Utagawa Yoshitora

The authorities additionally record the headings Ichimōsai, Mōsai, Nagashima Tatsugorō, Kinchōrō and Tatsunosuke.

One child is recorded: Nagashima Shungyō.

As a teacher, Utagawa Yoshitora is recorded in connection with Utagawa Toraka. Each of those relationships is stated by the authority record rather than inferred from style.

Work by Utagawa Yoshitora is held by National Gallery of Victoria, Minneapolis Institute of Art, Art Institute of Chicago and The Nelson-Atkins Museum of Art.

29 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1847 to 1870.

Nikushi the Frog Spirit Conjures up a Magical Battle of Frogs at Tateyama in Etchū Province, dated 1864, held by Ashmolean Museum, inventory EA1971.226. Heroes: Brocade Prints of Edo. (An Imaginary) Night Attack in the War Between the Hogen, Heiji, Minamoto, Yoshitomo, and Shirakawa [Forces], dated 1850, held by Vanderbilt Museum of Art, inventory 1992.139 a-c. Vehicles on the Streets of Tokyo, dated 1870, held by Metropolitan Museum of Art, inventory JP3378. France (furansukoku), held by Metropolitan Museum of Art, inventory 2007.49.219a–c. England (Igirisukoku), held by Metropolitan Museum of Art, inventory 2007.49.220a–c. “America”: Enjoying Hot Air Balloons, dated 1867, held by Metropolitan Museum of Art, inventory 2007.49.222. Illustration of a Balloon Ascending (Fūsen shōyō no zu), held by Metropolitan Museum of Art, inventory 2007.49.223a–c. Sixty-odd Famous Generals of Japan. Tōkaidō meisho fūkei. Shoga 53 eki. The Warrior Slaying the Giant White Hihi, dated 1859, 2nd month, woodblock print; ink and color on paper, held by The Metropolitan Museum of Art, inventory 2001.715.10. View of Shibaura, from the series Eastern Capital (Tōto, Shibaura no fūkei), dated 6th month, 1863, sheet from a triptych of woodblock prints; ink and color on paper, held by The Metropolitan Museum of Art, inventory JP3243. Fireman, dated ca. 1858, woodblock print; ink and color on paper, held by The Metropolitan Museum of Art, inventory JP212.25. American Balloon Ascension (Amerikakoku), dated 6th month, 1867, woodblock print; ink and color on paper, held by The Metropolitan Museum of Art, inventory JP3380. North America (Kita Amerika shu), dated 1866, color woodblock print; oban (part of a triptych), held by The Art Institute of Chicago, inventory 1926.1814. Vehicles on the Streets of Tokyo (Tokyo orai kuruma zukushi), dated 1870, color woodblock print; oban triptych, held by The Art Institute of Chicago, inventory 1926.1768. English Watching Descending Geese at Yoshida Bridge (Yoshida-bashi no rakugan, Igirisujin) , from the series "Eight Views of Yokohama in Musashino Province (Bushu Yokohama hakkei no uchi)", dated 1861, color woodblock print; oban, held by The Art Institute of Chicago, inventory 1926.1623. English (Igirisujin), from the series "A Collection of Various Countries (Bankoku zukushi)", dated 1860, color woodblock print; oban, held by The Art Institute of Chicago, inventory 1926.1622. Picture of Steam Locomotives Traveling (Jokisha rikudo tsuko no zu), dated 1870, color woodblock print; oban triptych, held by The Art Institute of Chicago, inventory 1926.1757. Paris, France (Furansu Parisu no fu), from the series "Collection of Scenic Places in Foreign Lands (Bankoku meisho zukushi no uchi)", dated 1862, color woodblock print; oban triptych, held by The Art Institute of Chicago, inventory 1926.1789. A samurai skirmish. Colour woodcut by Yoshitora, 1847/1848., dated 1847/1848, held by Wellcome Collection. A woman setting a wall clock. Colour woodcut by Yoshitora, 1847/1848., dated 1847/1848, held by Wellcome Collection. Armed coup on the banks of a river. Colour woodcut by Yoshitora, 1847/1852., dated [1847/1852], held by Wellcome Collection. Katō Kiyomasa struggling with a great tiger. Colour woodcut by Yoshitora, 1855., dated Month 2, 1855, held by Wellcome Collection. Two richly attired courtesans in a sumptuous room. Colour woodcut by Yoshitora, 1870s., dated [between 1870 and 1879], held by Wellcome Collection. Several scenes of a drama in a continuous setting. Colour woodcut by Yoshitora, 1852., dated 1852, held by Wellcome Collection. Kite-flying at a boys' festival in early spring. Colour woodcut by Yoshitora, 1865., dated 1865, held by Wellcome Collection. A panorama of the Tōkaidō highway showing a shogunal procession. Colour woodcut by Yoshitora, 1864., dated 1864, held by Wellcome Collection.

Work associated with this heading is recorded in 6 named public collections.

Metropolitan Museum of Art: 5 recorded objects, read from the institution's own published catalogue. Ashmolean Museum: 4 recorded objects, read from the institution's own published catalogue. Vanderbilt Museum of Art: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 74 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 8 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 37 recorded objects, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

Utagawa Yoshitora, <i>Notes on Sericulture</i>, 1847–52, Occupational Medicine, 2025.

This heading is established in Gemeinsame Normdatei (GND) (1145341209) and Getty Union List of Artist Names (ULAN) (500342437). Those registers additionally record the forms ナガシマ, タツゴロウ, Nagashima, Tatsusaburō, 芳虎, Kinchōrō, Kinchōrō, Yoshitora, 一猛斎, イチモウサイ, ヨシトラ and Nagashima, Mōsai.

12 digitised items associated with this heading are catalogued by Internet Archive.

Landscape View of Shiba Beach (1863) — Internet Archive. Acrobats from Central India Performing (1864) — Internet Archive. Scene of London in England (1866) — Internet Archive. Twilight, Looking at Wild Geese Flying Down Toward Yoshida Bridge (1861) — Internet Archive. Snow at an Early Morning Market [Chinese shopping for vegetables] (1861) — Internet Archive. Chinese Junk (1862) — Internet Archive. The Port of London England (1862) — Internet Archive. English Couple Sharing an Umbrella — Internet Archive. A View of the Amusements of the Foreigners in Yokohama, Bushu (1861) — Internet Archive. The Warrior Slaying the Giant White Hihi (2026) — Internet Archive. Ingirisu-jin (1863) — Internet Archive. People of the Five Nations (1861) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 11 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 8 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 8 means 8 genuinely separate publishers of record. 11 further registers were consulted and returned nothing for this heading.

Utagawa Toraka is recorded as having studied under Utagawa Yoshitora.

Places of work recorded in the authority are Tokyo and Netherlands.

Work by Utagawa Yoshitora is recorded in the collections of National Gallery of Victoria, Minneapolis Institute of Art, Art Institute of Chicago, The Nelson-Atkins Museum of Art and Auckland Art Gallery.