Super Mario Bros. 3

It was developed by Nintendo Entertainment Analysis and Development, led by Shigeru Miyamoto and Takashi Tezuka. Players control brothers Mario or Luigi, who must save Princess Toadstool and the rulers of seven different kingdoms from the villain, Bowser. 3 introduced Super Mario staples such as Bowser's children (the Koopalings) and a world map to transition between levels. 3 was praised for its challenging gameplay. It is regarded as one of the greatest video games and the greatest title ever released on the platform. It is the third best-selling NES game, with more than 17 million copies sold worldwide. It inspired an animated television series, produced by DIC Entertainment. It was advertised during a final scene of the 1989 film The Wizard. 3 was remade for the Super NES as a part of Super Mario All-Stars in 1993 and for the Game Boy Advance as Super Mario Advance 4: Super Mario Bros. 3 in 2003. It was rereleased on the Virtual Console service on the Wii, Wii U, and 3DS, and included on the NES Classic Mini. In 2018, it was rereleased for the Switch on the Nintendo Classics service with added netplay.

Super Mario Bros. 3 is a two-dimensional side-scrolling platform game in which the player controls either Mario or Luigi. It shares similar gameplay mechanics with previous games in the series — Super Mario Bros., Super Mario Bros.: The Lost Levels, and Super Mario Bros. 2 — while introducing several elements. In addition to the running and jumping found in previous games, the player character can slide down slopes, pick up and throw certain items, and freely climb vines. New power-ups are introduced, including the Super Leaf and the Tanooki Suit, which allow Mario to fly and float. The game world consists of eight kingdoms, each subdivided into multiple levels. The eight worlds feature distinct visual themes: the first world is grass and the second world, "Desert Land" (or "Desert Hill" in Japanese and North American PRG0 versions), contains sand-covered levels with pyramids, while the levels in the fourth world, "Giant Land" ("Big Island"), contain obstacles and enemies twice their normal height and width. The player navigates via two game screens: an overworld map and a course. The overworld map displays an overhead representation of the current kingdom and has several paths leading from the world's entrance to a castle. Paths connect to action panels, fortresses, and other map icons, and allow players to take different routes to reach the kingdom's goal. Moving the on-screen character to an action panel or fortress will allow access to that course, a linear stage populated with obstacles and enemies. The majority of the game takes place in these levels, with the player traversing the stage by dashing, jumping, flying, swimming, and dodging or defeating enemies. Players start with a certain number of lives and may gain additional lives by picking up green spotted 1-Up mushrooms hidden in bricks, or by collecting 100 coins, among other methods. Mario and Luigi lose a life if they take damage while small, fall into lava or a bottomless pit, or run out of time. The game ends when all lives are lost, although the player can continue from the beginning of the world they lost their last life in by selecting "Continue". If the player continues, all fortresses and enemy courses, as well as the tank and ship levels from the eighth world that the player previously completed will remain completed and any locked doors that were unlocked will also remain unlocked. This allows the player to continue from the last fortress level they completed in most cases. The player will also keep their items in their inventory. Completing stages allows the player to progress through the overworld map and to succeeding worlds. Each world features a final stage with a boss to defeat. The first seven worlds feature an airship controlled by one of the Koopalings, while the player battles Bowser in his castle in the eighth world as the Final Boss. Other map icons include large boulders and locked doors that impede paths. Mini-games and bonus screens on the map provide the player a chance to obtain special power-ups and additional lives. Power-ups obtained in these mini-games are stored in a reserve, and can be activated by the player from the map screen. In addition to special items from previous games like the Super Mushroom, Super Star, and the Fire Flower, new power-ups are introduced that provide the player with new options. The Super Leaf and Tanooki Suit give Mario raccoon and tanooki appearances respectively, allowing him to fly for a short period of time. The Tanooki Suit also enables him to turn into Statue Mario to avoid enemies for a short period of time. Changing into a Tanooki statue while jumping results in Mario pounding the ground and killing whatever enemies are directly under him; this is the first appearance of the now standard "ground pound" move in the Mario series. The new "Frog Suit" highly increases the character's underwater speed and agility, and boosts jumping height on land. Another new suit, the Hammer Suit, gives Mario the appearance of the Hammer Bro. enemy and allows him to throw hammers at enemies and resist fire attacks when crouching. Super Mario Bros. 3 includes a multiplayer option which allows two players to play by taking turns at navigating the overworld map and accessing stage levels. The first player controls Mario, while the other controls Luigi (a palette swap of Mario). Through this mode, players can access several mini-games, including a remake of the original Mario Bros. arcade game, in which one player has the opportunity to steal the cards of another, but may lose their turn if they lose the mini-game.

