Vaishnavi Sundar
Vaishnavi Sundar is an Indian independent filmmaker, actress, voice artist and activist. Her films have faced protests against transphobia.
Vaishnavi Sundar

Vaishax86 · CC BY-SA 4.0
- Name
- Vaishnavi Sundar
- Occupation
- Filmmaker, activist
- Born
- 1986
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Key facts
Key facts
• Name — Vaishnavi Sundar • Occupation — Filmmaker, activist • Years Active — 2008–present
Early life
Early life
Vaishnavi was born in Avadi, a suburb in the state of Tamil Nadu. She did her schooling there and got her bachelor's degree in commerce from Ethiraj College for Women, Chennai. She did her post-graduation in business administration from Anna University in Chennai. Vaishnavi started out with acting under Theatre Nisha, a Chennai-based centre of drama.
As an actress
As an actress
Vaishnavi began her acting career with Theatre Nisha seven years ago and has acted in plays such as The Pregnant King, The Red Queens of the Black Night, Siri Sampige, The Particle Collider and Fire and the Rain. She has also directed four plays – To Write my Epitaph, The Lilac Ticket, A Beautiful Mind and Chitrangada (A Monologue). Of the four, she wrote and produced A Beautiful Mind and Chitrangada. Vaishnavi has also performed at the Soorya festival and the Rangashankara's Sampriti Festival. She has also worked as a voice artist and her work appeared in regionally hosted television series, including Nickelodeon cartoons Ninja Hattori, Perman, and a Korean feature film, Tidal Wave (2009).
As a filmmaker
As a filmmaker
Vaishnavi began her filmmaking career in 2014 with Pava, a film about the metamorphosis of the relationship between a young girl and a barber. Her second film, The Catalyst, came in 2015. The film was inspired by the story 'Taxi Driver' written by the Indian writer Kartar Singh Duggal. In August 2015, she directed a documentary on Palaeontology titled Unearthing The Treasures of Ariyalur. This project focused on the fossils discovered in Ariyalur, a small village in Tamil Nadu. During a short trip to Gangtok, Sikkim, Vaishnavi made a short documentary on the life of a female traffic cop by name Anju Chetri and called it Aage Jake Left. The film focuses on the Northeastern Indian women's admirable grit. Her film, But what was she wearing, is a documentary on workplace sexual harassment in India. It examines the Sexual Harassment at Workplace Act of 2013, and "juxtaposes the expectations and realities of seeking redressal" for such crimes under this Act. In January 2021, she conceived, directed and edited a four-part documentary series called Dysphoric: Fleeing Womanhood Like a House on Fire, made entirely via video conferencing software.
As a curator, speaker and adjudicator
As a curator, speaker and adjudicator
In March 2016, Vaishnavi spoke about progressive filmmaking in Vital Voices Global Mentoring Walk – Chennai Chapter. She was also an adjudicator for Women's Voices Now. In November 2017, she was invited as a Springboard Sessions Speaker at Samagra 2017, an annual event organised by the Melton Foundation. She is guest lecturer at the IIT Madras and speaks at various grassroots events across Tamil Nadu as part of her work with All India Democratic Women's Association.
As an activist
As an activist
Vaishnavi's work as a feminist activist started from a campaign she initiated against a Tamil magazine which described women's leggings as "obscene", on social media with the trending hashtag #OurClothesOurChoice which eventually compelled them to take-down the online version of the magazine.. Reproductive rights in India draw in her most recent work, which includes advocating for the availability of emergency contraceptive pills in the state of Tamil Nadu. The ban of over-the-counter ECP has been in place for 10 years and her petition requesting the government to lift the ban so far has received more than 1500 signatures. For this, she won a story award by World Pulse. In November 2017, she was invited by Al Jazeera to be in a panel discussing controversial Bollywood film Padmavati. Her film, But What Was She Wearing?, is an attempt to educate women about their rights. She also advocates the pseudo-legal concept of "sex-based rights" in collaboration with the Women's Declaration International (WDI), an anti-transgender group. Her 2021 film: Dysphoric: Fleeing Womanhood Like a House on Fire is a four-part documentary series on gender identity ideology", and she claimed that the screenings of the film were cancelled following allegations of transphobia.
