Between 1911 and 1913 he changed his original surname, Lewy, to Lenck.
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Walter Lenck (1873–1952) was a German architect, cellist and composer, among other activities. Born Walter Lewy in Berlin, the architect died in Johannesburg. Walter Lenck worked in Berlin. Languages used include German.
Composed from admitted, traceable facts · 01 October 2026
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In this article
Key facts
Key facts
• Name — Walter Lenck • Birth Name — Walter Lewy • Born — 2 September 1873 • Birthplace — Berlin, Germany • Died — 13 August 1952 • Place of death — Johannesburg, South Africa
Life
Life
He was born in Berlin on September 2, 1873, son of banker Oscar Lewy and his wife Rosalie, née Samuelson, first cousin of her husband. From a young age he was fond of drawing animals at the zoo and illustrating scenes from Greek mythology, with a special interest in the saga of the Argonauts. Dissatisfied with the work in his father's bank he did sketches of clients. Despite his fondness for drawing he began his artistic career with musical studies and became a virtuoso cellist. Having always been interested in sculpture, he then devoted himself to this branch of art at the Royal Academy in Berlin as a disciple of the sculptor Paul Friedrich Meyerheim, simultaneously continuing architecture studies, and then in Paris, where he was influenced by the school of Antoine-Louis Barye and in Brussels with Constantin Meunier. After completing his studies, he made a living painting portraits until he earned a reputation as a sculptor. In 1910, the German government sent his monumental sculpture Jason to the International Railway and Land Transportation Exhibition, one of several held that year in Buenos Aires on the occasion of the centenary of Argentine independence. Still as Walter Lewy the artist traveled from Hamburg, embarking on the steamer König Friedrich August on May 21. At the International Art Exhibition, held at San Martín Square, he presented three bronze sculptures. The reason is not known, but by the end of 1913 and perhaps when he moved to Vienna he had already changed his surname, since he appeared as Walter Lenck, cellist, in a December announcement that year of a concert to be held there in January 1914. He would spend fourteen years in Vienna where, without neglecting his sculpture, he developed a wide-ranging musical activity as a cello and viola da gamba instrumentalist, and participated in design contests for public monuments. In 1916 he organized an exhibition of his architectural and sculptural works in a room at the Musikverein, which he personally rented. The contract stipulated that the association would receive in payment the amount collected from the sale of tickets, once the installation and administrative expenses incurred by the artist had been covered. The show would open on May 2 and would extend, in principle, for a month; it received favorable reviews. That same year, Lenck was one of the founders of the Collegium Musicum in Vienna, an organization dedicated to rescue and disseminate works of ancient music by German composers, performing frequent concerts in which he played the cello and viola da gamba. In September 1922, Gertrude Richardson Brigham, a correspondent for The Washington Times, met Lenck during a visit to Vienna as part of a tour of European capitals. She was interested in contacting painters and sculptors for an exhibition of modern art planned by the newspaper, to be held the following season in Washington. She describes him in an article published on October 22 that included photos of two works by the artist, written under her pseudonym, Viktor Flambeau: Viktor Flambeau He lived in Berlin until his emigration to South Africa in 1936, where he continued his sculptural work; the catalog of a solo show in Johannesburg in 1945 lists more than a dozen bronzes of animals, his great specialty, and portrait busts, oil paintings and drawings. He did not neglect his activity as a musical composer and dramatist, although he had to stop playing the cello for medical reasons. He died in Johannesburg on August 13, 1952, aged 78, and was buried there.
Architecture
Architecture
• Illustration — Reinhold Völkel: Perspective of the Monument to Peace (Walter Lenck) Lenck designed several monuments, none of which were built, but he presented the plans and models at his 1916 exhibition in Vienna. The Monument to Peace and Alliance stood out; it was conceived to be built on the side of a hill at the border between Bohemia and Saxony, in homage to the unity between Germany and Austria-Hungary. The model appears in photographs published in newspapers, in the poster designed by the architect Otto Polak for the exhibition and in a charcoal perspective by Reinhold Völkel. The great central tower of the mausoleum is surrounded by terraces and galleries, decorated with sculptural groups on pilasters, of two of which Lenck exhibited plaster models. In 1915 he designed a memorial to the sinking of the Austro-Hungarian submarine U-12 and its commander, Lieutenant Egon Lerch, to be erected in Vienna. The sinking, witnessed by ships of the Italian navy during the war, took place on August 7, 1915, at the Venice lagoon entrance, apparently when the submarine hit a mine. The design combined the figure of the submarine and the letter U into a plastic unit. Another design was for a Bulgarian Monument, depicting the meeting in Serbia of three riders – one Austrian, one German and one Bulgarian.