The plot of Super Mario Bros. 3 is described in the instruction booklet. In the Mushroom World, Bowser has his seven children, the Koopalings, conquer each of the seven kingdoms by stealing its king's magical wand and using it to transform him into an animal. Princess Toadstool receives news of Bowser's actions and dispatches Mario and Luigi to travel to each kingdom, retrieve the stolen wand, and restore its king to normal. Mario and Luigi receive notes and special items from Toadstool after rescuing each of the first six kings. When they rescue the seventh king, they instead receive a note from Bowser, boasting that he has kidnapped Toadstool and imprisoned her within the castle of his own realm, Dark Land. The brothers travel through Dark Land, enter his castle, and defeat Bowser in a battle. The game ends with Princess Toadstool being freed from the castle. According to Shigeru Miyamoto, Super Mario Bros. 3 was conceived as a stage play. The title screen features a stage curtain being drawn open, and in the original NES version, in-game objects hang from off-screen catwalks, are bolted to the background, or cast shadows on the skyline. When Mario finishes a level, he walks off the stage.

Beginning development shortly after the completion of the Famicom Disk System's Super Mario Bros. 2 in the spring of 1986, Super Mario Bros. 3 was developed by Nintendo Entertainment Analysis and Development, consisting of more than ten people. It took more than two years to complete. The development budget, when converted to US dollars, amounts to about $800,000 to $1.3 million ($2.2–3.5 million adjusted for inflation). Shigeru Miyamoto was the director. He worked closely with the designers and programmers during the conceptual and final stages, encouraging a free interchange of ideas. Miyamoto considered intriguing and original ideas to be key to creating a successful game. Originally, the team intended to use an isometric perspective, but the developers found that this made it too difficult to position jumps, so returned to the 2D side view used in previous games. Some isometric elements remain, such as the checkered floor in the title screen. All pixel art was drawn using Fujitsu FM R-50 HD business computers while HP 64000 mainframe computers with a 6502 processor card were used to write and test code. The game was designed to appeal to players of varying skill levels. To assist less skilled players, bonus coins and 1-ups are more abundant in earlier worlds, while later worlds present more complex challenges for experienced players. In the two-player mode, the players alternate turns to balance play time. The development team introduced new power-ups and concepts that would give Mario the appearance of different creatures as a means of providing him with new abilities. An early idea changed Mario into a centaur, but was dropped in favor of a raccoon tail with limited flying ability. Other costumes with different abilities were added to his repertoire, and levels were designed to take advantage of these abilities. New enemies were included to add diversity, along with variants of previous enemies such as Goombas, Hammer Bros., and Koopa Troopas. Due to the amount of new features the developers wanted to add, the initial early 1988 release date was pushed back by six months. Some of the enemies designed for Super Mario Bros. 3 were inspired by the team's personal experiences. For example, the Chain Chomp enemy, a barking tethered ball and chain creature with eyes and teeth that lunges at the player when in close proximity, was drawn from Miyamoto's early life, in which a dog lunged at him, but was pulled away from him. Bowser's children, the Koopalings, were designed to be unique in appearance and personality; Miyamoto based the characters on seven of his programmers as a tribute to their work and efforts. Nintendo of America named the Koopalings after well-known musicians: for example, the characters "Ludwig von Koopa" and "Roy Koopa" are named after Ludwig van Beethoven and Roy Orbison respectively. The character graphics were created with a special graphics machine ("Character Generator Computer Aided Design") that generated a collection of the graphical shapes. Shapes in the collection were assigned numbers that the code used to access and combine to form complete images on the screen in real time. The Super Mario Bros. 3 cartridge uses Nintendo's custom MMC3 ASIC to enhance the NES' capabilities. The MMC3 chip allows for animated tiles, extra RAM for diagonal scrolling, and a scan line timer to split the screen. These functions are used to split the screen into a playfield on the top and a status bar on the bottom. On the overworld map, the status bar doubles as an inventory for items and power-ups. This allows the top portion to scroll as the character navigates the stage while the bottom portion remains static to display text and other information. Like its predecessors, the music in Super Mario Bros. 3 was composed by Koji Kondo, who composed several new songs as well as returning melodies from Super Mario Bros. According to Kondo, who had composed the music in Super Mario Bros. based on what he believed fit the levels rather than focusing on composing a specific genre of music, Super Mario Bros. 3 was the most difficult game for him to compose. He experimented with several different genres of music, unsure of how to follow up the music from the first game after hearing from several people that it sounded like Latin or fusion music, and came up with several different melodies before settling on the final compositions. The team decided that music on the title screen was unnecessary. During 1988, a shortage of ROM chips, along with Nintendo's preparation of Super Mario Bros. 2, prevented Nintendo from performing various North American game releases according to their original schedules. The delayed products included Super Mario Bros. 3 and, according to Nintendo Power, Zelda II: The Adventure of Link. The delay, however, presented Nintendo with an opportunity to promote Super Mario Bros. 3 in a feature film. In 1989, Tom Pollack of Universal Studios approached Nintendo of America's marketing department about a video game movie. Inspired by Nintendo video game competitions, Pollack envisioned a video game version of Tommy for younger audiences. Nintendo licensed its products for inclusion in what would become the film The Wizard. During the movie's production, the filmmakers requested and were granted approval from Nintendo regarding the script and the portrayal of the company's games. Super Mario Bros. 3 was one of the products shown in the film and was used in a final scene involving a game competition. The film was released in December 1989, between the releases of Super Mario Bros. 3 in Japan and North America. The marketing budget for Super Mario Bros. 3 was $25 million, bringing the total development and marketing budget to $25.8 million ($70 million adjusted for inflation).

