Tony Williams

Williams worked between 1945 and 1997 across drummer, jazz musician, director, composer and musician. The registers place that work in jazz. This article rests on 96 catalogued compositions, 37 published texts, 42 issued recordings and 21 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

• Name — Tony Williams • Birth Name — Anthony Tillmon Williams • Born — 12 December 1945 • Birthplace — Chicago, Illinois, U.S. • Died — 23 February 1997 • Place of death — Daly City, California, U.S. • Origin — Boston, Massachusetts, U.S. • Occupation — * Musician • composer • producer • bandleader • Instrument — Drums • Genre — * Jazz • post-bop • jazz fusion • modal • Years Active — 1961–1997

Williams was born in Chicago, Illinois, and grew up in Boston, Massachusetts. He was of African, Portuguese, and Chinese descent. He studied with drummer Alan Dawson at the age of 11, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he, Williams, was 16. As a young drummer, he was influenced by Max Roach, Art Blakey, Philly Joe Jones, Roy Haynes, Louis Hayes, and Jimmy Cobb. At 17, Williams joined Miles Davis in what was later dubbed Davis's Second Great Quintet—with saxophonist Wayne Shorter, pianist Herbie Hancock, and bassist Ron Carter. Davis had been in something of a creative lull, and critics noted the young Tony Williams' playing spurred the others on. Williams was a vital element of the group, called by Davis in his autobiography "the center that the group's sound revolved around". His playing helped redefine the role of the jazz rhythm section through the use of polyrhythms and metric modulation. Meanwhile, he recorded his first two albums as a leader for the Blue Note label: Life Time (1964) and Spring (1965). He also recorded as a sideman for the label including the classics Out to Lunch! with Eric Dolphy and Point of Departure with Andrew Hill, both in 1964. In 1969 Williams formed The Tony Williams Lifetime, with John McLaughlin on guitar and Larry Young on organ. Lifetime was a pioneering band of the fusion movement. Their first album was Emergency!. For the album Turn It Over, the trio was joined by bass guitarist and vocalist Jack Bruce. After several more releases and touring, Lifetime disbanded. In 1975, Williams formed "The New Tony Williams Lifetime", featuring bassist Tony Newton, keyboardist Alan Pasqua and guitarist Allan Holdsworth, who recorded two albums for Columbia Records: Believe It and Million Dollar Legs. In 1976, Williams reunited with his colleagues from the Miles Davis Quintet. (Davis himself was in the midst of a six-year hiatus and was "replaced" by trumpeter Freddie Hubbard.) A record of their concert was later released as V.S.O.P. ("Very Special One-time Performance"), the name under which the group toured and recorded for several years. • Illustration — Williams in Half Moon Bay, California, 1986 In 1979, Williams, McLaughlin, and bassist Jaco Pastorius united for a performance at the Havana Jazz Festival. This trio came to be known as the Trio of Doom, and a recording of their performance (along with some studio tracks recorded in New York shortly thereafter) was released in 2007. Williams and Pastorius also played together on "Good Question" from the 1978 Herbie Hancock album Sunlight. Williams appears with the group Fuse One on their 1980 album. In 1985, Williams returned to Blue Note with the album Foreign Intrigue. Eventually Williams formed his own acoustic quintet with trumpeter Wallace Roney, saxophonist Bill Pierce, pianist Mulgrew Miller and bassist Ira Coleman. The quintet played Williams' compositions almost exclusively, recording and touring extensively from 1986 to 1992, culminating in the album The Story of Neptune. Williams guested with the band Public Image Ltd, fronted by John Lydon, on their release titled Album (1986). On February 20, 1997, Williams checked into Seton Medical Center in Daly City, California, suffering from stomach pain. Three days later, while recuperating from gallbladder surgery, he died of a heart attack. He was 51 years old.

Williams lived and taught in the San Francisco Bay Area until his death in 1997. One of his final recordings was The Last Wave by the trio known as Arcana, a release organized by Bill Laswell.

