T. C. Cannon
Tommy Wayne Cannon (Kiowa/Caddo, September 27, 1946 – May 8, 1978) was an important Native American artist of the 20th century. He was popularly known as T. He was an enrolled member of the Kiowa Indian Tribe of Oklahoma and had Caddo and French ancestry.
Also recorded as Pai-doung-u-day · One Who Stands in the Sun · Tom Wayne Cannon · Pai-doung-u
T. C. Cannon
- Name
- T.
- Birth Name
- Tommy Wayne Cannon
- Born
- 27 September 1946
- Birthplace
- Lawton, Oklahoma
- Died
- 8 May 1978
- Place of death
- Santa Fe, New Mexico
- Known for
- painting, printmaking
- Training
- Institute of American Indian Arts; San Francisco Art Institute; Central State University
- Movement
- Native American art
- Nationality
- United States
- Occupation
- painter · artist
- Fields
- painting
VALÉORINE Encyclopedia
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Documentary summary
Tommy Wayne Cannon (Kiowa/Caddo, September 27, 1946 – May 8, 1978) was an important Native American artist of the 20th century. He was popularly known as T. He was an enrolled member of the Kiowa Indian Tribe of Oklahoma and had Caddo and French ancestry.
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Awarded · outgoing
Bronze Star Medal
Term
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Educated At · outgoing
Institute of American Indian Arts
Organisation
Citizen Of · outgoing
United States
Place
Documentary evidence
Documentary basis
Authority files
wikidata · Q7668165 · wikipedia · T. C. Cannon
In this article
Biography
Biography
Cannon studied at Institute of American Indian Arts. The field of work recorded is painting. Friedensreich Hundertwasser is recorded as an influence. Work by T. Cannon is recorded in the collections of The Nelson-Atkins Museum of Art, New Mexico Museum of Art, Smithsonian American Art Museum, Museum of Modern Art and Whitney Museum of American Art. Distinctions recorded are Bronze Star Medal.
Key facts
Key facts
• Name — T. C. Cannon • Birth Name — Tommy Wayne Cannon • Born — 27 September 1946 • Birthplace — Lawton, Oklahoma • Died — 8 May 1978 • Place of death — Santa Fe, New Mexico • Citizenship — Kiowa Indian Tribe of Oklahoma and U.S. • Known for — painting, printmaking • Training — Institute of American Indian Arts; San Francisco Art Institute; Central State University • Movement — Native American art
Early life
Early life
Cannon grew up in Zodaltone and Gracemont, Oklahoma. His parents were Walter Cannon (Kiowa) and Minnie Ahdunko Cannon (Caddo). His Kiowa name, Pai-doung-a-day, means "One Who Stands in the Sun." He learned about the art of the Kiowa Six, a group of Native American painters who achieved international reputations in the fine art world and who helped to develop the Southern Plains Flatstyle of painting. Stephen Mopope and Lee Tsatoke Sr., grandson of Monroe Tsatoke, particularly influenced the young artist. T. C. Cannon enrolled in the Institute of American Indian Arts (IAIA) in Santa Fe in 1964, where he studied painting with Fritz Scholder (Luiseño). He created works that brings recognition to the late 20th century native artists. After graduating from IAIA, he enrolled in the San Francisco Art Institute but left after two months and enlisted in the army. As a paratrooper in the 101st Airborne Division, Cannon served in Vietnam from 1967 to 1968. During the Tet Offensive, he earned two Bronze Star Medals. He was also inducted into the Black Leggings Society, one of the Kiowa warriors' societies.
Art career
Art career
While still stationed in Vietnam, Cannon had a breakthrough in his art career. Rosemary Ellison, curator of the Southern Plains Indian Museum in Anadarko, Oklahoma, included him in a major traveling exhibition Contemporary Southern Plains Indian Painting (1972). In 1972, Cannon and fellow artist Fritz Scholder (Luiseño) had a two-man exhibition at the Smithsonian Institution's National Collection of Fine Arts, titled Two American Painters. In this exhibition, according to Janet Berlo and Ruth Phillips, Cannon and Scholder subverted visual stereotypes about Native Americans, creating an exploration "in irony and kitsch" which "opened up a new phase of contemporary art". Cannon produced a large body of work over the next six years, in preparation for his one-man show, scheduled to open at the Aberbach Gallery in New York in October 1978. On May 8 of that year, he died in an automobile accident. After a delay, the show opened on December 10, 1979, as T.C. Cannon: A Memorial Exhibition. Featuring 50 works by Cannon, the show travelled to such locations as the Heard Museum, the New Mexico Museum of Art, and the Buffalo Bill Historical Center. As an artist, he uses striking colors and elements deriving from native-non native backgrounds.
Commissions
Commissions
Cannon painted murals at the United Indians of All Tribes Foundation and the Daybreak Star Cultural Center in Seattle, Washington, and the Santa Fe Opera Guild.
Death
Death
Tommy Wayne Cannon died in an automobile accident southeast of Santa Fe on May 8, 1978.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Lawton.
Birth place
Santa Fe.
Death place
Primary material
Documents and archives
Institutional database
- Wikidata, structured authority record Q7668165: T. C. Cannon
Scholarly · Wikimedia Foundation
reference work
- “T. C. Cannon”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Honors
Cannon was an artist-in-residence at Dartmouth College in Hanover, New Hampshire; Colorado State University in Fort Collins, Colorado; and the United States National Park Service. In 1988 he was posthumously inducted into the National Hall of Fame for Famous American Indians in Anadarko.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Frederick, 8
- 2.Frederick 12
- 3.Frederick 16
- 4.T.C. Cannon MoMA. The Museum of Modern Art.
- 5.Frederick 37
- 6.Treasures of the IACB: T.C. Cannon, W. 23 February 2018.
- 7.Berlo, Janet C. Native North American Art. Oxford University Press. 225. 1998.
- 8.T.C. Cannon: At the Edge of America. National Museum of the American Indian.
- 9.Lester 95.
Bibliography printed in the source article · 7
- Bolen, Anne. An Art Revolution: T.C. Cannon Shows Native Life at The Edge Of America. National Museum of the American Indian. 20. 1. 36–41. Spring 2019.
- Benton, William. T.C. Cannon: The Masked Dandy. American Indian Art Magazine. 3. 4. 34–39. Autumn 1978.
- Kramer. T.C. Cannon: At the Edge of America. Peabody Essex Museum. 2018. 978-0-87577-233-2.
- Gradwohl, David M. Cemetery Symbols and Contexts of American Indian Identity: The Grave of Painter and Poet T.C. Cannon. Markers. XIV. vi–33. 1997.
- Rettig, David. T.C. Cannon. American Indian Art Magazine. 21. 1. 56–57. Winter 1995.
- Schjeldahl, Peter. T.C. Cannon's Blazing Promise. The New Yorker. 80–81. April 8, 2019.
- Wallo, William. T.C. Cannon. Southwest Art. 20. 4. 68–76. September 1990.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q7668165: T. C. CannonWikimedia Foundation
Institutional witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
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