Theatre
Theatre
• Year — Name — Language — Role • 2010 — The Pregnant King — English — Actress • 2010 — Red Queens of the Dark Night — English — Actress • 2011 — Shadjam — English — Actress • 2011 — Mathemagician — English — Actress • 2012 — Shadjam — English — Actress • 2013 — The Brave Tin Soldier — English — Actress • 2013 — The Little Match Girl — English — Actress • 2013 — The Fire and the Rain — English — Actress • 2013 — The Lilac Ticket — English — Director • 2013 — The Particle Collider — English — Actress • 2013 — Romancing Guy Maupassant in India — English — Actress • 2013 — The fire and the rain — English — Actress • 2014 — Siri Sampige — English — Actress • 2014 — Late for school — English — Actress • 2014 — To Write My Epitaph — English — Director • 2014 — Solladi Siva sakti — Tamil — Actress • 2016 — Chitrangadha — English — Writer, actress
Filmography
Filmography
• Year — Name — Language — Role • 2010 — Naanum oru penn (I'm a woman too) — Tamil — Actress • 2010 — Home Sweet Home — Tamil — Actress • 2011 — Unsweetened — Tamil — Actress • 2013 — The impossibility of dialogue — Hindi — Actress • 2014 — PAVA — Tamil, Malayalam — Writer, director • 2014 — Vela Taaralu — Telugu — Assistant director • 2014 — Objection over ruled — Tamil — Actress • 2014 — Urban Displacement — English — Actress • 2014 — Dwaraka — Hindi — Actress • 2014 — Samyuktam — Teeugu — Assistant director • 2014 — Dream A Dream — Kannada — Assistant director • 2015 — The Catalyst — Kannada — Writer, director • 2016 — Unearthing the Treasures of Ariyalur — English — Director • 2016 — Marupadi — Malayalam — Actress • 2017 — Aage Jake Left — Hindi — Director, cinematographer, editor • 2018 — To what end? — English/Tamil — Director, executive producer • 2018 — But What Was She Wearing? — Multiple — Director, executive producer • 2018 — Jackal's Womb — NA — Director, executive producer • 2019 — The Seal — English/Hindi — Producer • 2021 — Dysphoric: Fleeing Womanhood Like a House on Fire — English — Director, producer, editor • 2024 — Behind the Looking Glass — English — Director, producer, editor • TBA — Muted Wails — English — Writer, actor, producer
Behind the Looking Glass
Behind the Looking Glass
• World Premiere on YouTube on 30 August 2024
Dysphoric: Fleeing Womanhood Like a House on Fire
Dysphoric: Fleeing Womanhood Like a House on Fire
• Released online for worldwide distribution
But What Was She Wearing?
But What Was She Wearing?
• Official selection – Udada International Women's Film Festival, Kenya 2018 • Official selection – Nominee (Best Film) Independent Talents International Film Festival, 2018 • Official selection – Colorado International Activism Film Festival, 2019 • Official selection – 6th International Documentary Festival of Ierapetra Awards, 2019
To What End?
To What End?
• Official selection – Pitch Her Productions' Riveter Series: #MeToo, New York City, USA 2018 • Official selection competition – Women International Film Festival. Islamabad, Pakistan 2018 • Official selection – Cut the Gap! The HeForShe Vienna Gender Equality Short Film Day, Austria 2018
Aage Jake Left
Aage Jake Left
• Official selection competition – Women International Film Festival. Islamabad, Pakistan 2017 • Official selection competition – Cine Sister Women Women. Manchester, UK 2017 • Official selection competition – London Feminist Film Festival. London, UK 2017
Unearthing The Treasures Of Ariyalur
Unearthing The Treasures Of Ariyalur
• Official selection – International Festival of Women Filmmakers, Gauhati India 2016 • Official selection competition – International Documentary and Short Film Festival Kerala Trivandrum India 2016 • Official selection competition – Docademia's 2nd Short Documentary Contest Chicago, USA 2017
The Catalyst
The Catalyst
• Official selection – International Festival of Women Filmmakers, Gauhati India 2016 • Official selection – International Short Film Festival, Bangalore India 2015
Pava
Pava
• Official selection competition – International Documentary and Short Film Festival Kerala Trivandrum 2014 • Official selection – Bangalore International Short Film Festival 2014 • Official selection competition – Alpavirama – South Asian short film festival India, Ahmadabad 2014 • Official selection – IAWRT – Asian Women's Film Festival, Delhi 2015 • Official selection – Anthropo Children's festival, Slovenia 2015 • Official selection – Under The Tin Roof Performing Arts Festival, Mumbai 2015 • Official selection – International Women Film Festival, Afghanistan 2015 • Official selection – FLO Film Festival, Mumbai 2016 • Official selection – International Festival of Women Filmmakers, Gauhati 2016 • Official selection – Women Making Films Festival, New York 2016 • Winner – Women International Film Festival. Islamabad, Pakistan 2018
As a writer
Vaishnavi is a published writer and has written about films, feminism and the social justice community in India. Her articles that have been published on platforms like Women's Voices Now and The Hindu. She is also a freelancing contributor to The News Minute, Scroll.in, The Ladies Finger, Firstpost, The Swaddle, Provoke Magazine, Worldpulse Silverscree.in, and Ozy.
Other activities
She recently launched a website called Women Making Films to highlight the gender disparity in the film industry. The website hosts members from more than 19 countries. These members include Debalina Majumdar, Annupamaa, Iram Parveen Bilal, Revathy S. Varmha and Beena Sarwar.
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- “Vaishnavi Sundar”, English Wikipedia, consulted as further reading
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- Wikidata, structured authority record Q26271714: Vaishnavi Sundar
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The biographical narrative on this page is based on the Wikipedia article Vaishnavi Sundar, revision 1361658663 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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