Slavko Osterc

While there he studied under Karel Boleslav Jirák, Vítězslav Novák, and Alois Hába. Osterc was a professor at the Ljubljana Conservatory for much of his career, remaining there until his death. He was much the leading composer of Slovenia in the 1930s, as Marij Kogoj had been in the 1920s. One of his pupils was Pavel Šivic.

Note: This list is incomplete. • Operas • Krst pri Savici (The Baptism on the Savica, after France Prešeren's The Baptism on the Savica, 1921) • Osveta (after Theodor Körner, 1923) • Iz komične opere (From the Comic Opera, after Henri Murger, 1928) • Krog s kredo (The Chalk Circle, after Klabund, 1928/29) • Saloma (Salome, 1929/30) • Dandin v vicah (Dandin in Purgatory, after Molière and Hans Sachs, 1930) • Medea (after Euripides), 1930 • Ballets • Iz Satanovega Dnevnika (From Satan's Diary, 1924) • Maska rdeče smrti (The Masque of the Red Death, 1930) • Illusions (1938–40) • Orchestral • The Baptism on the Savica (symphonic picture, 1921) • Bagatelles (1922) • Symphony (1922) • Suite (1929) • Concerto for Orchestra (1932) • Ouverture classique (1932) • Concerto (1933) • Passacaglia and Chorale (1934) • Danses (1935) • Mouvements symphoniques (1936) • 4 pieces symphoniques (1938–39) • Mati (Mother; symphonic poem, 1940) • Other • Various works for voice; piano works; chamber music.

Slavko Osterc is recorded as composer, music teacher and professor. Formation and teaching. Osterc studied at Prague Conservatory. Each of those relationships is stated by the authority record rather than inferred from style.