Super Mario Bros. 3 became a best-selling game. In Japan, it appeared at the top of the Famitsu sales charts in December 1988 and January 1989, and became the second best-selling game of 1988 after Dragon Quest III. By mid-1989, Super Mario Bros. 3 had become the second best-selling game in Japan (non-bundled) up until then, after Dragon Quest III. Super Mario Bros. 3 went on to become the overall best-selling game of 1989 in Japan, just above Tetris in second place. It also topped the Japanese sales chart in January 1990. By 1993, it had sold 4 million cartridges in Japan. In North America, the inclusion of Super Mario Bros. 3 in The Wizard served as a preview which generated a high level of anticipation in the United States. Levi Buchanan described The Wizard as a "90-minute commercial" for Super Mario Bros. 3. Super Mario Bros. 3 sold 250,000 copies in its first two days, according to a spokeswoman for Nintendo. It remained the top-selling game in the United States through April and June to September 1990. In 1990, it sold more than 8 million units. By 1993, author David Sheff said it had sold 11 million unbundled units in Japan and the United States, the equivalent of a record being certified platinum 11 times. In the United States alone, it had generated $595,000,000 (equivalent to $1,470,000,000 in 2025) in revenue by early 1992, exceeding the gross revenue of the films E.T. (1982), Batman (1989) and Jurassic Park (1993). It was also a hit in other regions such as Europe and Singapore. Super Mario Bros. 3 had sold 14 million copies by 1995, and 15 million copies by 1998. By 2000, it had sold more than 17 million copies worldwide, and held the record for the best-selling non-bundled video game for a long time. As of 2011, Super Mario Bros. 3 was the highest-grossing non-bundled home video game up until then, with a 2011 inflation-adjusted revenue of $1,700,000,000 (equivalent to $2,400,000,000 in 2025). In 2013, GamesRadar reported that it had sold more than 18 million copies for the NES. Game Informer reported in their October 2009 issue that the Virtual Console version had sold one million copies.

