Tate Stevens

6 works under this name are catalogued by The Art Institute of Chicago. Their recorded dates run from 1867 to 1970.

"The London & York Royal Mail Coach", dated 1879, silk, plain weave with supplementary brocading wefts, held by The Art Institute of Chicago, inventory 1956.163. Towards Identity, dated 1970, oil on canvas, held by The Art Institute of Chicago, inventory 1999.940. Commemorative Bookmark "Centennial U.S.A.", dated 1876, held by The Art Institute of Chicago, inventory 1956.117. Hesitation (Madame Monteaux?), dated c. 1867, oil on panel, held by The Art Institute of Chicago, inventory 1933.1178. At the Railway Station, dated c. 1874, oil on panel, held by The Art Institute of Chicago, inventory 1901.436. The Corner of the Balcony, dated c. 1877, gouache with pen and black ink, on ivory wove paper, laid down on white japanese paper, held by The Art Institute of Chicago, inventory 1937.54.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 132681 recorded objects, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

How the Sun Came Shining: Stevens and Wilbur on Waking Up, Logos: A Journal of Catholic Thought and Culture, 2016.

This heading is established in VIAF (305410159). Those registers additionally record the forms Tate Stevens, 1975-, Tate Stevens American singer, Tate Stevens, amerikansk sanger, Tate Stevens, amerikansk songar, Tate Stevens, Amerikalı şarkıcı and Tate Stevens, Amerikaans zanger.

Tate Stevens studied at Belton High School.

Subjects and genres recorded for the work are country music.