Sonny Boy Williamson I
John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player and singer-songwriter. He is often regarded as the pioneer of the blues harp as a solo instrument. He played on hundreds of recordings by many pre–World War II blues artists.
Also recorded as Sonny Boy (John Lee) Williamson · John Lee Williamson · Sonny Boy Williamson (1914–1948) · Sonny Boy Williamson (1914-1948)
Sonny Boy Williamson I
- Name
- Sonny Boy Williamson I
- Birth Name
- John Lee Curtis Williamson
- Born
- 30 March 1914
- Birthplace
- Madison County, Tennessee, U.S.
- Died
- 1 June 1948
- Place of death
- Chicago, Illinois, U.S.
- Occupation
- * Musician
- Nationality
- United States
- Fields
- blues
- Languages
- English
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Documentary summary
John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player and singer-songwriter. He is often regarded as the pioneer of the blues harp as a solo instrument. He played on hundreds of recordings by many pre–World War II blues artists.
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Note VALÉORINE
Sonny Boy Williamson I (1914–1948) was an American composer, harmonicist and musician, among other activities. Born in Madison County, the composer died in Chicago.
Genres include blues. Languages used include English.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q918571 · wikipedia · Sonny Boy Williamson I
In this article
Biography
Biography
Sonny Boy Williamson I worked between 1914 and 1948 across composer, songwriter, harmonicist, blues musician and musician. The registers place that work in blues. This article rests on 16 catalogued compositions, 39 issued recordings and 41 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
Key facts
Key facts
• Name — Sonny Boy Williamson I • Birth Name — John Lee Curtis Williamson • Born — 30 March 1914 • Birthplace — Madison County, Tennessee, U.S. • Died — 1 June 1948 • Place of death — Chicago, Illinois, U.S. • Instrument — * Harmonica • vocals • Genre — Blues • Occupation — * Musician • songwriter • Years Active — 1930s–1948 • Label — Bluebird
Biography and career
Biography and career
Williamson was born in Madison County, Tennessee, near Jackson, in 1914. His original recordings are in the country blues style, but he soon demonstrated skill at making the harmonica a lead instrument for the blues and popularized it for the first time in a more urban blues setting. He has been called "the father of modern blues harp". While in his teens he joined Yank Rachell and Sleepy John Estes, playing with them in Tennessee and Arkansas. In 1934 he settled in Chicago. Williamson first recorded in 1937, for Bluebird Records, and his first recording, "Good Morning, School Girl", became a standard. He was popular among black audiences throughout the southern United States and in Midwestern industrial cities, such as Detroit and Chicago, and his name was synonymous with the blues harmonica for the next decade. Other well-known recordings of his include "Sugar Mama", "Shake the Boogie", "Better Cut That Out", "Sloppy Drunk", "Early in the Morning", "Stop Breaking Down", and "Hoodoo Hoodoo" (also known as "Hoodoo Man Blues"). In 1947, "Shake the Boogie" made number 4 on Billboards Race Records chart. Williamson's style influenced many blues harmonica performers, including Billy Boy Arnold, Junior Wells, Sonny Terry, Little Walter, and Snooky Pryor. He was the most widely heard and influential blues harmonica player of his generation. His music was also influential on many of his non-harmonica-playing contemporaries and successors, including Muddy Waters (who played guitar with Williamson in the mid-1940s) and Jimmy Rogers (whose first recording in 1946 was as a harmonica player, performing an uncanny imitation of Williamson's style). These and other artists, both blues and rock, have helped popularize his songs through subsequent recordings. Williamson recorded prolifically both as a bandleader and as a sideman over the course of his career, mainly for Bluebird. Before Bluebird moved to Chicago, where it eventually became part of RCA Records, many early sessions took place at the Leland Tower, a hotel in Aurora, Illinois. The top-floor nightclub at the Leland, known as the Sky Club, was used for live broadcasts of big bands on a local radio station and, during off hours, served as a recording studio for Williamson's early sessions and those of other Bluebird artists.
