Sami Frey

What the record establishes about Sami Frey.

There Was a Terrrible Unreality is dated 1984/86 and held by The Art Institute of Chicago (inventory 1992.668). Her Routine Was Predictable is dated 1984/86 and held by The Art Institute of Chicago (inventory 1992.667). Nearly Monochrome is dated 2022 and held by The Art Institute of Chicago (inventory 2022.1824a-b). Untitled is dated 1990 and held by The Art Institute of Chicago (inventory 1990.601.15). Sami Frey is recorded as having received Commandeur des Arts et des Lettres‎. The Art Institute of Chicago records 6 objects associated with this heading.

Sami Frey is recorded with the citizenship of France. Sami Frey is recorded as actor and film director. Sami Frey is recorded at birth as Sami Frei.

The identifiers under which Sami Frey may be traced in institutional catalogues.

Sami Frey is established in the international name authorities as Wikidata Q1324016.

4 works under this name are catalogued by The Art Institute of Chicago. Their recorded dates run from 1984 to 2022.

Her Routine Was Predictable, dated 1984/86, chromogenic print, held by The Art Institute of Chicago, inventory 1992.667. There Was a Terrrible Unreality, dated 1984/86, chromogenic print, held by The Art Institute of Chicago, inventory 1992.668. Untitled, dated 1990, held by The Art Institute of Chicago, inventory 1990.601.15. Nearly Monochrome, dated 2022, black ash, braided ash, cedar bark, and synthetic dye, held by The Art Institute of Chicago, inventory 2022.1824a-b.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 6 recorded objects, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

Frey, Sami (Samuel Frey) (1937–), Journeys of Desire, 2006.

Bibliographic registers publish measured figures for this heading: 21 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.