Ronald Shannon Jackson

Musician, Player and Listener magazine writers David Breskin and Rafi Zabor called him "the most stately free-jazz drummer in the history of the idiom, a regal and thundering presence." Gary Giddins wrote "Jackson is an astounding drummer, as everyone agrees..he has emerged as a kind of all-purpose new-music connoisseur who brings a profound and unshakably individual approach to every playing situation." In 1979, he founded his own group, the Decoding Society, playing what has been dubbed free funk: a blend of funk rhythm and free jazz improvisation.

• Name — Ronald Shannon Jackson • Born — 12 January 1940 • Birthplace — Fort Worth, Texas, U.S. • Died — 19 October 2013 • Place of death — Fort Worth, Texas, U.S. • Genre — * Avant-garde jazz • free jazz • free funk • jazz fusion • Occupation — Percussionist • Years Active — 1958–2013 • Label — Antilles, DIW, Moers • Past Member Of — The Decoding Society, Last Exit • Website — https: ronaldshannonjackson.bandcamp.com/

Jackson was born in Fort Worth, Texas. As a child, he was immersed in music. His father monopolized the local jukebox business and established the only African American-owned record store in the Fort Worth area. His mother played piano and organ at their local church. Between the ages of five and nine he took piano lessons. In the third grade, he studied music with John Carter. Jackson graduated from I.M. Terrell High School, where he played with the marching band and learned about symphonic percussion. During lunch breaks, students would conduct jam sessions in the band room. Around the same time, Jackson's mother bought him his first drum set to encourage him to graduate from high school. By the age of 15, he was playing professionally. His first paid gig was with tenor saxophonist James Clay, who went on to join Ray Charles as a sideman. Jackson recalled that "we were playing four nights a week, with two gigs each on Saturday and Sunday, anything from Ray Charles to bebop. People were dancing, and when it was time to listen, they'd listen. But I was brainwashed into thinking you couldn't make a living playing music." After graduation, Jackson attended Lincoln University in Jefferson City, Missouri. He chose Lincoln because of its proximity to St. Louis and accessibility to great musicians touring the Midwest. His roommate was pianist John Hicks. As undergraduates, they "spent as much time performing together as studying." The Lincoln University band included Jackson, Hicks, trumpeter Lester Bowie, and Julius Hemphill on saxophone. Jackson then transferred to Texas Southern University, and from there went to Prairie View A & M. He decided to study history and sociology at the University of Bridgeport in Connecticut. Jackson intended not to play music at all, but after exposure to various artists and styles, he concluded that "the beat is in your body" and "the music you play comes from your life." By 1966, Jackson received a full music scholarship to New York University through trumpeter Kenny Dorham.

Once in New York, Jackson performed with many jazz musicians, including Charles Mingus, Betty Carter, Jackie McLean, Joe Henderson, Kenny Dorham, McCoy Tyner, Stanley Turrentine, and others. Whenever he would ask Charles Mingus to consider him for his group, Mingus used to push him "rudely out of his way". After Jackson sat in with pianist Toshiko Akiyoshi, he heard loud clapping behind him. It was Mingus, who asked him to play with his band. In 1966 Jackson recorded drums for saxophonist Charles Tyler's release, Charles Tyler Ensemble. Between 1966 and 1967, he played with saxophonist Albert Ayler and is featured on At Slug's Saloon, Vol. 1 & 2. He is also on disks 3 and 4 of Ayler's Holy Ghost: Rare & Unissued Recordings (1962–70). Jackson said Ayler was "the first (leader) that really opened me up. He let me play the drums the way I did in Fort Worth when I wasn't playing for other people." John Coltrane's death in July 1967 devastated Jackson. He spent the next few years addicted to heroin. He said, "I couldn't play drums then, spiritually.... I just didn't feel right." From 1970–74, he did not perform, but continued to practice. In 1974, pianist Onaje Allan Gumbs introduced Jackson to Nichiren Buddhism and chanting. Although initially reluctant, Jackson decided to try it for three weeks. "Then three months had passed. It pulled me together and pulled me out and I was able to focus. I was a Buddhist and a vegetarian for 17 years." By 1975 he joined saxophonist Ornette Coleman's electric free funk band, Prime Time. During his stint in Prime Time, Coleman taught Jackson composition and harmolodics. Jackson says that Coleman told him he was hearing music "in that piccolo range," and encouraged him to compose on the flute. Jackson went to Paris with Prime Time in 1976 to perform concerts and record Dancing in Your Head and Body Meta. In 1978, Jackson played on four albums with pianist Cecil Taylor: Cecil Taylor Unit, 3 Phasis, Live in the Black Forest, and One Too Many Salty Swift and Not Goodbye.