Name issues
Name issues
His legacy has been somewhat overshadowed in the postwar blues era by the popularity of the musician who appropriated his name, Rice Miller. The recordings made by Williamson between 1937 and his death in 1948 and those made later by Rice Miller were all originally issued under the name Sonny Boy Williamson. It is believed that Miller adopted the name to deceive audiences (and his first record label) into thinking that he was the "original" Sonny Boy. In order to differentiate between the two musicians, many later scholars and biographers have referred to John Lee Williamson (1914–1948) as Sonny Boy Williamson I and Miller (c. 1912–1965) as Sonny Boy Williamson II. To add to the confusion, around 1940 the jazz pianist and singer Enoch Williams recorded for Decca under the name Sonny Boy Williams and in 1947 as Sunny Boy in the Sunny Boy Trio. Singer-songwriter Randy Newman included a song about Miller ripping off Williamson's name on his 2017 album Dark Matter - "Sonny Boy," in which Newman, singing from the original Sonny Boy Williamson's perspective, imagines Williamson encountering Miller in a concert hall and calling him out for impersonating him (in reality, the two bluesmen never met), before leaving the hall in a frenzy and being shot. Williamson, in Newman's song, laments being "the only bluesman in heaven" because he did not live long enough to sin. He also resents how Miller went on to fame and fortune using Williamson's name, though he adds that Miller eventually went to England to "teach those English boys the blues... and it killed him".
Singles
Singles
• Year || A-side || B-side || Label • 1937 — "Skinny Woman" — "Got the Bottle and Gone" — Bluebird • 1937 — "Good Morning, School Girl" — "Sugar Mama" — Bluebird • 1938 — "Worried Me Blues" — "Frigidaire Blues" — Bluebird • 1938 — "Suzanna Blues" — "Black Gal Blues" — Bluebird • 1938 — "Up The Country Blues" — "Collector Man Blues" — Bluebird • 1938 — "Miss Louisa Blues" — "Until My Love Come Down" — Bluebird • 1938 — "Decoration Day Blues" — "Down South" — Bluebird • 1938 — "Lord, Oh Lord Blues" — "Shannon Street Blues" — Bluebird • 1938 — "Honey Bee Blues" — "Whiskey Head Blues" — Bluebird • 1938 — "Sunny Land" — "My Little Cornelius" — Bluebird • 1939 — "Susie-Q" — "Goodbye Red" — Bluebird • 1939 — "Doggin' My Love Around" — "Little Low Woman Blues" — Bluebird • 1940 — "Tell Me Baby" — "Honey Bee Blues" — Bluebird • 1940 — "I'm Not Pleasing You" — "New Ailhouse Blues" — Bluebird • 1940 — "I've Been Dealing With the Devil" — "War Time Blues" — Bluebird • 1940 — "Joe Louis & John Henry Blues" — "Thinking My Blues Away" — Bluebird • 1940 — "Good Gravy" — "T. B. Blues" — Bluebird • 1940 — "Something Going On Wrong" — "Good Gal Blues" — Bluebird • 1941 — "Coal and Iceman Blues" — "Mattie Mae Blues" — Bluebird • 1941 — "Welfare Store Blues" — "Train Fare Blues" — Bluebird • 1941 — "Jivin' The Blues" — "My Little Machine" — Bluebird • 1941 — "Western Union Man" — "Shotgun Blues" — Bluebird • 1941 — "My Baby Made a Change" — "Big Apple Blues" — Bluebird • 1941 — "You Got to Step Back" — "Sloppy Drunk Blues" — Bluebird • 1941 — "I'm Gonna Catch You Soon" — "Million Years Blues" — Bluebird • 