Swarabat
Illustration — 'Lady playing swarabat'. Painting by Raja Ravi Varma. • Illustration — Instrument similar to swarabat in relief at Amaravati Stupa in southern India, 2nd century CE. The Swarabat, Swarbat or Swaragat is a rare plucked string instrument of the classical Carnatic music genre of South India. It belongs to the chordophone, lute family of musical instruments, and is closely related to the veena and yazh instruments of the ancient South Asian orchestral ensemble.
Also recorded as Swarbat · Swaragat
Swarabat

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- chordophone
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Illustration — 'Lady playing swarabat'. Painting by Raja Ravi Varma. • Illustration — Instrument similar to swarabat in relief at Amaravati Stupa in southern India, 2nd century CE. The Swarabat, Swarbat or Swaragat is a rare plucked string instrument of the classical Carnatic music genre of South India. It belongs to the chordophone, lute family of musical instruments, and is closely related to the veena and yazh instruments of the ancient South Asian orchestral ensemble.
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Etymology
Etymology
Although popularly known as Swarabat, its correct pronunciation is Swaragat. Swara from Sanskrit connotes a note in the successive steps of the octave, ghat refers to steps leading down towards a river, while bhat in the language means scholar.
Construction
Construction
• Illustration — The painter Raja Ravi Varma featured the instrument in many of his works. Like its Carnatic cousin, the veena, it has frets, a feature that also distinguishes it from their ancestor, the Yazh harp (ancient veena). Part of the chordophonic lute family of instruments, the Swarabat body is made of wood on which a skin is stretched. On top of this skin, a bridge is placed upon which silk strings pass, which are plucked with a plectrum carved out of horn. There is a resonator and a stem, both made of wood. The resonator is covered with animal hide. The frets were made from animal gut (usually a goat). The head resembles a parrot or peacock. The tuning pegs are fixed to the neck.
Sound
Sound
Although the Swarabat features a unique construction, the range of sound delivered by it is relatively limited. It produces a timbre similar to a bass rubab and bass guitar.
Use and history
Use and history
• Illustration — Swarabat or swaragat, 1903, carved with parrot's head The Swarabat is today a very rare string instrument used in Carnatic music, that once featured prominently as an original staple in the Katcheri and Harikatha stage ensembles of royal carpet composers. Musicians in the royal courts of Mysore, Travancore, Thanjavur kingdom and the Thondaman dynasty of Pudukottai favoured its unique bass tone accompaniment; students of the Saraswati veena were often proficient in playing the Swarabat. Old manuscripts, photographs and Swarabat instruments themselves have been preserved at museums worldwide. Prolific musicians who have played it have been Palghat Parameswara Bhagavathar, Baluswami Dikshitar, the Raja Swathi Thirunal Rama Varma, Veene Sheshanna, and Krishna Iyengar.
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q7653835: Swarabat
General reference · Wikidata
reference work
- “Swarabat”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
References and citations
References and citations
* • Padma Bhushan Prof. P. Sambamurthy (2005). "History of Indian Music". The Indian Music Publishing House, 208-214. • Photo of Met museum • India9.com
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Walter Kaufmann: Musikgeschichte in Bildern. Band II: Musik des Altertums. Lieferung 8: Altindien. Hrsg. Werner Bachmann. Deutscher Verlag für Musik, Leipzig 1981, S. 36, 140
- 2.Aygul Malkeyeva: Musical Instruments in the Text and Miniatures of the „Bāburnāma“. In: RIdIM/RCMI Newsletter, Band 22, Nr. 1, Frühjahr 1997, S. 12–22, hier S. 15, 17f
- 3.David Courtney: Seni Rabab. chandrakantha.com
- 4.Rabab. India Instruments
- 5.Norbert Beyer: Rebāb. II. Schalenhalslauten. 2. Gezupfte Schalenhalslauten. b. Der indische rabāb. In: MGG Online, November 2016
- 6.Allyn Miner: Sitar and Sarod in the 18th and 19th Centuries. (Florian Noetzel, Wilhelmshaven 1993) Motilal Banarsidass, Neu-Delhi 1997, S. 60, 63
- 7.Swarabat. Metropolitan Museum of Art
- 8.S. Karthick Raj Koundinya: Musical Instruments in Sanskrit Literature. (Dissertation) University of Madras, Department of Sanskrit, 2008, S. 83
- 9.Pichu Sambamoorthy: Catalogue of Musical Instruments Exhibited in the Government Museum, Chennai. (1955) The Principal Commissioner of Museums, Government Museum, Chennai 1976, S. 11
- 10.The Rabaab – rare Afghan-Indian instrument. Musical Wonders of India. Youtube-Video (besonders tief klingende rabāb)
- 11.Dr. Shobana: Life and Contribution Vainika Shikamani Sri Veena Sheshanna. In: Pranav Journal of Fine Arts, Band 1, Nr. 1, Dezember 2020, S. 14–26, hier S. 17
- 12.V. V. Ramesh: The Great Violin Maestros Of The Past. www.carnaticcorner.com
- 13.Takako Inoue: The Reception of Western Music in South India around 1800. In: Tetsuo Mochizuki, Go Kishino (Hrsg.): In Orient on Orient: Images of Asia in Eurasian Countries. (Comparative Studies on Regional Powers, Nr. 13) Slavic Research Center, Hokkaido University, 2013, S. 69–96, hier S. 73
- 14.Pichu Sambamoorthy: Great Musicians. The Indian Music Publishing House, Madras 1959, S. 36, 38
- 15.Sharat Sunder Rajeev: A museum of the royals. The Hindu, 9. Dezember 2016
- 16.M. R. Shastri: Royal Composer. Music of Travancore. In: Sangeet Natak Academy, Neu-Delhi, 1957, S. 57–60, hier S. 58
- 17.A. Padmanabha Iyer: Modern Travancore: A Handbook of Information. Sridhara Printing House, Trivandrum 1941, S. 50f, 118
- 18.Achuthsankar S. Nair: Demystifying Svāti Tirunāl. In: The Journal of the Music Academy Madras, Band 80, 2009, S. 43–63, hier S. 50
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