Slavko Brezoski

• Name — Slavko Brezoski • Born — 10 June 1922 • Birthplace — Galičnik, Kingdom of Serbs, Croats and Slovenes • Died — 7 March 2017 • Place of death — Skopje, Macedonia • Significant Buildings — Church of St. Clement of Ohrid, Stokovna Kukja NaMa Skopje • Website — www.slavkobrezoski.com

Born 1922 in Galičnik, Kingdom of Yugoslavia, Brezoski graduated in architecture at the University of Belgrade in 1950. Upon completing studies, he returned to Skopje and became a member of the art collective 'Denes' alongside Janko Konstantinov and Risto Šekerinski. Worked for design studio "Proektant" from 1950 to 1961, building company "Pelagonia" from 1961 to 1963. The winner of the national competition for the design of the Yugoslav Embassy in Brasília. Travelled and worked with the construction team in Brasília from 1962 to 1963. Following the 1963 Skopje earthquake he returned to join the planning and rebuilding of the city and worked for the design company "Makedonija Proekt" from 1963 to 1966. Worked in Libya from 1966 to 1969 as a technical support and adviser to the Kingdom of Libya. Became professor and Dean of the Faculty for Architecture at the University of Skopje Cyril and Methodius from 1970 to 1987.

• Illustration — Orthodox Cathedral Saint Clement of Ohrid, Skopje, 1972 • Illustration — Stokovna Kukja NaMa, Skopje, 1960 Brezoski designed and built modernist buildings in Socialist Federal Republic of Yugoslavia (SFRY). He was part of the first generation of modernists in postwar Architecture of Yugoslavia. He realised a large number of core projects including office, public and residential buildings. Realised projects in the former Yugoslav republics, Brazil and Libya. Designed a style of modernism based on interest in human architecture that shapes a positive society and a belief in progress, or moving forward. Bold meaning and experimental new style and form, that relies on contemporary materials. His work was based on an analytical programmatic approach to the function of buildings and a rational use of new materials and structural innovation. The emphasis is on volume, composition, and minimal ornamentation, experimentation with form-shapes, colours, lines. His buildings are characterized by clean, minimal lines; extensive use of glass to enhance natural light; structured floor plans; a combination of modern and traditional materials; and attention to integration with the surrounding environment. He was influenced by Le Corbusier and other classical modernists but with a deeply rooted spirit of a traditional Balkan neimar. Brezoski's architecture has been a prominent influence on the Architecture of North Macedonia and Architecture of Yugoslavia.

• Bank Building 'Komunalna Banka', predecessor to Komercijalna banka Skopje in 1956 • High Rise "Papagal" Skopje 1957 • Department Store 'Stokovna Kukja NaMa', Skopje in 1960. • Multi-story office building 'Rabotnički Dom', Skopje in 1962 • Yugoslav Embassy in Brazil, Brasília in 1963 • Idris Housing Complex, Tripoli, Libya 1968 • Hotel Slavija, Popova Šapka • Orthodox Cathedral Church of St. Clement of Ohrid in 1972–1990 • Retreat Šamarica, Zrinska Gora, Croatia in 1980 • Hotel 'Neda' Galičnik in 1980

• Illustration — Orthodox Cathedral Saint Clement of Ohrid, Skopje, 1972 • Illustration — Stokovna Kukja NaMa, Skopje, 1960 • Illustration — Rabotnički Dom, Worker unions building 1963 • Illustration — Hotel Neda, Galičnik, 1983 • Illustration — Yugoslav Embassy in Brazil 1963 • Illustration — Hotel Slavija by Slavko Brezoski 1960s • Illustration — Apartment Block 'Papagal' 1957 • Illustration — Family home in Galičnik, 1922