Sascha Schneider
Rudolph Karl Alexander Schneider, commonly known as Sascha Schneider (21 September 1870 – 18 August 1927), was a German painter and sculptor.
Also recorded as Sasha Shneider · Aleksandr Shneider · Rudolph Karl Alexander Schneider
Sascha Schneider

Hugo Erfurth · Hans-Gerd Röder, Sascha Schneider, ein Maler für Karl May (Bamberg: Karl May-Verlag, 1995), p. 31. · Public domain
- Name
- Sascha Schneider
- Birth Name
- Rudolph Karl Alexander Schneider
- Born
- 21 September 1870
- Birthplace
- Saint Petersburg, Russian Empire
- Died
- 18 August 1927
- Place of death
- Swinemünde, Weimar Germany (now Świnoujście, Poland)
- Field
- Painting, sculpture
- Training
- Dresden Academy of Fine Arts
- Nationality
- Germany
- Occupation
- painter · sculptor · writer · illustrator · exlibrist · muralist · graphic artist · artist
- Movements
- Symbolism
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Rudolph Karl Alexander Schneider, commonly known as Sascha Schneider (21 September 1870 – 18 August 1927), was a German painter and sculptor.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Sascha Schneider. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q569451 · wikipedia · Sascha Schneider
In this article
Key facts
Key facts
• Name — Sascha Schneider • Birth Name — Rudolph Karl Alexander Schneider • Born — 21 September 1870 • Birthplace — Saint Petersburg, Russian Empire • Died — 18 August 1927 • Place of death — Swinemünde, Weimar Germany (now Świnoujście, Poland) • Field — Painting, sculpture • Training — Dresden Academy of Fine Arts
Biography
Biography
Schneider was born in Saint Petersburg in 1870. During his childhood, his family lived in Zürich, but following the death of his father, Schneider moved to Dresden, where he became a student at the Dresden Academy of Fine Arts in 1889. In 1903, he met best-selling author Karl May, and subsequently became the cover illustrator of a number of May's books including Winnetou, Old Surehand, Am Rio de la Plata. A year later in 1904, Schneider was appointed professor at the Großherzoglich-Sächsische Kunstschule Weimar. • Illustration — Sascha Schneider (right) with Karl May, 1904 During this period, Schneider lived with painter Hellmuth Jahn. Jahn began blackmailing Schneider by threatening to expose his homosexuality, which was punishable under § 175 of the penal code. Schneider fled to Italy, where homosexuality was not criminalized at that time. In Italy, Schneider met painter Robert Spies (painter), with whom he traveled through the Caucasus Mountains. He then traveled back to Germany, where he lived for six months in Leipzig before returning to Italy, where he resided in Florence. When the First World War started, Schneider returned to Germany again, taking up residence in Hellerau (near Dresden). After 1918, he co-founded an institute called Kraft-Kunst for bodybuilding. Some of the models for his art trained here. • Illustration — Grave of Sascha Schneider at Loschwitz Cemetery, Dresden, a short distance from his sculpture (1916) for the grave of the painter Oskar Zwintscher Schneider, who suffered from diabetes mellitus, suffered a diabetic seizure during a ship voyage in the vicinity of Swinemünde. As a result, he collapsed and died in 1927 in Swinemünde. He was buried in Loschwitz Cemetery, Germany.
In popular culture
In popular culture
Schneider's painting Hypnosis (in Gallery below) inspired a key shot in the Robert Eggers film The Lighthouse, as well as inspiring the Corpse of King Minos' eyes in Ultrakill.
Works
Works
• Mein Gestalten und Bilden. 1912. autobiography
Exhibitions
Exhibitions
• Sascha Schneider - Ideenmaler & Körperbildner/"Sascha Schneider - Visualizing ideas through the human body" (2013), Stadtmuseum Weimar • "Nude in Public: Sascha Schneider - Homoeroticism and the Male Form circa 1900" (2013), Leslie-Lohman Museum of Gay and Lesbian Art
Gallery
Gallery
• Illustration — The Anarchist (1894) • Illustration — Cover illustration for Old Surehand by Karl May (1904) • Illustration — Cover illustration for Winnetou III by Karl May (1904) • Illustration — Cover illustration for Am Rio De La Plata by Karl May (1904) • Illustration — Cover illustration for Ardistan und Dschinnistan by Karl May (1904) • Illustration — Hypnosis (1904) • Illustration — Peace on Earth (1904) • Illustration — Dawn (1905) • Illustration — Icarus (1906) • Illustration — Moon Night (1906) • Illustration — Gymnasion (ca. 1912) • Illustration — Feeling of Dependence (1920) • Illustration — Tobias and the Angel (1921) • Illustration — Youth in a Blue Coat (1921) • Illustration — Mosaic at the gravesite of Georg Clages (1894–1920), Urnenhain Tolkewitz, Dresden
Identity
Identity
Sascha Schneider is recorded as painter, sculptor, writer and illustrator. Identity and origins. The authorities additionally record the headings Alexander Schneider, Sasha Shneider, Aleksandr Shneider and Rudolph Karl Alexander Schneider. His recorded language was German.

