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Sudhendu Roy

Sudhendu Roy (1921–1999) was a noted Indian film director, art director and production designer in Hindi cinema, most known for his realistic art direction in auteur Bimal Roy's films, like Sujata (1959), Madhumati (1959) and Bandini (1963), and glitzy work in films Subhash Ghai's Karz (1980) and Karma (1986) to Yash Chopra's Silsila (1981), Chandni (1989) and Lamhe (1991). He won the Filmfare Award for Best Art Direction thrice for, Madhumati (1959), Mere Mehboob (1964) and Sagina (1975). He also directed Hindi films like Uphaar (1971) and Saudagar (1973), both of which were India's official entry to the Academy Award for Best Foreign Language Film.

Sudhendu Roy

Name
Sudhendu Roy
Born
1921
Birthplace
Pabna, Bengal Presidency, British India
Died
1999
Place of death
Mumbai, Maharashtra, India
Occupation
* film director
Known for
Madhumati (1959), Bandini (1963), Saudagar (1973)
Nationality
India · British Raj · Dominion of India
Honours
Filmfare Awards

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Sudhendu Roy (1921–1999) was a noted Indian film director, art director and production designer in Hindi cinema, most known for his realistic art direction in auteur Bimal Roy's films, like Sujata (1959), Madhumati (1959) and Bandini (1963), and glitzy work in films Subhash Ghai's Karz (1980) and Karma (1986) to Yash Chopra's Silsila (1981), Chandni (1989) and Lamhe (1991). He won the Filmfare Award for Best Art Direction thrice for, Madhumati (1959), Mere Mehboob (1964) and Sagina (1975). He also directed Hindi films like Uphaar (1971) and Saudagar (1973), both of which were India's official entry to the Academy Award for Best Foreign Language Film.

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Sudhendu Roy (1921–1999) was a film director and screenwriter, a national of the British Raj and the Dominion of India. The film director was born in Pabna and died in Mumbai. Honours include Filmfare Awards.

Composed from admitted, traceable facts · 27 September 2026

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wikidata · Q7633780 · wikipedia · Sudhendu Roy

In this article

  1. 01Biography
  2. 02Honours and memberships
  3. 03Notes, references and evidence

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