• Recording date — Title — Label — Year released — Notes • 1964-08 — Life Time — Blue Note — 1965 • 1965-08 — Spring — Blue Note — 1966 • 1969-05 — Emergency! — Verve — 1969 • 1970-07 — Turn It Over — Verve — 1970 • 1971-02, 1971-03 — Ego — Polydor — 1971 • 1972? — The Old Bum's Rush — Polydor — 1972 • 1975-07 — Believe It — Columbia — 1975 • 1976-06 — Million Dollar Legs — Columbia — 1976 • 1976-09 — Live at The Village Gate — Hi Hat — 2017 — Live; bootleg recording • 1978-06 — Live Tokyo 1978 — Hi Hat — 2018 — Live; bootleg recording • 1979 — The Joy of Flying — Columbia — 1978 • 1980-06 — Play or Die with Tom Grant and Patrick O'Hearn — P.S. Productions — 1980 • 1985-06 — Foreign Intrigue — Blue Note — 1985 • 1986-11 — Civilization — Blue Note — 1987 • 1988-04 — Angel Street — Blue Note — 1988 • 1989-09 — Native Heart — Blue Note — 1990 • 1991-11, 1991-12 — The Story of Neptune — Blue Note — 1992 • 1992-03 — Tokyo Live — Blue Note — 1993 — [2CD] Live • 1995-12 — Wilderness — Ark 21 — 1996 • 1996-09 — Young at Heart — Columbia — 1997 Collaboration With Herbie Hancock, Wayne Shorter, Ron Carter and Wallace Roney • A Tribute to Miles (Qwest/Reprise/Warner Bros., 1994) – rec. 1992, 1994 Compilation • Lifetime: The Collection (Columbia, 1992) [2CD] – combined Believe It (1975) and Million Dollar Legs (1976)

The Great Jazz Trio With Hank Jones and Ron Carter • I'm Old Fashioned with Sadao Watanabe (East Wind, 1976) • Love for Sale (East Wind, 1976) • The Great Jazz Trio at the Village Vanguard (East Wind, 1977) • The Great Jazz Trio at the Village Vanguard Vol. 2 (East Wind, 1977) • Kindness Joy Love & Happiness (East Wind, 1977) • Bird of Paradise with Sadao Watanabe (Flying Disk, 1977) • Milestones (East Wind, 1978) • New Wine in Old Bottles with Jackie McLean (East Wind, 1978) • Direct from L.A. (East Wind, 1978) • Carnaval with Sadao Watanabe (Galaxy, 1978) • The Great Tokyo Meeting (East Wind, 1978) • The Great Jazz Trio at the Village Vanguard Again (East Wind, 2000) – rec. 1977. posthumous release. Trio of Doom With Jaco Pastorius and John McLaughlin • Trio of Doom (Columbia Legacy, 2007) – rec. 1979. posthumous release. Arcana With Derek Bailey and Bill Laswell • The Last Wave (DIW, 1996) – rec. 1995 • Arc of the Testimony also with Pharoah Sanders (Axiom/Island, 1997) – posthumous release

