Tabnit sarcophagus

It has been dated to early fifth century BC, and was unearthed in 1887 by Osman Hamdi Bey at the Royal necropolis of Ayaa east of Sidon together with the Alexander Sarcophagus and other related sarcophagi. Tabnit's body was found floating perfectly preserved in the original embalming fluid. Both the sarcophagus and Tabnit's decomposed skeleton are now in the Istanbul Archaeology Museums. The sarcophagus, together with the Sarcophagus of Eshmunazar II, were possibly acquired by the Sidonians following their participation in the Battle of Pelusium during the First Achaemenid conquest of Egypt, and served as models for later Phoenician sarcophagi. The Phoenician text is considered to have a "remarkable" similarity to that of the Shebna inscription from Jerusalem.

• Name — Tabnit sarcophagus • Material — Basalt • Writing — Phoenician • Created — c.500 BC • Discovered — 1887 • Location — Istanbul Archaeology Museums

• Illustration — Tabnit's skeleton At the beginning of 1887, Mehmed Sherif Effendi, the owner of a piece of land known as Ayaa, obtained a permit from the local authorities to quarry stone for the construction of a new building. On 2 March 1887, Cherif reported to the Kaymakam of Sidon, Sadik Bey, that he had discovered a well at the bottom of which there might be tombs. Sadik Bey examined the site and spotted a vault containing two sarcophagi through a hole in the eastern wall of the well. He escalated the matter to the Vali of the Syria vilayet, Rashid Nashid Pasha, and the Governor of Beirut Nassouhi Bey, and entrusted the well to the care of Essad Effendi from the gendarmerie of Sidon. According to the American missionary narrative, the tombs were discovered in 1887 by the American Presbyterian minister William King Eddy (the father of William A. Eddy). William Wright sent a letter to The Times with news of Eddy's discovery and imploring the British Museum to "take immediate measures to secure these treasures and prevent their falling into the hands of the vandal Turk". This alerted the new curator of the fledgling Istanbul Archaeological Museum, Osman Hamdi Bey, who arranged for a full excavation and the transfer of the sarcophagi to Istanbul. During the excavation, the workmen opened the Tabnit sarcophagus and found "a human body floating in perfect preservation in a peculiar fluid". Whilst Hamdi Bey was at lunch, the workmen overturned the sarcophagus and poured the fluid out, such that the "secret of the wonderful fluid was again hidden in the Sidon sand". Notably, after the "peculiar fluid" left the sarcophagus, the body started to become un-preservable. Hamdi Bey noted in 1892 that he had kept a portion of the sludge that remained in the bottom of the sarcophagus. • Illustration — Sidon and Ayaa Necropolis (marked "1" in the top right corner) • Illustration — Plan of Ayaa Necropolis • Illustration — Cross-section of the Ayaa Necropolis. The Tabnit sarcophagus is at the bottom left. • Illustration — Tabnit sarcophagus (front and side)

• Illustration — Closeup of the phoenician language inscription The inscription is known as KAI 13. The Egyptian hieroglyphic inscription shows that the sarcophagus was originally intended for an Egyptian general named "Pen-Ptah" (pꜣ-n-pth). Transcribed in equivalent Hebrew letters, the Phoenician text is readable by a modern Hebrew speaker, with a few distinctions: as is customary in Phoenician, the direct object marker is written אית (ʾyt) instead of את (ʾt) in Hebrew, and relative clauses ('which', 'who') are introduced with אש (ʾš) instead of אשר (ʾšr) in Hebrew. Among less common words in modern Hebrew, the inscription uses חרץ for gold (Biblical חָרוּץ) and אר for the verb 'to gather' (אָרוּ 'they gathered', Biblical אָרָה). • Phoenician letters — Equivalent Hebrew letters — Transliteration — Restored pronunciation — English translation • Phnx — אנכ תַּבּנִת כהן עשתרת מֶלֶךְ צדנם בן אֶשמֻנעַזָר כהן עשתרת מֶלֶךְ צדנם שכב בארן ז מי את כל אדם אש תפק אית הארן ז אל אל תפתח עלתי ואל תרגזן כ אי אר לנ כסף אי אר לנ חרץ וכל מנם משד בלת אנכ שכב בארן ז אל אל תפתח עלתי ואל תרגזן כ תעבת עשתרת הדבר הא ואם פתח תפתח עלתי ורגז תרגזן אל יכן לך זרע בחים תחת שמש ומשכב את רפאם — ʾnk tbnt khn ʿštrt mlk ṣdnm bn ʾšmnʿzr khn ʿštrt mlk ṣdnm škb bʾrn z my ʾt kl ʾdm ʾš tpq ʾyt hʾrn z ʾl ʾl tptḥ ʿlty wʾl trgzn k ʾy ʾrln ksp ʾy ʾr ln ḥrṣ wkl mnm mšd blt ʾnk škb bʾrn z ʾl ʾl tptḥ ʿlty wʾl trgzn k tʿbt ʿštrt hdbr hʾ wʾm ptḥ tptḥ ʿlty wrgz trgzn ʾl ykn lk zrʿ bḥym tḥt šmš wmškb ʾt rpʾm — 1 ʼanôkî Tabnît kôhen ‛Aštart milk Ṣîdônîm bin 2 ʼEšmûn‛azar kôhén ‛Aštart milk Ṣîdônîm šôkéb bâʼarôn 3 zè miya ʼatta kul ʼadom ʼéš tapîq ʼiyat hâʼarôn zè ʼal ʼal 4 taptaḥ ‛alôtiya weʼal targizénî ka ʼî ʼarû lanî kasp ʼî ʼarû lanî 5 ḥarûṣ wekul mî-numma mašr biltî ʼanôkî šôkéb bâʼarôn zè ʼal ʼal taptaḥ 6 ‛alôtiya weʼal targizénî ka tôʽîbot ʽAštart haddabor hûʼa weʼîm patôḥ 7 taptaḥ ‛alôtiya weragôz targizénî ʼal yakûn lakâ zar‛ baḥayyîm taḥt šamš 8 wemiškob ʼét rapaʼîm. — I, Tabnit, priest of Astarte, king of Sidon, the son of Eshmunazar, priest of Astarte, king of Sidon, am lying in this sarcophagus. Whoever you are, any man that might find this sarcophagus, don't, don't open it and don't disturb me, for no silver is gathered with me, no gold is gathered with me, nor anything of value whatsoever, only I am lying in this sarcophagus. Don't, don't open it and don't disturb me, for this thing is an abomination to Astarte. And if you do indeed open it and do indeed disturb me, may you not have any seed among the living under the sun, nor a resting-place with the Rephaites.

• Illustration — Sarcophagus of Harkhebit ""Royal Seal Bearer, Sole Companion, Chief Priest of the Shrines of Upper and Lower Egypt, and Overseer of the Cabinet", 595–526 BC, Saqqara, 26th dynasty of Egypt. It is very similar in style with the Tabnit sarcophagus. Both the Tabnit sarcophagus and the Sarcophagus of Eshmunazar II are thought to originally date from the Twenty-sixth Dynasty of Egypt, which had its capital at Sais. This is partially due to their resemblance to similar sarcophagi such as the Psamtik II-era Horkhebit sarcophagus from Saqqara, now in the Metropolitan Museum of Art.