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Artist

Sanpei Shirato

Noboru Okamoto (Japanese: 岡本 登, Hepburn: Okamoto Noboru; February 15, 1932 – October 8, 2021), known by the pen name Sanpei Shirato (白土 三平, Shirato Sanpei), was a Japanese manga artist and essayist known for his social criticism as well as the realism of his drawing style and the characters in his scenarios. He is considered a pioneer of the controversial gekiga genre of adult-oriented manga. The son of the Japanese proletarian painter Toki Okamoto, his dream to become an artist equal with his father started when he became a kamishibai artist.

Sanpei Shirato

Born
1932.
Died
2021.
Nationality
Japan and Empire of Japan.
Occupation
mangaka and cartoonist.
Fields
gekiga.
Known for
Ninja Bugeicho Kagemaruden, Sasuke and The Legend of Kamui.

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Noboru Okamoto (Japanese: 岡本 登, Hepburn: Okamoto Noboru; February 15, 1932 – October 8, 2021), known by the pen name Sanpei Shirato (白土 三平, Shirato Sanpei), was a Japanese manga artist and essayist known for his social criticism as well as the realism of his drawing style and the characters in his scenarios. He is considered a pioneer of the controversial gekiga genre of adult-oriented manga. The son of the Japanese proletarian painter Toki Okamoto, his dream to become an artist equal with his father started when he became a kamishibai artist.

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Note VALÉORINE

Sanpei Shirato (1932–2021) was a cartoonist and mangaka, of Japanese and Japanese nationality. The cartoonist was born and died in Tokyo.

Among the works are Ninja Bugeicho Kagemaruden, Sasuke and The Legend of Kamui. The work spans gekiga. Languages used include Japanese.

Composed from admitted, traceable facts · 26 September 2026

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wikidata · Q1358489 · wikipedia · Sanpei Shirato

In this article

  1. 01Biography
  2. 02Reception, influence and legacy
  3. 03Archives and collections
  4. 04Notes, references and evidence

The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.

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