Takashi Koizumi

8 works under this name are catalogued by Open Library and The Art Institute of Chicago. Their recorded dates run from 1932 to 2002.

ミルの世界. Hikaku shisō no susume. Nihon no shisō o kangaeru. J.S. Miru kenkyū. Kodomotachi kara mita sekai. Fukuzawa Yukichi no shūkyōkan, dated 2002. Kiba Lumberyard along the River at Fukugawa (New Edition) [Fukagawa-ku, kiba no kawasuji (shinpan)], from the series "One Hundred Views of Great Tokyo in the Showa Era (Showa dai Tokyo fukei hyaku zue hanga)", dated 1940, color woodblock print; oban, held by The Art Institute of Chicago, inventory 1997.704. The Memorial Hall of the Earthquake in Honjo, from the series One Hundred Views of Great Tokyo in the Showa Era, dated 1932, color woodblock print; oban, held by The Art Institute of Chicago, inventory 1998.129.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 132681 recorded objects, read from the institution's own published catalogue.

2 scholarly publications naming this subject were located in the registry of record.

Czy mistrz walki może być artystą? Refleksje o „Ame Agaru” Takashi Koizumi, Kwartalnik Filmowy, 2001. 9732478 Development of variable geometry turbocharger for truck application Takashi Mikogami, Nobuyasu Matsudaira, Hiroshi Suzuki, Nobuvuki Koizumi (Mitsubishi Heavy Industries), JSAE Review, 1998.

Takashi Koizumi studied at Waseda University. the recorded working language is Japanese.