Transavantgarde
Transavantgarde or Transavanguardia is the Italian version of Neo-expressionism, an art movement that swept through Italy and the rest of Western Europe in the late 1970s and 1980s. The term transavanguardia was coined by Italian art critic Achille Bonito Oliva, originating in the "Aperto '80" at the Venice Biennale, and literally means beyond the avant-garde. This art movement responded to the explosion of conceptual art, which found many mediums of expression, by reviving painting and reintroducing emotion – especially joy – back into drawing, painting and sculpture.
Transavantgarde
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Transavantgarde or Transavanguardia is the Italian version of Neo-expressionism, an art movement that swept through Italy and the rest of Western Europe in the late 1970s and 1980s. The term transavanguardia was coined by Italian art critic Achille Bonito Oliva, originating in the "Aperto '80" at the Venice Biennale, and literally means beyond the avant-garde. This art movement responded to the explosion of conceptual art, which found many mediums of expression, by reviving painting and reintroducing emotion – especially joy – back into drawing, painting and sculpture.
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Overview
Overview
Transavantgarde marked a return to figurative art, as well as mythic imagery, which was rediscovered during the height of the movement. The artists revived figurative art and symbolism, which were less frequently used in movements after World War II like minimalism. The principal transavantgarde artists were Sandro Chia, Francesco Clemente, Enzo Cucchi, Mimmo Germanà, Nino Longobardi, Nicola De Maria and Mimmo Paladino. In 1982, works by Chia, Cucchi and Longobardi were included in the exhibition "Italian Art Now: An American Perspective" at the Solomon R. Guggenheim Museum in New York.
It is associated with Italy.
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Transavantgarde is associated with Italy.
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- “Transavantgarde”, English Wikipedia, consulted as further reading
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- Wikidata, structured authority record Q224885: Transavantgarde
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These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Chilvers, Ian. A Dictionary of Twentieth-Century Art. Oxford University Press. 620. 1999.
- 2.Nieves, Marysol. Taking Aim! The Business of Being An Artist Today. Fordham University Press. 236. 2011.
- 3.La Biennale. The 1980s.
- 4.Derwent, Charles. Visual Art: Land of the Living Dead Mimmo Paladino South London Gallery, London. The Independent. 12 September 1999.
- 5.Hawlitschka, Ursula. Enzo Cucchi and the Transavantgarde: Are We In An Abyss of Seeing?. August 2000.
- 6.Chuen, Ooi Kok. Creating art from chaos. New Straits Times. 1 November 2000.
- 7.Glueck, Grace. Art: At The Guggenheim, 7 Italian Shows in One. The New York Times. 1982-04-02. 0362-4331.
Bibliography printed in the source article · 3
- Achille Bonito Oliva (1980). Italian Transavantgarde, Milan: Politi Editore.
- Achille Bonito Oliva (1982). Transavantgarde International, Milan: Politi Editore.
- Ida Gianelli (2002). Transavantgarde, Milan: Skira.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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