Rose Naranjo
Rose "Gia" Naranjo (Tewa: Aakonpovi; 1917 – August 16, 2004) was a Tewa potter and visual artist from Santa Clara Pueblo, New Mexico. She was the matriarch of the Naranjo Puebloan family of ceramists, artist and scholars. A former Southern Baptist missionary, she was named a "Living treasure" by the city of Santa Fe, New Mexico in 1994.
Also recorded as Gia Naranjo · Aakonpovi
Rose Naranjo
- Name
- Rose Naranjo
- Born
- 1917
- Birthplace
- Santa Clara Pueblo, New Mexico, United States
- Died
- 16 August 2004
- Occupation
- Visual artist, potter
- Spouse
- Michael Edward Naranjo (m.)
- Fields
- potter
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Rose "Gia" Naranjo (Tewa: Aakonpovi; 1917 – August 16, 2004) was a Tewa potter and visual artist from Santa Clara Pueblo, New Mexico. She was the matriarch of the Naranjo Puebloan family of ceramists, artist and scholars. A former Southern Baptist missionary, she was named a "Living treasure" by the city of Santa Fe, New Mexico in 1994.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Rose Naranjo. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q121344527 · wikipedia · Rose Naranjo
In this article
Key facts
Key facts
• Name — Rose Naranjo • Native Name — Aakonpov • Other Names — Gia Naranjo • Born — 1917 • Birthplace — Santa Clara Pueblo, New Mexico, United States • Died — 16 August 2004 • Place of death — Santa Clara Pueblo, New Mexico, United States • Occupation — Visual artist, potter • Spouse — Michael Edward Naranjo (m.) • Children — 10, including Jody Folwell, Rina Swentzell, Michael Naranjo and Nora Naranjo Morse
Biography
Biography
• Illustration — Santa Clara Pueblo, where Naranjo grew up
Early life and pottery
Early life and pottery
Rose Naranjo was born in 1917 in Santa Clara Pueblo, New Mexico. Her Tewa name, Aakonpovi translates to "Meadow flower". She was raised by her grandmother, Lupita, "Corn Tassel" a medicine woman and midwife after her parents died in the Spanish flu pandemic. Naranjo could trace her matrilineal heritage to Nampeyo, one of the first named Native American artists. Naranjo began learning traditional Puebloan pottery as a teenager. She made her first pot aged 13 at her grandmother's home. Naranjo, as with other Tewa potters considered clay was a gift of Mother Earth, appreciating the material as having its own agency and being. She described clay as having a strength and personality, saying "clay is very selfish. It will form itself to what the clay wants to be." Working with the material, Naranjo claimed that a potter with "good intentions" could create designs that were a shared vision between the spirits of the potter and the clay. Creating pottery became a conversation between the potter and her material. At age 18, she married her husband, Michael Edward Naranjo, a Southern Baptist minister. Together, they moved to Taos to become missionaries, working in Taos and Santa Clara Pueblo. Together, they conducted missionary work throughout the Southwest. Rose continued to craft traditional pots to support her family. Rose and Michael raised ten children together. • Illustration — Example of a 19th-century Santa Clara Pueblo pottery design, similar to the style that Rose Naranjo would become known for
Matriarch
Matriarch
Rose and Michael Naranjo worked as missionaries until 1976, when they turned to pottery production full time. Naranjo passed on her skills as a potter to her children, as her grandmother did to her. She has been described as heading "one of the most distinguished and accomplished families of artists in North American art history". Alongside the arts, the family instilled the importance of education in their children. Several of their children became well known artists as well as Pueblo scholars. Their children include: • Louise Cata Romero, Puebloan embroiderer of ceremonial montas, teacher and educator, developed a weaving dictionary. • Edna K”apovi Romero, micaceous clay potter and artist and Pueblo educator • Tito Naranjo, writer, hunting