Virgil Suárez

• The Painted Bunting's Last Molt, new poems, U. of Pittsburgh P, 2020. • 90 Miles (Selected & New Poems), U of Pittsburgh P, 2005. • Landscapes & Dreams (poems), Louisiana Literature P, 2003. • Vespers: Spirituality in America (anthology), U of Iowa P, 2003. • Guide to the Blue Tongue (poems), U of Illinois, 2002. • Banyan (poems), Louisiana State U P, 2001. • Palm Crows (poems), U of Arizona P, 2001. • American Diaspora (anthology), U of Iowa P, 2001. • The Cutter (reprint, novel), Ballatine/Available, 1991 and Arte Público Press, 1999. • In the Republic of Longing (poems), Bilingual Review Press/Arizona State U, 2000. • You Come Singing (poems), Tia Chucha/Northwestern UP, 1998. • Garabato Poems (poems), Wings, 1998. • Spared Angola (poems, essays, stories), Arte Publico Press, 1997. • Going Under (novel), Arte Público Press, 1996. • Havana Thursdays (novel), Arte Público Press, 1995. • Iguana Dreams (anthology), HarperCollins, 1993. • Welcome to the Oasis (stories) Arte Público Press, 1992. • Latin Jazz (novel) William Morrow, 1989. Shorter pieces have been published in: Ploughshares, Prairie Schooner, The Kenyon Review, Clackamas Literary Review, TriQuarterly, Colorado Review, The Southern Review, The Massachusetts Review, American Literary Review, The American Voice, The Caribbean Review, The North American Review, Manoa: A Pacific Journal of International Writing, Puerto del Sol, Northwest Review, Mid-American Review, Blue Mesa Review, Crazy Horse, Cimarron, Tampa Review, and in Argentina, Australia, Canada, Chile, Colombia, Cuba, England, France, India, Israel, Spain, Venezuela, and New Zealand.

Suárez's first novel, Latin Jazz was described by Newsday as "a striking debut. A well crafted and sensitive novel. An engrossing, honest book by a writer who cares deeply about preserving ties within the family unit and, by extension, within the Hispanic community and America. Suarez is marvelous." His novel The Cutter was described by Publishers Weekly as a "powerful novel about one individual's response to the abuses and arbitrariness of totalitarianism [that] shows us how ordinary people can be driven to take extraordinary risks." His collection of stories, Welcome to the Oasis, was described by Kirkus Reviews as "A tightly controlled but affecting exploration of fundamental tensions" in the Cuban exile/Marielito community. New York Public Library named the collection as one of the top books for the Teen Age. Other praise has come from The New York Times: "Mr. Suarez writes in a cold, unornamental, Hemingwayesque style, always straight forward and cinematic" and The Village Voice "Like Oscar Hijuelos, Suarez has taken pains with his craft, orchestrating points of view and narrative time. His forte is directness of description and action." Suárez has stated that he no longer writes novels and finds writing poetry better for him. He also states that Spared Angola is the work in which he found his voice. He continues to explore the experience of exile, of living as a gypsy.

• Best American Poetry, 2004. • G. MacCarthur Poetry Prize, 2002. • The Daily News/The Caribbean Writer/University of the Virgin Islands Poetry Prize, 2002. • National Endowment of the Arts Fellowship, 2001. • The Book Expo America/Latino Literature Hall of Fame Poetry Prize for Best Book of Poetry (for Banyan), 2001. • Winner of a Florida State Individual Artist Grant, 1998. • Winner of New York Public Library's Best Book for the Teenager, 1993. • Nominated for five Pushcart Prizes.