Walter Ellison
Walter Ellison (1899–1977) was an African American artist, born in the state of Georgia. Although the American Civil War had ended in 1865, African Americans still faced many difficulties at the turn of the century, so many of them left the South and moved North in search for better opportunities; Ellison was one of them.
Also recorded as Walter W. Ellison
Walter Ellison
- Name
- Walter Ellison
- Born
- 1899
- Birthplace
- Georgia
- Died
- 1977
- Nationality
- United States
- Occupation
- painter
- Education
- School of the Art Institute of Chicago
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In this article
Key facts
Key facts
• Name — Walter Ellison • Born — 1899 • Birthplace — Georgia • Died — 1977
Early life
Early life
Born in Eatonton, Georgia, according to census and draft records Ellison was a farm hand. He was 18 years old when the United States decided to enter World War I in Europe in 1917 and immigration from Europe to the United States virtually stopped. Because of that, between 1916 and 1970 seven million African Americans left the South for the North, in what became known as the Great Migration, with about half a million of them going to Chicago looking for jobs and new opportunities. Ellison boarded the train to Chicago in the early 1920s in search of an education and a job. He attended classes at the School of the Art Institute of Chicago (SAIC) and at Hull House. He was employed on the Illinois Art Project of the WPA and was a founding member of the South Side Community Art Center, along with a number of younger black artists, including Margaret Burroughs, Eldzier Cortor, Gordon Parks, Charles Sebree, and Charles White. He also became involved in the Civil Rights Movement.
Art and work
Art and work
Ellison is best known for intimately-scaled works that reveal the private lives and shared experiences of African Americans who moved to northern cities from the rural South between World War I and II. His most famous painting, Train Station, held in the Art Institute of Chicago, depicts white people on one side of a station platform, identified as being in Macon, Georgia, who are heading south for luxury holidays, with African Americans carrying their bags, and African Americans on the other side of the platform, carrying their own luggage, boarding a train for the North and a new start. In an untitled painting created in 1937, Ellison depicts a well-made-up African American woman lying back in a beautician's chair with her eyes closed and her temples being massaged. Only the beautician's hands are seen, with her fingernails featuring a "French manicure" – red centers with white moons and tips – a style that has obviously captivated the artist. The woman being massaged seems millions of miles away from whatever might have been troubling her that day.
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Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Walter Ellison, revision 1364546098 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Hine, Darlene Clark. The Black Chicago Renaissance. University of Illinois Press. 176. June 30, 2015. 9780252094392.
- 2.Walter Ellison Artists Modernism in the New City: Chicago Artists, 1920–1950. www.chicagomodern.org.
- 3.Barnwell, Andrea D. A Portfolio of Works by African American Artists Continuing the Dialogue: A Work in Progress. Art Institute of Chicago Museum Studies. 24. 2. 181–267. January 1, 1999. 10.2307/4112968.
- 4.Howard, Sherry. A French manicure in Walter Ellison's 1937 painting. Auction Finds. We Are Black Women.
References
Citations
References
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 24 August 2026.
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