guide, sculptor, social worker, community activist and college teacher. • Jody Folwell, contemporary political and social activist potter and artist • Rina Swentzell, scholar of Pueblo architecture. • Tessie Naranjo, scholar of the Tewa language. • Michael Naranjo, blind sculptor after overcoming injuries suffered while serving in the Vietnam war. • Dolly Naranjo Neikrug, Puebloan ceramicist and embroiderer • Nora Naranjo Morse, contemporary artist and poet • Cleo Naranjo Naranjo became known as "Gia", or "Mother" within the Santa Clara Puebloan community. In 1994, she and her family were honored with the National Buddy Award, recognizing them for raising women who made a difference in education. In 1994, she was named a Santa Fe "Living Legend" for her contributions to art. In 1996, the Naranjo family was recognized by New Mexico Highlands University with The Distinguished Family Award, for their commitment to education and public service. • Illustration — Bronze sculpture by Rose's granddaughter, Roxanne Swentzell
Later life and legacy
Later life and legacy
After Michael Naranjo's death in 1994, Rose returned to Santa Clara Pueblo. She continued to produce art well into her eighties. In 2001, the Southwest Association of the Arts recognized Rose Naranjo with a Lifetime Achievement Award for her lifetime contributions to Native American arts. Naranjo died at home in Santa Clara Pueblo on August 16, 2004. She was 89 years old. After her death, her granddaughter Roxanne Swenzell recalled the impact on their family, "We all buzzed around her like drones around a queen bee. When she died, the hub of this family died with her". Naranjo left a lasting legacy with her art and devotion to Pueblo scholarship through her descendants. Her grandchildren and great-grandchildren include the artists Jody Naranjo, Susan Folwell, and Rose B. Simpson.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1915
Rose Naranjo born.
2004
Rose Naranjo died.
Exhibitions and holdings
• "Lost and Found Traditions: Native American Art 1965-1985" organized by the American Federation of Arts. • "Bowl" and "Wedding Jar", Nora Eccles Harrison Museum of Art, University of Utah • "Santa Clara Pueblo blackware pottery", Booth Western Art Museum • "Rose, Rina, Roxanne And Rose B. Simpson: Four Generations Of Santa Clara Ceramics" at Norton Museum Of Art • "The Folwell Family: 5 Generations of Potters", Booth Western Art Museum • “O’Powa O’Meng: The Art and Legacy of Jody Folwell.” The Fralin Museum of Art
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Rose Naranjo. Rio Grande Sun. 49. 2004-08-19.
- 2.Rose Naranjo - Page 2. sflivingtreasures.org.
- 3.Solares, Pamela. Rose B. Simpson Journeys of Clay. Norton Museum of Art and Pacific. 2024. 978-0-943411-35-4.
- 4.Tessie Naranjo, “Those Naranjo Women: Daughters of the Earth,” in Hearts of Our People: Native Women Artists, ed. Jill Ahlberg Yohe and Teri Greeves (Minneapolis: Minneapolis Institute of Art; Seattle: University of Washington Press, 2019), 76.
- 5.Lovely, Kendall. "Amazons, Indian Princesses, and the Artistic Matriarchs of the Southwest: On Classicization and the Construction of Native American Femininity in Museums." (2019). https://digitalrepository.unm.edu/msst_etds/1
- 6.Villani, John. A Lifetime of Achievement. Southwest Art Magazine. 2010-07-16.
- 7.Stories from Clay: Indigenous Art Pottery at the Tucson Museum of Art. Reflections with Collections Research Fellow Gabriella Moreno – Tucson Museum of Art.
- 8.VanPool, Christine S. The Spirit in the Material: A Case Study of Animism in the American Southwest. American Antiquity. 77. 2. 243–262. April 2012. 0002-7316.
- 9.Young, Jim. The Reenchantment of Art Therapy. Art Therapy Journal of the American Art Therapy Association. 12. 3. 193–196. 1995-07-01. 0742-1656.
- 10.Stephen Trimble, Talking with the Clay: The Art of Pueblo Pottery in the 21st Century, rev. ed. (Santa Fe, NM: School for Advanced Research, 2007), 15
- 11.Descendants of Rose Naranjo. www.eyesofthepot.com.