Portrait photograph of Sascha Schneider by Hugo Erfurth (taken 1904) with handwritten dedication to Klara May dated August 1917
Hugo Erfurth · Hans-Gerd Röder, Sascha Schneider, ein Maler für Karl May (Bamberg: Karl May-Verlag, 1995), p. 31.

Sascha Schneider (1870-1927), Achilles und Hercules, Ölbild, 121 x 161 cm, 1923-1926
Sascha Schneider (1870-1927) · repro from artbook
Life and career
Dated record
Life and career
The full dated record · 2 entries
1870
Sascha Schneider born at Saint Petersburg.
1927
Sascha Schneider died at Świnoujście.
Primary material
Documents and archives
scholarly publication
- Sascha Schneider, The Artist: An Illustrated Monthly Record of Arts, Crafts and Industries (American Edition), 1901
Scholarly · Crossref registry · 1901
- Schneider, Sascha, for Rudolph Karl Alexander, Benezit Dictionary of Artists, 2011
Scholarly · Crossref registry · 2011
reference work
- Wikidata, structured authority record Q569451: Sascha Schneider
Reputable secondary · Wikimedia Foundation
- “Sascha Schneider”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Literature
• Hans-Gerd Röder: Sascha Schneider - ein Maler für Karl May. Karl-May-Verlag. Bamberg 1995. 3-7802-0280-8. • Rolf Günther / Dr. Klaus Hoffmann: Sascha Schneider & Karl May — Eine Künstlerfreundschaft. Karl-May-Stiftung. Radebeul 1989. • Hansotto Hatzig: Karl May und Sascha Schneider. Dokumente einer Freundschaft. "Beiträge zur Karl-May-Forschung". Edition 2. Bamberg 1967. • Annelotte Range: Zwischen Max Klinger und Karl May. Karl-May-Verlag. Bamberg 1999. 3-7802-3007-0. • Felix Zimmermann: Sascha Schneider. Verlag der Schönheit. Dresden 1924. • Sascha Schneider: Titelzeichnungen zu den Werken Karl Mays. Verlag von Friedrich Ernst Fehsenfeld. Freiburg. 1905. • Kristopher Brownlow: The Provocative Art Of Sascha Schneider, Mountbatten Press, Oxford etc. 2024, ISBN 9798341358980
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Sascha Schneider, The Artist: An Illustrated Monthly Record of Arts, Crafts and Industries (American Edition), 1901Crossref registry
Institutional witnessscholarly publication
Institutional witnessreference work
Wikidata, structured authority record Q569451: Sascha SchneiderWikimedia Foundation
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Illustration
5,224 published records in this field, each with its sources named.
- Sarah AffonsoIllustrator
- Sarah Bowdich LeeIllustrator
- Sarah Katherine SmithIllustrator
- Sárika GóthIllustrator
- Sasha VelourIllustrator
- Satoko KiyudukiIllustrator
- Satoshi KakoIllustrator
- Satoshi KitamuraIllustrator
Best supported in this field
For owners
Own a work by Sascha Schneider?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.