Stomu Takeishi
Stomu Takeishi (born 1964, in Mito, Ibaraki Prefecture) is a Japanese experimental and jazz rock bassist. He is known for playing fretless five-string electric bass guitar and a Klein five-string acoustic bass guitar, often using extended techniques and electronic manipulations such as looping.
Stomu Takeishi

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- Born
- 1964
- Birthplace
- Mito, Ibaraki, Japan
- Occupation
- Musician
- Nationality
- Japan
- Fields
- jazz
- Education
- Berklee College of Music
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Stomu Takeishi (born 1964, in Mito, Ibaraki Prefecture) is a Japanese experimental and jazz rock bassist. He is known for playing fretless five-string electric bass guitar and a Klein five-string acoustic bass guitar, often using extended techniques and electronic manipulations such as looping.
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Stomu Takeishi (born 1964) is a Japanese musician. The musician was born in Mito.
Stomu Takeishi studied at Berklee College of Music. The musician is a member of Taylor Ho Bynum 9-tette. Genres include jazz.
Composed from admitted, traceable facts · 27 September 2026
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wikidata · Q2604931 · wikipedia · Stomu Takeishi
In this article
Key facts
Key facts
• Born — 1964 • Birthplace — Mito, Ibaraki, Japan • Occupation — Musician • Instrument — Bass guitar • Genre — Jazz rock
Career
Career
Takeishi began as a koto player. He moved to the United States in 1983 to attend the Berklee College of Music in Boston, Massachusetts. After completing his degree in 1986, he moved to Manhattan to continue his studies at The New School. In the 1990s, he began to achieve prominence as an innovative New York jazz bass player, and critics have noted both his adventurous playing and sensitivity to sound and timbre. He has played in many international jazz festivals and often performs at major venues in New York, the United States, and Europe. He has performed and/or recorded with Don Cherry, Henry Threadgill, Pat Metheny, Bill Frisell, Butch Morris, Dave Liebman, Randy Brecker, Wynton Marsalis, Paul Motian, Myra Melford, Cuong Vu, Badal Roy, David Tronzo, Erik Friedlander, Satoko Fujii, Laszlo Gardony, Ahmad Mansour, Andy Laster, Ned Rothenberg, and with Molé, a trio with Hernan Hecht and Mark Aanderud. Takeishi also plays in groups with his brother, percussionist Satoshi Takeishi, though the two did not collaborate until Satoshi moved to New York in the 1990s. Takeishi began duo collaborations with Brandon Ross in the year 2000, having gotten to know him while playing together in Henry Threadgill's Make A Move band in the mid-1990s. The two perform as For Living Lovers, and released their first album, Revealing Essence, in 2014. In 2009, the DownBeat Critics Poll named Takeishi Rising Star, Electric Bass.
Discography
With Taylor Ho Bynum • The Ambiguity Manifesto (Firehouse 12, 2019) With Erik Friedlander • Topaz (Siam, 1999) • Skin (Siam, 2000) • Quake (Cryptogramaphone, 2003) • Prowl (Cryptogramaphone, 2006) With Myra Melford • Dance Beyond the Color (Arabesque, 2000) with Crush • Where the Two Worlds Touch (Arabesque, 2004) with The Tent • The Image of Your Body (Cryptogramophone, 2006) with Be Bread • The Whole Tree Gone (Firehouse 12, 2010) with Be Bread • Snowy Egret (Yellowbird, 2015) • The Other Side of Air (Firehouse 12, 2018) With Molé (Mark Aanderud, Hernan Hecht, Takeishi) • RGB (RareNoise Records, 2014) With Paul Motian • Paul Motian and the Electric Bebop Band (Winter & Winter, 2004) With Lucía Pulido • Waning Moon (Adventure Music, 2008) With Brandon Ross • For Living Lovers: Brandon Ross | Stomu Takeishi - Revealing Essence (Sunnyside Records, 2014) With Henry Threadgill • Where's Your Cup? (Columbia, 1996) • Everybodys Mouth's a Book (Pi, 2001) • This Brings Us to Volume 1 (Pi, 2009) • This Brings Us to Volume 2 (Pi, 2010) • Tomorrow Sunny / The Revelry, Spp (Pi, 2012) With Cuong Vu • Ragged Jack (Avant, 1997) • Bound (Omnitone, 2000) • Pure (Knitting Factory, 2000) • Come Play with Me (Knitting Factory, 2001) • It's Mostly Residual (ArtistShare/EMI, 2005) • Vu-Tet (ArtistShare, 2007) • Leaps of Faith (Origin, 2011) • Cuong Vu Trio Meets Pat Metheny (Nonesuch, 2016)
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Freedlund, Haley. IMPFest XI: Stomu Takeishi. Earshot Jazz. May 2019.
- 2.Walker Art Center Presents World Premiere of Knock on the Sky by Myra Melford Trio + Dawn Saito + Michael Haberz. Walker Art Center. 2006.
- 3.Griffiths, James. Cuong Vu Scratch. The Guardian. 1 April 2004.