- 12.ROSE B. SIMPSON : Where clay runs deep Upstate Diary. Upstate Diary.
- 13.Fields, Alison. "New Mexico's Cuarto Centenario: History in Visual Dialogue." The Public Historian 33, no. 1 (2011): 44-72.
- 14.Naranjo, Rose. sflivingtreasures.org.
- 15.Rose Naranjo Pottery - Adobe Gallery, Santa Fe. www.adobegallery.com.
- 16.When Elders Speak (2022). Nora Naranjo Morse.
- 17.Edna Naranjo Romero – The Dancing Rabbit Gallery.
- 18.Bernhardt, Kat. Santa Clara Sibling Scholars Studied the Transformation of a Gendered Pueblo World School for Advanced Research. 2025-01-22.
- 19.Durlin, Marty. Interview: Tito Naranjo on the Pueblo world view. High Country News. 2008-12-08.
- 20.O’ Powa O’ Meng: The Art and Legacy of Jody Folwell Minneapolis Institute of Art. new.artsmia.org.
- 21.O’Powa O’Meng: The Art and Legacy of Jody Folwell The Fralin Museum of Art. uvafralinartmuseum.virginia.edu.
- 22.Michael Naranjo's 80th Birthday Exhibition at Nedra Matteucci Galleries in Santa Fe. www.newmexicomagazine.org. 2024-08-21.
- 23.Reflections of a Sculptor: Celebrating Naranjo's 80th Birthday. Fine Art Connoisseur. 2024-08-04.
- 24.Pueblo Embroidery- How To- Patterns. sarweb.org.
- 25.Tucker, Toba. Dolly Naranjo-Neikrug [K'apovi (Santa Clara Pueblo)].
- 26.Dolly Naranjo-Neikrug K'apovi (Santa Clara Pueblo) Smithsonian Institution. Smithsonian Institution. 1995.
- 27.Nora Naranjo-Morse. The Poetry Foundation.
- 28.NMHU Distinguished Alumni and Awardees New Mexico Highlands Foundation. nmhufoundation.org.
- 29.Works by Native American women artists from the collections of the Arizona State Museum, presented in honor of Missing and Murdered Indigenous Women Arizona State Museum. statemuseum.arizona.edu.
- 30.Lanteri, Michelle. "Susan Folwell: Taos Light." VENUE: a digital journal of the Midwest Art History Society 2, no. 1 (2024): 46-87.
- 31.White, Katie. In an Adobe Studio Built By Her Uncle, Rose B. Simpson Creates Works to Stay Connected to Her Community. Artnet News. 2023-11-28.
- 32.NEHMA Collection - Rose Naranjo. artmuseum-collection.usu.edu.
- 33.Grieve, Kristi. Santa Clara Pueblo blackware pottery, Rose Naranjo, c. 1975, micaceous clay, 4 x 8 x 8″, Gift of Jody Folwell Booth Western Art Museum. 2025-01-02.
- 34.Scott, Chadd. Rose, Rina, Roxanne And Rose B. Simpson: Four Generations Of Santa Clara Ceramics At Norton Museum Of Art. Forbes.
- 35.Altamirano, Jennifer. The Folwell Family: 5 Generations of Potters Booth Western Art Museum. 2024-10-21.
- 36.The Fralin Museum of Art Awarded $125,000 from the Terra Foundation for American Art UVA Arts. arts.virginia.edu.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the headings Gia Naranjo and Aakonpovi.
Identity and origins
Miniature Bowl with Avanyu, dated 1996, earthenware and slip
The Art Institute of Chicago
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Ceramics
1,104 published records in this field, each with its sources named.
- Roger CapronArtist
- Ron NagleArtist
- Rosa Gilissen-VanmarckeArtist
- Rose GonzalesArtist
- Roseline DelisleArtist
- Ruby NeriArtist
- Rupert SpiraArtist
- Rut BrykArtist
Best supported in this field
For owners
Own a work by Rose Naranjo?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.