Wally Pfister
Pfister (born July 8, 1961) is an American director and former cinematographer. He is known for his partnership with director Christopher Nolan, working as a cinematographer in all of his films from 2000 to 2012, winning the Academy Award for Best Cinematography for Inception (2010). Pfister transitioned to a career as a director, debuting with Transcendence (2014).
Wally Pfister

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- Birth Name
- Walter C.
- Born
- 8 July 1961
- Birthplace
- Chicago, Illinois, U.S.
- Education
- AFI Conservatory
- Nationality
- United States
- Occupation
- cinematographer · director
- Honours
- Academy Award for Best Cinematography
- Languages
- English
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wikidata · Q460144 · wikipedia · Wally Pfister
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Institutions cited
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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Biography
Biography
He subsequently has directed commercials and television, including episodes of Flaked and The Tick.
Key facts
Key facts
• Birth Name — Walter C. Pfister • Born — 8 July 1961 • Birthplace — Chicago, Illinois, U.S. • Education — AFI Conservatory • Years Active — 1988–2012 (cinematography) 2014–present (director) • Organization — American Society of Cinematographers British Society of Cinematographers • Children — 3, including Claire Julien
Documentary record
Wally Pfister (born 8 July 1961) is recorded as a cinematographer and director. Wally Pfister was born on 8 July 1961 in Chicago, Illinois.
Early life
Early life
Pfister was born in Chicago, Illinois, and raised in the New York City suburb of Irvington-on-Hudson. He is the son of Patricia Ann (née Conway) and Walter J. Pfister Jr. His grandfather was the city editor of a newspaper in Wisconsin. His father, also known as Wally, was a TV news producer, who began his career with CBS-TV in Chicago in 1955. Later, as an executive at ABC News, the elder Pfister worked with David Brinkley and Peter Jennings, covering political conventions, space flights and the civil rights movement. When Pfister was about 11, a film company shot scenes for Shamus (1973), featuring Burt Reynolds, in his Irvington neighborhood. The boy was fascinated by the crew setting up lights and cameras. Soon afterward, he began shooting 8 mm home movies and short films. Pfister also emulated his father by shooting slides on Kodachrome film and assembling them into shows for family and friends.
Career
Career
After high school, Pfister found a job as a production assistant at a television station, WMDT-TV, in Salisbury, Maryland. Within a couple of months, he borrowed a CP-16 news camera and began shooting films on weekends, including a visual essay about a Victorian house. "I did these slow, little intricate moves around the architecture of the house", he recalls, "cut it together with music, and showed it to the production manager. They made me a cameraman. I shot very low budget PSAs for $125 a week". Within a few months, Pfister found a job as a cameraman for a Washington news service, which provided film for TV stations around the country. He covered the United States Congress, the White House and breaking news from 1982 through 1985. In 1985 Pfister began a freelance career shooting documentaries for the PBS series Frontline and industrial videos for various Washington production companies. In 1988, Robert Altman came to Washington to direct a mini-series for HBO called Tanner '88 (1988). Altman was looking for a real news cameraman to play that role in his show. They hired Pfister and asked him to also shoot some B-roll. When the producers saw his work, they brought Pfister on the show as the second unit cameraman. It was the first time he was exposed to acting and dramatic material. After that experience, Pfister enrolled at the American Film Institute. During his second year, he collaborated with his classmates on a short film called "Senzeni Na?", which was nominated for an Academy Award for Best Live Action Short Film in 1991. The film told the story of a man caught up in the apartheid struggle. Pfister drew on his documentary experience, and lit it darkly and stark, using a single light so the actor could play in and out of that source. Janusz Kamiński had just graduated from the AFI Conservatory and met Pfister that year. He saw Pfister's film and recruited him as a grip and electrician for various projects, including a few with Phedon Papamichael. Roger Corman gave Pfister an opportunity to shoot pickup shots and inserts for a Papamichael film. It was the first time he shot a 35 mm film. After that, Pfister handled the second unit for Papamichael on Body Chemistry and also on other Corman films. Pfister shot The Unborn, his first feature, in 1991. After that, he filmed an array of independent B-movies, typically on 15-day schedules. Many of these early films were directed by Gregory Dark. In 1995, Papamichael asked Pfister to operate for him on Diane Keaton's Unstrung Heroes (1995).
Work with Christopher Nolan
Work with Christopher Nolan
In 1998, Pfister shot The Hi-Line in Montana in the dead of winter on a $300,000 budget, which got into the competition at Sundance Film Festival. There, he met Nolan, who had a film at the same festival. Pfister's first collaboration with Nolan was on the neo-noir thriller Memento (2000), and after that, he became Nolan's regular cinematographer of his subsequent films. From seven movies directed by Nolan, Pfister received four nominations for the Academy Award for Best Cinematography, winning one for his work on Inception in 2011. Pfister has stated that he "turned down many projects (including several Harry Potter films), in some cases just to be available for Nolan, or to stay home with my family." Their collaboration came to an end in 2012, with The Dark Knight Rises, as he got the chance to direct his first film, Transcendence. Hoyte van Hoytema then replaced Pfister for Nolan's Interstellar, and after Pfister retired as a cinematographer, Van Hoytema became Nolan's regular, having worked together ever since.