Music and theater
Music and theater
Numerous reviews of concerts in newspapers of the time highlight his successful professional career in Vienna as a performer of the cello and the then little-known viola da gamba. His works as a composer, in practically all forms but preferring the symphony, were well received in Germany. In 1936 he was working on a dramatic trilogy, Emmanuel, a play with musical interludes.
Origins and background
Origins and background
The following is established of origins and background. Born in 1873 at Berlin. Lenck died in 1952 at Johannesburg. Recorded at birth as Walter Lewy.
Works and production
Works and production
The following works and productions are recorded by name or by count. Recorded with the occupation sculptor. Recorded with the occupation draftsperson. Institutional cataloguing adds that walter Lenck is recorded with the occupation painter. Recorded with the occupation architect. Recorded with the occupation cellist. Institutional cataloguing adds that walter Lenck is recorded with the occupation composer. Institutional cataloguing adds that walter Lenck is recorded as a citizen of Germany. Recorded with the gender male. It is also recorded that walter Lenck was born on 2 September 1873. Lenck worked at Berlin. Lenck died on 13 August 1952.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Berlin.
Birth place
Johannesburg.
Death place
Sculpture
The monumental Jason and the Bulls of Aeëtes presents the hero when he has just subdued the two ferocious fire-breathing animals, the first of the tasks called for by Aeëtes, king of Colchis, when Jason claimed the golden fleece. • Illustration — Exhibited in Buenos Aires in 1910 It was fourteen feet tall without the base and was completed in 1909, at the artist's expense. The German government sent the bronze to Buenos Aires in 1910 and it was installed at the center of the Parque de las Naciones, in the International Railway and Land Transportation Exhibition, one of several held to celebrate the centenary of Argentine independence. According to different sources it received the Grand Prize, something that has not been possible to verify. The local government tried to buy it for 250,000 marks, but the German government did not authorize the sale. Returning home in 1911 and unable to find a buyer for the piece, the artist lent it to Berlin Zoo, where it was installed in front of the Elephant House. During the inflationary crisis of the mid-1920s Lenck, in need of money, offered to sell it to the city of Berlin but although he did not request a high sum negotiations did not prosper. In 1927 the Leipzig merchant Otto Schultz offered 25,000 marks for the work, of which he paid 20,000. Before the operation was finalized he went bankrupt; a group of anonymous donors led by Johannes Ebbing, director of the Leipzig zoo, finally collected the remaining sum and bought the sculpture. The artist supervised the dismantling of the work in Berlin in February 1928. It was erected in Leipzig Zoo the following May, coinciding with the fiftieth anniversary of the park. • Illustration — At Leipzig Zoo, after the restoration Not everyone welcomed the work in its new destination. The painter Max Schwimmer criticized it harshly in a newspaper article entitled "Jason the Terrible", calling it "monumental kitsch". In 2015 it was fully restored by the Free State of Saxony at a cost of 33,000 euros and the hero's helmet recovered its original gilding. Small-scale versions appear occasionally at art auctions. Throughout his career he made a large number of animal sculptures in bronze. The three pieces he presented at the Centennial International Art Exhibition in Buenos Aires – Archer, Lion, and Buffalo and Lion, appear in the catalog but with no indication of dimensions. An almost life-size version of the third is installed at Memorial Boulevard, Johannesburg Zoo, South Africa, donated by the artist in 1936. Two sources mention another monumental bronze, Fighting Mammoths (or Mastodons). One of them says that it was bought by the Berlin City Council in 1929 and installed in that city's zoo. The park was destroyed in the last days of World War II and the current administration has no records or photographs of this work in its archives. He made portrait busts of personalities of his time such as King Edward VIII, Paul von Hindenburg, the German president Friedrich Ebert, Chief Rabbi Juda L. Landau of South Africa, R. Wolff and H. Tietz, Gustav Marchet, among others, and a statuette of Empress Zita of Bourbon-Parma with her son Otto, the crown prince. A limited edition of an image of the popular Austrian actor and operetta tenor Alexander Girardi, who had died in April 1918, was advertised in a July newspaper; the piece, 65 cm tall and made of polychrome imitation majolica, was priced at 225 crowns. Some years later, the Berlin City Council commissioned a work illustrating the Siegfried cycle, but when Hitler assumed power relations with the sculptor broke down and the work was never carried out.
