Thomas Francis Dicksee

His brother was the artist John Dicksee (1817–1905), whose son was Herbert Dicksee, who often painted dogs. Thomas's son was Sir Frank Dicksee (1853–1928), president of the Royal Academy from 1924 until his death. He painted somewhat similar subjects to his father, but with a wider range and more flamboyant treatment; medieval figure subjects were a speciality. Thomas's daughter Margaret Isabel Dicksee also painted in a similar vein, with more sentimental subjects usually of women and children.

Subjects and genres recorded for the work are genre. Work by Thomas Francis Dicksee is recorded in the collections of Te Whare O Rehua Sarjeant Gallery, Art Gallery of South Australia, Sunderland Museum and Winter Gardens, Bilbao Fine Arts Museum and Art Gallery of New South Wales.

• Name — Thomas Francis Dicksee • Born — 13 December 1819 • Birthplace — London, England • Died — 6 November 1895 13 December 1819 • Place of death — London, England • Training — H. P. Briggs.

Thomas Francis Dicksee was born in London on 13 December 1819 and was the pupil of H. P. Briggs. He exhibited at the Royal Academy from 1841 until the year of his death. He produced a series of portraits of family members, and also painted idealised portraits, including the Shakespearean characters Ophelia, Beatrice, Miranda and Ariel. A Juliet is in the Sunderland Art Gallery, and At the Opera is in the collection of Leicester Art Gallery. A portrait of Lady Teasdale is in the Adelaide Art Gallery, Australia and an Ophelia (1875) is in the Mead Art Museum, Amherst, Massachusetts. Dicksee would become particularly well known for his depictions of Shakespearean heroines and exhibited a total of seven at the Royal Academy. Other oil paintings have been seen in several auctions including Christ of the Cornfield, Distant Thoughts, and paintings of Beatrice, Miranda, and Amy Robsart. He died in London on 6 November 1895. He lived in Fitzroy Square, Bloomsbury.

• Illustration — Ophelia, 1865 • Illustration — Ophelia, 1873, Touchstones Rochdale, England • Illustration — Juliet on the Balcony, 1875, McManus Galleries, Dundee, Scotland • Illustration — Amy Robsart • Illustration — Juliet, 1877, Sunderland Museum and Winter Gardens, Sunderland, England • Illustration — Little Florist, Gallery Oldham, Greater Manchester, England • Illustration — Miranda,1895, auction sold at Sotheby's • Illustration — Ophelia,1864, Bilbao Fine Arts Museum, Spain • Illustration — Anne Page, 1862, Folger Shakespeare Library, Washington, D.C. • Illustration — Ideal Portrait of Lady Macbeth, 1870, Walker Art Gallery, Liverpool, England • Illustration — Christ of the Cornfield, 1883 • Illustration — Beatrice, 1883

The following is established of the heading itself.

The following works and productions are recorded by name or by count. It is also recorded that anthony White. Walker, 1852, after T. An episode in Shakespeare's Two gentlemen of Verona: Launce lecturing to his dog Crab. Dicksee, 1847, after T.F.