Directorial work
Directorial work
In 2014, Pfister made his directorial debut with the science fiction thriller Transcendence, with Nolan acting as executive producer. Despite receiving negative reviews and bombing at the box-office, Pfister had stated in 2015 that he is finished with working as a cinematographer and planned to continue as a director. Ever since, Pfister had worked mostly in commercials and television series, like Flaked and The Tick.
Personal life
Personal life
Pfister currently resides in Los Angeles, California with his partner Loan Chabanol and has three children: Nick, actress Claire Julien, and Mia. He is a member of the American Society of Cinematographers (ASC) since 2002, and the British Society of Cinematographers (BSC) since 2011.
Cinematographer
Cinematographer
Direct-to-video • Year — Title — Director • 1991 — Lower Level — Kristine Peterson • 1992 — Secret Games — Gregory Dark • Animal Instincts • 1993 — Stepmonster — Jeremy Stanford • Amityville: A New Generation — John Murlowski • Mirror Images 2 — Gregory Dark • 1994 — Stranger by Night • 1995 — The Granny — Luca Bercovici • 1997 — A Kid in Aladdin's Palace — Robert L. Levy Feature film • Year — Title — Director • 1991 — The Unborn — Rodman Flender • 1992 — In the Heat of Passion • Night Rhythms — Gregory Dark • 1994 — Object of Obsession • Secret Games 3 • 1999 — The Hi-Line — Ron Judkins • 2000 — Memento — Christopher Nolan • 2001 — Scotland, PA — Billy Morrissette • Rustin — Rick Johnson • 2002 — Insomnia — Christopher Nolan • Laurel Canyon — Lisa Cholodenko • 2003 — The Italian Job — F. Gary Gray • 2005 — Slow Burn — Wayne Beach • Batman Begins — Christopher Nolan • 2006 — The Prestige • 2008 — The Dark Knight • 2010 — Inception • 2011 — Moneyball — Bennett Miller • 2012 — The Dark Knight Rises — Christopher Nolan TV movies • Year — Title — Director — Notes • 1991 — Barbara Stanwyck: Fire and Desire — Richard Schickel — Documentary film • 1992 — Sketch Artist — Phedon Papamichael • 1998 — Rhapsody in Bloom — Craig Saavedra • Breakfast with Einstein — Craig Shapiro • 2000 — Sharing the Secret — Katt Shea • 2001 — Sanctuary
Director
Director
Film • Transcendence (2014) Television • Year — Title — Notes • 2016 — Flaked — 4 episodes • 2016–2017 — The Tick — 2 episodes (Also executive producer) Commercials • Year — Title — Brand • 2016 — That's Continental — Lincoln • 2018 — Web of Fries II - Franchise Wars — Taco Bell • 2019 — Hope on Wheels It Takes a Village — Hyundai • 2021 — Fortune Favors The Brave — Crypto.com
Awards and nominations
Academy Awards • Year — Title — Category — Result • 2005 — Batman Begins — Best Cinematography • 2006 — The Prestige • 2008 — The Dark Knight • 2010 — Inception BAFTA Awards • Year — Title — Category — Result • 2008 — The Dark Knight — Best Cinematography • 2010 — Inception American Society of Cinematographers • Year — Title — Category — Result • 2005 — Batman Begins — Outstanding Achievement in Cinematography • 2008 — The Dark Knight • 2010 — Inception Other awards • Year — Title — Award — Result • 2000 — Memento — Independent Spirit Award for Best Cinematography • 2005 — Batman Begins — British Society of Cinematographers Award for Best Cinematography in a Theatrical Feature Film • 2006 — The Prestige • Gold Derby Award for Best Cinematography • 2008 — The Dark Knight — Online Film Critics Society Award for Best Cinematography • Gold Derby Award for Best Cinematography • Chicago Film Critics Association Award for Best Cinematography • Dallas–Fort Worth Film Critics Association Award for Best Cinematography • Florida Film Critics Circle Award for Best Cinematography • British Society of Cinematographers Award for Best Cinematography in a Theatrical Feature Film • Houston Film Critics Society Award for Best Cinematography • 2010 — Inception — Broadcast Film Critics Association Award for Best Cinematography • Chicago Film Critics Association Award for Best Cinematography • San Diego Film Critics Society Award for Best Cinematography • Houston Film Critics Society Award for Best Cinematography • Florida Film Critics Circle Award for Best Cinematography • Satellite Award for Best Cinematography • Online Film Critics Society Award for Best Cinematography • Alliance of Women Film Journalists for Best Cinematography • British Society of Cinematographers Award for Best Cinematography in a Theatrical Feature Film • Camerimage Golden Frog • Dallas–Fort Worth Film Critics Association Award for Best Cinematography • Gold Derby Award for Best Cinematography • Washington D.C. Area Film Critics Association Award for Best Cinematography • 2012 — The Dark Knight Rises — Hollywood Film Award for Best Cinematography
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Wally Pfister, revision 1354437779 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Wally Pfister, ASC. Cameraguild.
- 2.Sheboygan Press Newspaper Archives, Jun 8, 1957, p. 7. June 8, 1957.
- 3.Christopher Nolan: The Movies. The Memories. – Part 2: Wally Pfister on Memento. Empire. July 2010.
- 4.Nolan and I have gone our separate ways: Wally Pfister
- 5.YouTube aRDEd1BAdc8 "Inception" winning Best Cinematography
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Studied at
1- AFI ConservatoryOrganisation
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