1942 — "She Don't Love Me That Way" — "Black Panter Blues" — Bluebird • 1942 — "I Have Got to Go" — "My Black Name Blues" — Bluebird • 1942 — "Springtime Blues" — "Drink On Little Girl" — Bluebird • 1942 — "Ground-Hog Blues" — "Broken Heart Blues" — Bluebird • 1942 — "Shady Grove Blues" — "She Was a Dreamer" — Bluebird • 1944 — "Decoration Day Blues No. 2" — "Love Me, Baby" — Bluebird • 1945 — "Miss Stella Brown-Blues" — "Desperado Woman" — Bluebird • 1945 — "Win the War Blues" — "Check Up On My Baby" — Bluebird • 1946 — "Sonny Boy's Jump" — "Elevator Woman" — Bluebird • 1946 — "You're an Old Lady" — "Early in the Morning" — RCA Victor • 1946 — "Shake the Boogie" — "Mean Old Highway" — RCA Victor • 1947 — "Hoodo Hoodo" — "Sonny Boy's Cold Chills" — RCA Victor • 1947 — "Lacey Belle" — "Polly Put the Kettle On" — RCA Victor • 1947 — "Mellow Chick Blues" — "G. M. & O. Blues" — RCA Victor • 1948 — "Super Gal" — "Willow Tree Blues" — RCA Victor • 1948 — "All of Me" § — "Rub A Dub" § — RCA Victor • 1948 — "Better Cut That Out" — "The Big Boat" — RCA Victor • 1948 — "Alcohol Blues" — "Apple Tree Swing" — RCA Victor • 1948 — "Rub A Dub" — "Stop Breaking Down" — RCA Victor • 1949 — "Wonderful Time" — "Blues About My Baby" — RCA Victor • 1949 — "Southern Dream" — "I Love You For Myself" — RCA Victor • 1949 — "Bring Another Half A Pint" — "Little Girl" — RCA Victor § Credited to Louis Prima and His Orchestra / Sonny Boy Williamson
Compilation albums
Compilation albums
Williamson's recordings were issued on 78 rpm records by Bluebird Records (a subsidiary of RCA Victor Records) or, after the label was discontinued, RCA Victor. Over the years, RCA has released several compilations of Williamson's material, including: • Big Bill & Sonny Boy (Side 2 only) (RCA, 1964) • The Original Sonny Boy Williamson (Blues Classics, 1965) • Bluebird Blues (RCA, 1970) • Rare Sonny Boy (1937-1947) (RCA, 1988) • RCA Blues & Heritage Series: The Bluebird Recordings, 1937-1938 (RCA, 1997) • RCA Blues & Heritage Series: The Bluebird Recordings, 1938 (RCA, 1997) • When The Sun Goes Down: The Secret History of Rock & Roll, Vol. 8: Bluebird Blues (RCA Victor, 2003) Specialty labels, such as JSP Records, Saga, Indigo, Snapper, and others, have also released compilations. In 1991, Document Records issued Williamson's Complete Recorded Works In Chronological Order as five CDs.
Life and work
Life and work
Sonny Boy Williamson I was born on 30 March 1914 in Madison County. I held the nationality of United States. I worked as composer, songwriter, harmonicist and blues musician, and the authority record catalogues a further 1 occupations under the same name, among them musician. The fields Sonny Boy Williamson I worked in include blues. I played the harmonica. I worked in English. I died on 1 June 1948 in Chicago. Buried at Blairs Chapel CME Cemetery.
Life and career
Dated record
Life and career
Explore 1914–1948
The full dated record · 3 entries
1914
Sonny Boy Williamson I born at Madison County.
1948
Dies at Chicago.
1948
Sonny Boy Williamson I died at Chicago.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Madison County.
Birth place
Chicago.
Death place
Catalogued output
Compositions
When My Baby She Left Me.