Super Mario Bros. 3 was lauded by the video game press. It is frequently considered the best game released on the NES. Computer and Video Games editors Paul Rand, Tim Boone and Frank O'Connor awarded it a 98% score, praising it for its gameplay, replayability, sound, and graphics. Boone said it was nearly flawless in its utterly "stupendous incredibility and absolutely impossible to put down for anything less than a fire alarm and even then you find yourself weighing down the odds." Rand called Super Mario Bros. 3 the best video game ever, labeling it "the Mona Lisa of gaming" and stating that it is "astoundingly brilliant in every way, shape, and form." O'Connor said it "makes Sonic the Hedgehog look like a wet Sunday morning and even gives the Super Famicom's Super Mario World a run for its money". In the Japanese publication Famitsu, the four reviewers all praised the game. One said that while it borrows elements from previous Super Mario games it was still full of diversity and challenge. Another called it the best in the series since Super Mario Bros, but found it slightly dated in gameplay. Super Mario Bros. 3 received the second-highest scores from Famitsu that year, behind Dragon Quest III. In Famicom Hisshoubon, the two reviewers gave enthusiastic reviews; one said it pushed the limits of side-scrolling action games and the other that they had never seen a game with so many ideas that has been thought out so well. Each reviewer criticized the high price of 6500 yen and felt it might be too difficult for a game aimed at a wide audience. Julian Rignall of Mean Machines said Super Mario Bros. 3 was the finest game he had ever played, citing its addictiveness, depth, and challenge. A second Mean Machines reviewer, Matt Regan, predicted it would be a bestseller in the United Kingdom, and echoed Rignall's praise, calling it a "truly brilliant game". Regan said it offered elements which tested the player's "brains and reflexes", and that though the graphics were simple, they were "incredibly varied". In a preview, Nintendo Power gave it high marks in graphics, audio, challenge, gameplay, and enjoyability. The hidden items, such as the warp whistles, were well-received: Rignall regarded them as part of the addictiveness, and Sheff stated that finding them provided a sense of satisfaction. Rignall described the audio and visuals as being outdated in comparison to games on the Mega Drive/Genesis and SNES. The SNES had been launched in other regions by the time Super Mario Bros. 3 was released in Europe.

Super Mario Bros. 3 introduced several elements carried over to subsequent Mario games. A similar overworld map is used in Super Mario World, Super Mario Bros. Deluxe and New Super Mario Bros., and Mario's ability to fly has been a feature in games such as Super Mario World, Super Mario 64 and Super Mario Galaxy. The "Super Leaf" item has returned in more recent Mario games for the Nintendo 3DS, like Super Mario 3D Land, Mario Kart 7 and New Super Mario Bros. 2. Bowser's red hair was introduced in Super Mario Bros. 3 and has since become a part of his standard appearance. Through a collaboration between NBC and Nintendo of America, an animated television series, The Adventures of Super Mario Bros. 3, was created from September to December 1990 by DIC Entertainment. The show aired weekly on Saturday mornings on NBC alongside the second season of Captain N: The Game Master as part of the hour-long Captain N & The Adventures of Super Mario Bros. 3 programming block with 26 episodes and featured numerous characters, enemies, and settings from the video game; the original seven Koopalings are given different names based on their given personalities and are also given a new age order. Music from Super Mario Bros. 3 appears as a track on Nintendo Sound Selection Koopa, a collection of songs from Nintendo games. The stages and graphics comprise a background theme in the 2006 Nintendo DS game Tetris DS. The Koopalings are also world bosses in Super Mario World, Mario Is Missing!, Yoshi's Safari, Hotel Mario and all New Super Mario Bros. games except New Super Mario Bros. Boom Boom, another boss from this game, additionally reappears in Super Mario 3D Land and Super Mario 3D World, alongside a boomerang-wielding female counterpart named Pom Pom. Super Mario Bros. 3 is one of the game themes represented as themes in both Super Mario Maker and Super Mario Maker 2. In the early 1990s, the American game developers John Carmack and Tom Hall developed an IBM PC clone of Super Mario Bros. 3 based on their innovative adaptive tile refresh software, which performed smooth side-scrolling graphics on EGA cards. They demonstrated it to Nintendo leaders, who were impressed but rejected cloning in favor of exclusivity. Carmack and Hall went on to found id Software and develop Commander Keen, a series of platform games inspired by Super Mario Bros. 3. The Super Mario Bros. 3 demo had not been readily shared, but a working copy was discovered and preserved in the Museum of Play in July 2021. In April 1993, Famitsu awarded Super Mario Bros. 3 a world record for having the most strategy guide books published, at 20 books. At the 2007 Game Developers Conference, Stanford University curator Henry Lowood, along with game designers Warren Spector and Steve Meretzky, academic researcher Matteo Bittanti and game journalist Christopher Grant named Super Mario Bros. 3 one of the 10 most important video games of all time, being a member of a "game canon" whose inductees were submitted to the Library of Congress for having "cultural significance or a historical significance". The New York Times reported Grant said its inclusion was due to the nonlinear play being a "mainstay of contemporary games", and how it allows the player to move backward and forward in levels. On November 20, 2020, a sealed copy with rare alternate cover art featuring "Bros." on the left instead of the center was sold for $156,000, the most money ever paid for a video game at the time.