Thomas Couture

Thomas Couture studied at Arts et Métiers ParisTech and Beaux-Arts de Paris. Training under Antoine-Jean Gros and Paul Delaroche is recorded. Édouard Manet, François-Alfred Delobbe and Hippolyte Ribbrol are recorded as having studied under Thomas Couture. The recorded working language is French. The field of work recorded is painting. Subjects and genres recorded for the work are history. Titian and Peter Paul Rubens are recorded as an influence. Residence is recorded at Thomas Couture's house. Works named in the authority record are The Romans of the Decadence. Work by Thomas Couture is recorded in the collections of Belvedere, Minneapolis Institute of Art, Art Institute of Chicago, The Nelson-Atkins Museum of Art and Finnish National Gallery. Distinctions recorded are Second Great Prize of Rome and Knight of the Legion of Honour.

• Name — Thomas Couture • Born — 21 December 1815 • Birthplace — Senlis, Oise, France • Died — 30 March 1879 • Place of death — Villiers-le-Bel, Val-d'Oise, France • Resting Place — Père Lachaise Cemetery, Paris, France • Known for — Painting, author • Training — École des Arts et Métiers • Notable Works — Romans in the Decadence of the Empire • Illustration — The grave of Thomas Couture, Pere Lachaise Cemetery, Paris

Couture was born at Senlis, Oise, France. As a child, he sold a sketch for one hundred francs. • Illustration — Photographic portrait, by Étienne Carjat, ca.1860 When he was 11 his family moved to Paris, where he would study at the industrial arts school (École des Arts et Métiers) and later at the École des Beaux-Arts. He was a student of Baron Antoine Jean-Gros.

He failed the prestigious Prix de Rome competition at the École six times, but he felt the problem was with the École, not himself. Couture finally did win the prize in 1837. In 1840 he began exhibiting historical and genre pictures at the Paris Salon, earning several medals for his works, in particular for his masterpiece, Romans During the Decadence (1847). Shortly after this success, Couture opened an independent atelier meant to challenge the École des Beaux-Arts by turning out the best new history painters. Couture's innovative technique gained much attention, and he received Government and Church commissions for murals during the late 1840s through the 1850s. He never completed the first two commissions, and the third met with mixed criticism. Upset by the unfavorable reception of his murals, in 1860 he left Paris, for a time returning to his hometown of Senlis, where he continued to teach young artists who came to him. In 1867 he thumbed his nose at the academic establishment by publishing a book on his own ideas and working methods called Méthode et entretiens d'atelier (Method and Workshop Interviews). It was also translated to Conversations on Art Methods in 1879, the year he died. Asked by a publisher to write an autobiography, Couture responded: "Biography is the exaltation of personality—and personality is the scourge of our time."

In 1879 he died at Villiers-le-Bel, Val-d'Oise, and was interred in Père Lachaise Cemetery, Paris.