You're an Old Lady
Baby, Please Don’t Go
Santa Claus Got the Blues
Sloppy Drunk Blues
The New Early in the Morning
Win the War Blues
Somebody's Got to Go
Rainy Day Blues
Stop Breaking Down Blues
You Give an Account
So Sad This Morning
Take It Easy Baby
Death and legacy
Williamson's final recording session took place in Chicago in December 1947, in which he accompanied Big Joe Williams. On June 1, 1948, Williamson was killed in an apparent robbery on Chicago's South Side as he walked home from a performance at the Plantation Club, at 31st St. and Giles Avenue, a tavern just a block and a half from his home, at 3226 S. Giles. Williamson's final words are reported to have been "Lord have mercy". His killer was never traced. Williamson is buried at the former site of the Blairs Chapel Church, southwest of Jackson, Tennessee. In 1991, a red granite marker was purchased by fans and family to mark the site of his burial. A Tennessee historical marker, also placed in 1991, indicates the place of his birth and describes his influence on blues music.
Primary material
Recordings and discography
The discography assembled here shows how Sonny Boy Williamson I's work has been published in sound, not what Sonny Boy Williamson I made. 37 sound issues are catalogued, carrying dates from 1937 to 2012. An issue is a published recording, distinct from the composition it carries, from a printed score of that composition and from any single performance of it; none of the entries below is counted in the catalogue of compositions above, and several of them carry the same work in different readings. 10 issues were published within the subject's lifetime and 27 after 1948, so the greater part of this record is the work of later performers, editors and labels. The 1990s are the densest decade of publication, with 12 issues. The performers and issuing labels are as the discographic register states them; where it names no performer the article names none.
Complete Recorded Works in Chronological Order, Volume 1 (5 May 1937 to 17 June 1938)
1991
Complete Recorded Works in Chronological Order, Volume 4 (4 April 1941 to 2 July 1945)
1991
The Bluebird Recordings 1938
1997
Sugar Mama
1995
Complete Recorded Works in Chronological Order, Volume 3 (21 July 1939 to 4 April 1941)
1991
American Blues Legend
1998
Bluebird Blues
1970
Chicago 1937‐1945
1996
The Bluebird Blues
The Later Years 1939-1947
2008
Million Years Blues
2005
Complete Recorded Works in Chronological Order, Volume 5 (19 October 1945 to 12 November 1947)
1991
When the Sun Goes Down, Volume 8: Bluebird Blues
2003
You're an Old Lady / Early in the Morning
1946
Nothing but the Blues: John Lee Williamson
Broken Heart Blues
2001
1937 - 1938
1997
Blues Masters, Volume 11
2012
Shake the Boogie
Complete Recorded Works in Chronological Order, Volume 2 (17 June 1938 to 21 July 1939)
1991
Throw a Boogie Woogie
1989
Bring Another Half Pint
2000
The Story of the Blues: Chapter 12
2004
3 1944-1947
1998
Nothing but the Blues
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q918571: Sonny Boy Williamson I
General reference · Wikidata
reference work
- “Sonny Boy Williamson I”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Colin Larkin. The Guinness Who's Who of Blues. Guinness Publishing. 382. 1995. 0-85112-673-1.
- 2.Doc Rock. The 1960s Lester Melrose. The Dead Rock Stars Club.
- 3.Mandel, Howard. The Billboard Illustrated Encyclopedia of Jazz & Blues. Billboard Books. 91, 107. 2005. 0-8230-8266-0.
- 4.Green, Jonathon. Famous Last Words. Kyle Cathie. 2002. 978-1856264655.
- 5.Barry, Sam. How to Play the Harmonica; and Other Life Lessons. Gibbs Smith. 89. 2009. 978-1423605706.
- 6.McHugh, Rich. The Rough Guide to Chicago. Rough Guides. 267. 2009. 9781848360709.
- 7.Inaba, Mitsutoshi. John Lee 'Sonny Boy' Williamson: The Blues Harmonica of Chicago's Bronzeville. Rowman & Littlefield. 106. 2016-09-23. 9781442254435.
- 8.Penfield, John. The Best Song You’ve Never Heard: “Sonny Boy” by Randy Newman. Kxt.org. 2021-11-17.
- 9.Randy Newman - Sonny Boy lyrics. Genius.com.
- 10.Discogs artist Sonny Boy Williamson
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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