With Chet Baker • You Can't Go Home Again (Horizon, 1977) • Chet Baker / Wolfgang Lackerschmid with Wolfgang Lackerschmid (Sandra Music Productions, 1980) – rec. 1979 • The Best Thing for You (A&M, 1989) – rec. 1977 With Ron Carter • Third Plane (Milestone, 1978) • 1 + 3 (JVC, 1979) – live rec. 1978 • Parade (Milestone, 1980) – rec. 1979 • Carnaval (Galaxy, 1983) – live rec. 1978 • Etudes (Elektra/Musician, 1983) – rec. 1982 With Miles Davis • Seven Steps to Heaven (Columbia, 1963) • Miles Davis in Europe (Columbia, 1963) • Four & More (Columbia, 1964) • My Funny Valentine: Miles Davis in Concert (Columbia, 1964) • Miles in Berlin (CBS, 1964) • E.S.P. (Columbia, 1965) • Miles Smiles (Columbia, 1967) • Sorcerer (Columbia, 1967) • Nefertiti (Columbia, 1967) • Miles in the Sky (Columbia, 1968) • Filles de Kilimanjaro (Columbia, 1968) • Miles in Tokyo (CBS/Sony, 1969) – rec. 1964 • In a Silent Way (Columbia, 1969) • Water Babies (Columbia, 1976) – rec. 1967–1968 • Circle in the Round (Columbia, 1979) – rec. 1967–1968 • Directions (Columbia, 1981) – rec. 1967–1968 • The Complete Live at the Plugged Nickel 1965 (Columbia Legacy, 1995) – rec. 1965 • Miles Davis & Gil Evans: The Complete Columbia Studio Recordings – four takes of "Falling Water" (Columbia Legacy, 1996) – rec. 1968 • Live in Europe 1967: The Bootleg Series Vol. 1 (Columbia Legacy, 2012) • Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4 (Columbia Legacy, 2015) With Tommy Flanagan • The Master Trio (Baybridge, 1983) • Blues in the Closet (Baybridge, 1983) With Herbie Hancock • My Point of View (Blue Note, 1963) • Empyrean Isles (Blue Note, 1964) • Maiden Voyage (Blue Note, 1965) • V.S.O.P. (Columbia, 1977) – rec. 1976 • V.S.O.P.: The Quintet (Columbia, 1977) • V.S.O.P.: Tempest in the Colosseum (CBS/Sony, 1977) • Herbie Hancock Trio (CBS/Sony, 1977) • Sunlight (Columbia, 1978) • V.S.O.P.: Live Under the Sky (CBS/Sony, 1979) • Mr. Hands (Columbia, 1980) • Herbie Hancock Trio (Columbia, 1982) – rec. 1981 • Quartet (CBS/Sony, 1982) • One Night with Blue Note Preserved (Blue Note, 1985) • 'Round Midnight (soundtrack) (Columbia, 1986) – rec. 1985 • Future 2 Future (Transparent Music, 2001) With Jackie McLean • One Step Beyond (Blue Note, 1964) – rec. 1963 • Vertigo (Blue Note, 1980) – rec. 1959-1963 With Grachan Moncur III • Evolution (Blue Note, 1964) – rec. 1963 • Some Other Stuff (Blue Note, 1965) – rec. 1964 With Sonny Rollins • Easy Living (Milestone, 1977) • Don't Stop the Carnival (Milestone, 1978) – live • No Problem (Milestone, 1982) – rec. 1981 With McCoy Tyner • Supertrios (Milestone, 1977) • Passion Dance (Milestone, 1978) – live • Counterpoints (Milestone, 2004) – rec. 1978 With others • Geri Allen, Twenty One (Blue Note, 1994) • George Cables, Phantom of the City (Contemporary, 1985) • Stanley Clarke, Stanley Clarke (Nemperor, 1974) • Eric Dolphy, Out to Lunch! (Blue Note, 1964) • Kenny Dorham, Una Mas (Blue Note, 1964) • Gil Evans, There Comes a Time (RCA, 1976) • Hal Galper, Now Hear This (Enja, 1977) • Stan Getz, Captain Marvel (Columbia, 1972) • Dexter Gordon, The Other Side of Round Midnight (Blue Note, 1986) • Jonas Hellborg and the Soldier String Quartet, The Word (Axiom, 1991) • Joe Henderson, Relaxin' at Camarillo (Contemporary, 1981) • Andrew Hill, Point of Departure (Blue Note, 1965) • Terumasa Hino, May Dance (Flying Disk, 1977) • Allan Holdsworth, Atavachron – Looking Glass (Enigma, 1986) • Charles Lloyd, Of Course, Of Course (Columbia, 1965) • Michael Mantler, Movies (Watt, 1978) • Ray Manzarek, The Golden Scarab (Mercury, 1973) • Branford Marsalis, Renaissance (Columbia, 1987) • Wynton Marsalis, Wynton Marsalis (Columbia, 1981) • John McLaughlin, Electric Guitarist (Columbia, 1978) • Marcus Miller, The Sun Don't Lie (PRA, 1993) • Mulgrew Miller, The Countdown (Landmark, 1989) • Yoko Ono, Starpeace (PolyGram, 1985) • Michel Petrucciani, Marvellous (Dreyfus, 1994) • Pop Workshop, Song For The Pterodactyl (Grammofonverket, 1974) • Public Image Limited, Album (Virgin, 1985) • Don Pullen, New Beginnings (Blue Note, 1988) • Sam Rivers, Fuchsia Swing Song (Blue Note, 1964) • Wallace Roney, Verses (Muse, 1987) • Carlos Santana, The Swing of Delight (Columbia, 1980) • Travis Shook, Travis Shook (Columbia, 1993) • Wayne Shorter, The Soothsayer (Blue Note, 1979) • Weather Report, Mr. Gone (Columbia, 1978)

Tony Williams was born on 12 December 1945 in Chicago. Williams held the nationality of United States. Williams studied under David Sheinfeld. Williams worked as drummer, jazz musician, director and composer, and the authority record catalogues a further 1 occupations under the same name, among them musician. Williams was active from 1961 to 1997. The fields Williams worked in include jazz. Williams played the drum kit. Williams worked in English. Williams died on 23 February 1997 in Daly City. Williams is buried at Holy Cross Cemetery.