valiha
Illustration — A valiha player in Ambohimahasoa, central Madagascar • Illustration — Lullaby played on valiha • Illustration — Valiha orchestra at the Paris World Exposition of 1931 • Illustration — Valiha with larger diameter bamboo tube The valiha is a tube zither from Madagascar made from a species of local bamboo; it is considered the "national instrument" of Madagascar. The term is also used to describe a number of related zithers of differing shapes and materials. The instrument has been held in high regard among the Malagasy particularly in the Merina rule over the island that having long fingernails ideal for plucking its strings were marks "distinguishing the aristocracy from the labourers".
valiha

Rob Hooft · CC BY-SA 3.0
- Field
- plucked string instrument · idiochord true tube zither
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Illustration — A valiha player in Ambohimahasoa, central Madagascar • Illustration — Lullaby played on valiha • Illustration — Valiha orchestra at the Paris World Exposition of 1931 • Illustration — Valiha with larger diameter bamboo tube The valiha is a tube zither from Madagascar made from a species of local bamboo; it is considered the "national instrument" of Madagascar. The term is also used to describe a number of related zithers of differing shapes and materials. The instrument has been held in high regard among the Malagasy particularly in the Merina rule over the island that having long fingernails ideal for plucking its strings were marks "distinguishing the aristocracy from the labourers".
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Construction
Construction
Aside from recreational music, the valiha is also used for ritual music to summon spirits. It is commonly thought in Madagascar that the valiha is "inherited from King David", as part of a larger origin narrative of Jewish provenance of Malagasy people.
Historically the instrument was made of the bamboo Valiha diffusa, but in the modern day "bamboo species with longer internodes" are used. The bamboo poles used for building the valiha are chosen between diameters of 5 to 10 cm and preferably cut within a length of 35 to 180 cm. The valiha generally has 21-24 strings. Historically these were formed of strips of the bamboo body, prised up and raised by small calabash or wooden bridges that also act as movable tuners, but in the modern day the strings are often made of unwound bicycle brake cable tied through nails, though serious players may use standard guitar or piano strings used for churches and folk bands. A variant instrument, the marovany, is similar in concept but boxlike rather than tubular, and made of wood or sheet metal.
Players
Players
One of the most celebrated valiha players of the twentieth century is Rakotozafy (born 1938). The majority of Rakotozafy's few recorded performances were made live at the central studio of Malagasy Radio. Sylvestre Randafison is another celebrated valiha artist considered a cultural icon in Madagascar.
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- “Valiha”, English Wikipedia, consulted as further reading
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- Wikidata, structured authority record Q733370: valiha
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Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Bruno Nettl. The Western impact on world – change, adaptation, and survival. Schirmer Books. 55. 1985. 978-0-02-870860-7.
- 2.Garland Encyclopedia of World Music. The Concise Garland Encyclopedia of World Music. Routledge. 123–. 11 January 2013. 978-1-136-09570-2.
- 3.Shaw, Geo. Music among the Malagasy. The Musical Standard. 17. 797. 297. 8 November 1879.
- 4.Schmidhoffer, August. The 2005 International Forum of Ethnomusicology in Taiwan. Soochow University, Taiwan. 4-8 October 2005.
- 5.Hans Austnaberg. Shepherds and Demons: A Study of Exorcism as Practised and Understood by Shepherds in the Malagasy Lutheran Church. Peter Lang. 158–. 2008. 978-0-8204-9717-4.
- 6.Devir, Nathan. Becoming Jewish: new Jews and emerging Jewish communities in a globalised world. Cambridge Scholars Publishing. 49–63. 2016. 978-1-4438-9965-9.
- 7.Dominique Louppe. Plant Resources of Tropical Africa: Timbers / ed.: D. Louppe; A. A. Oteng-Amoako. General ed.: R. H. M. J. Lemmens . 7. 1. PROTA. 573–. 2008. 978-90-5782-209-4.
- 8.Elijah Wald. Global Minstrels: Voices of World Music. Taylor & Francis. 62–. 2007. 978-0-415-97930-6.
- 9.The Guild. American Lutherie: The Quarterly Journal of the Guild of American Luthiers. 22. 1993.
- 10.Sylvestre Randafison Obituary, The Independent, 20 August 2003
Bibliography printed in the source article · 1
- Adams, Rashid Epstein. "The Making of a National Instrument: Imagery, Symbolism and the Social Function of the Malagasy Valiha", Music in Art: International Journal for Music Iconography XLIII/1-2 (2018), 141–157.
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