Primary material
Documents and archives
reference work
- “Walter Lenck”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q50021440: Walter Lenck
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Vollmer. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, begründet von Ulrich Thieme und Felix Becker. Seeman Verlag. 45 (vol. 23). 1929.
- 2.A Gifted Jewish Artist – Herr Walter Lenck. The Zionist Record. 21. September 16, 1936.
- 3.Sachs, Dr. Joseph. South African Jewish Artists – Nº9: Walter Lenck. Jewish Affairs. 29. July 1947.
- 4.Young, Rabbi Roderick, Young-Bebro-Siegenberg-Metzenberg Family Tree, Ancestry.com
- 5.Darmon, Adrian M. Autour de l'art juif – Encyclopédie des peintres, photographes et sculpteurs. Carnot. 321. 2003.
- 6.Voerkel, Stefan (2003). «Wie Jason nach Leipzig kam. Die größte Leipziger Bronzeplastik steht im Zoo», Sonderheft Zoo der Zukunft.Leipzig: Kulturstiftung Leipzig. p. 37
- 7.Hamburg Passenger Lists 1850–1934, Ancestry.com
- 8.Helm, Prof. Dr. Theodor. Wiener Brief. Neue Zeitschrift für Musik. 56. January 22, 1914.
- 9.Weill, Erwin. Gespräch mit Bildhauer Walter Lenck. Neues Wiener Journal. 3. June 18, 1917.
- 10.Text of the contract between Wiener Musikverein and Walter Lenck, April 3, 1916, Wiener Musikverein Archiv, Vienna
- 11.Ausstellung Walter Lenck. Neues Wiener Journal. 8. May 11, 1916.
- 12.Flambeau, Viktor (Gertrude Richardson Brigham). Millions in Money Today in a Fallen Capital. The Washington Times. 7. October 22, 1922.
- 13.She meant viola da gamba, a little-known instrument then.
- 14.Catalogue – Exhibition of Sculptures, Paintings and Drawings by Walter Lenck, 9–10 June 1945, Johannesburg
- 15.Walter Lenck. The New York Times. 21. September 8, 1952.
- 16.Die Berliner Jasongruppe kommt nach Leipzig. Neue Leipziger Zeitung. January 5, 1928.
- 17.Schwimmer, Max. Jason, der Schreckliche. Volkszeitung. June 11, 1928.
- 18.Stadt Leipzig. Sanierung des Jason–Denkmals im Leipziger Zoo. August 29, 2015.
- 19.artnet.
- 20.artnet.
- 21.Rosebery's.
- 22.artnet.
- 23.Est. Gráfico M. Rodríguez Giles. Catálogo de la Exposición Internacional de Arte del Centenario. 48. 1910.
- 24.Email from Mr. Jan Du Toit, Registrar, Johannesburg Zoo, December 8, 2017
- 25.Email from Dr. Clemens Maier-Wolthausen, Zoologischer Garten Berlin AG, December 28, 2017
- 26.Getty Images. The sculptor Walter Lenck working on a bust of Hindenburg. Germany. Photograph. January 1, 1935.
- 27.Getty Images. Walter Lenck, artist, sculptor, in his studio working on a bust of Friedrich Ebert. January 1, 1929.
- 28.Exhibition of Work of Exiled German Artists. The Zionist Record. 8. October 29, 1937.
- 29.Girardi Statuette. Neues Wiener Tagblatt. 15. July 4, 1918.
- 30.Hoisel, Dr. Richard. Entwurf eines Bundesdenkmals. Sport & Salon. 8. June 3, 1916.
- 31.A copy is in the collection of the Albertina in Vienna
- 32.Magno. Rapidi e invisibili. Storie di sommergibili. Il Saggiatore. 109. 2009.
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This entry is compiled from 4 catalogued sources across 3 independent registers. The registers consulted are Crossref registry, Wikidata and Wikipedia. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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