- 4.Sound and Environment: Brandon Ross Speaks. Jazz Speaks. 18 July 2018.
- 5.Milkowski, Bill. Taylor Ho Bynum Presents a New, Hour-Long Suite in Hartford. DownBeat. 9 March 2018.
- 6.Chinen, Nate. A Festival's Name Says It All. The New York Times. 5 October 2006.
- 7.Ratliff, Ben. A Language of Their Own, Tinged With Funk. The New York Times. 12 November 2010.
- 8.Cibula, Matt. Erik Friedlander: Prowl. PopMatters. 3 March 2006.
- 9.Collins, Troy. Satoko Fujii Orchestra New York: Summer Suite. All About Jazz. 29 November 2008.
- 10.Bryant, Forrest Dylan. Ahmad Mansour : Free Speech. JazzTimes. 25 April 2019.
- 11.Pareles, Jon. A Band's Revival of Multi-Layered Funk. The New York Times. 23 December 2004.
- 12.Davis, Jon. Molé Trio — RGB. Exposé. 20 January 2015.
- 13.Farberman, Brad. Satoshi Takeishi. The New York City Jazz Record. 6. January 2013.
- 14.Odell, Jennifer. For Living Lovers (Brandon Ross and Stomu Takeishi): Revealing Essence. DownBeat. March 2014.
- 15.57th Annual Critics Poll. DownBeat. 43. August 2009.
- 16.Whitehead, Kevin. Taylor Ho Bynum's 'Ambiguity Manifesto' Is A Playground For Jazz Improvisers. NPR. 9 October 2019.
- 17.Tesser, Neil. Erik Friedlander & Topaz. Chicago Reader. 22 March 2001.
- 18.Adler, David. Erik Friedlander: Skin. All About Jazz. 1 May 2000.
- 19.Malone, Andrew Lindemann. Erik Friedlander: Quake. JazzTimes. 25 April 2019.
- 20.Kelman, John. Erik Friedlander: Prowl. All About Jazz. 15 February 2006.
- 21.Jackson, Reuben. Myra Melford and Crush: Dance Beyond the Color. JazzTimes. 1 December 2000.
- 22.Ramsey, Doug. Myra Melford: Where the Two Worlds Touch. JazzTimes. 25 April 2019.
- 23.Kelman, John. Myra Melford Be Bread: The Image Of Your Body. All About Jazz. 24 September 2006.
- 24.Hall, Glen. Myra Melford's Be Bread The Whole Tree Gone. Exclaim!. 18 January 2010.
- 25.Chinen, Nate. Review: Myra Melford's 'Snowy Egret' Taps Into Dreams. The New York Times. 23 March 2015.
- 26.Best Albums Of 2018. NPR. 4 December 2018.
- 27.Sumner, Dave. The Best Jazz on Bandcamp: November 2018. Bandcamp Daily. 6 December 2018.
- 28.Aaron, S. Victor. Mole – RGB (2014). Something Else!. 2 December 2014.
- 29.Walters, John L. Paul Motian Electric Bebop Band, 61/81. The Guardian. 13 January 2005.
- 30.Aaron, S. Victor. Half Notes: Lucia Pulido – Waning Moon (2008). Something Else!. 5 October 2008.
- 31.Chinen, Nate. For Living Lovers, Featuring Brandon Ross and Stomu Takeishi, Mesmerizes the Yamaha Salon. WBGO. 10 June 2019.
- 32.Shoemaker, Bill. Henry Threadgill and Make a Move: Where's Your Cup?. JazzTimes. 1 June 1997.
- 33.Walters, John L. Sweet and sour jam. The Guardian. 20 June 2003.
- 34.Margasak, Peter. Peter Margasak's Top 40 Albums of 2009. Chicago Reader. 21 January 2010.
- 35.Fordham, John. Henry Threadgill Zooid: This Brings Us To – Vol II – review. The Guardian. 25 November 2010.
- 36.Jarenwattananon, Patrick. First Listen: Henry Threadgill Zooid, 'Tomorrow Sunny / The Revelry, Spp'. NPR. 17 June 2012.
- 37.Astarita, Glenn. Cuong Vu: Bound. All About Jazz. 1 May 2000.
- 38.Pekar, Harvey. Cuong Vu: Pure. JazzTimes. 1 April 2001.
- 39.Porter, Christopher. Cuong Vu: Come Play With Me. JazzTimes. 25 April 2019.
- 40.Chinen, Nate. Cuong Vu, 'It's Mostly Residual' (2005). Playing Changes. 6 March 2019.
- 41.Ratliff, Ben. CRITICS' CHOICE; New CDs. The New York Times. 4 February 2008.
- 42.D'Souza, Jerry. Cuong Vu: Leaps Of Faith. All About Jazz. 3 May 2011.
- 43.Whitehead, Kevin. Kindred Spirits Cuong Vu And Pat Metheny Come Together In A New Jazz Album. NPR. 31 May 2016.
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Studied at
1- Berklee College of MusicOrganisation
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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