His output slowed in the early 2000s due to nerve damage in his left arm. After consulting with a neurologist, Jackson declined surgery and was able to regain his strength through years of physical therapy. Physical limitations did not diminish his output as a composer, and he unveiled new material on YouTube in 2012. Jackson joined trumpeter Wadada Leo Smith's Golden Quartet with pianist Vijay Iyer and double-bassist John Lindberg in 2005. Their collaboration is documented on the Tabligh CD and the Eclipse DVD. He played with the Punk Funk All Stars in 2006, which included Melvin Gibbs, Joseph Bowie, Vernon Reid, and James Blood Ulmer. In 2008 Jackson and Jamaaladeen Tacuma toured Europe with The Last Poets; this collaboration was documented in the film "The Last Poets / Made in Amerikkka" directed by Claude Santiago. In 2011 Jackson, Vernon Reid and Melvin Gibbs formed a power trio called Encryption. During their trip to the Moers Festival in Germany, Jackson suffered a heart attack and underwent an angioplasty. The next day, he checked himself out of the hospital to play with Reid and Gibbs at the festival. Afterwards, Jackson checked himself back in for medical observation. On July 7, 2012, Jackson performed at the Kessler Theater in Dallas with the latest version of the Decoding Society, which includes violinist Leonard Hayward, trumpeter John Weir, guitarist Gregg Prickett, and bassist Melvin Gibbs. The new compositions were described as being as strong as the best of his recorded work. The performance was voted as one of the Ten Best Concerts of 2012 in the Dallas Observer.

Jackson died of leukemia on October 19, 2013, aged 73.

• Eye on You (About Time, 1980) • Nasty (Moers Music, 1981) • Street Priest (Moers, 1981) • Mandance (Antilles, 1982) • Barbeque Dog (Antilles, 1983) • Montreux Jazz Festival (Knit Classics, 1983) • Pulse (Celluloid, 1984) • Decode Yourself (Island, 1985) • Earned Dream (Knit Classics, 1984) • Live at Greenwich House (Knit Classics, 1986) • Live at the Caravan of Dreams (Caravan of Dreams, 1986) AKA Beast in the Spider Bush • When Colors Play (Caravan of Dreams, 1986) • Texas (Caravan of Dreams, 1987) • Red Warrior (Axiom, 1990) • Taboo (Venture/Virgin, 1990) • Raven Roc (DIW, 1992) • Live in Warsaw (Knit Classics, 1994) • What Spirit Say (DIW, 1994) • Shannon's House (Koch, 1996) (dates are recording, not release) With Last Exit • Last Exit (Enemy, 1986) • The Noise of Trouble (Enemy, 1986) with guests Akira Sakata and Herbie Hancock • Cassette Recordings '87 (Celluloid, 1987) • Iron Path (Virgin, 1988) • Köln (ITM, 1990) • Headfirst into the Flames (Muworks, 1993)

With Albert Ayler • At Slug's Saloon, vols. 1&2 (ESP, 1982) – rec. 1966 • Holy Ghost: Rare & Unissued Recordings (1962–70) (Revenant, 2004) – rec. 1962–70 • La Cave Live, Cleveland 1966 Revisited (ezz-thetics, 2022) – rec. 1966 With Ornette Coleman • Dancing in Your Head (A&M, 1975) – rec. 1973–75 • Body Meta (Artists House, 1975) With Music Revelation Ensemble • No Wave (Moers Music, 1980) • Music Revelation Ensemble (DIW, 1988) With SXL • SXL Live in Japan (Terrapin/Sony Japan, 1987) • Into the Outlands (Celluloid, 1987) With Cecil Taylor • Cecil Taylor Unit (New World, 1978) • 3 Phasis (New World, 1978) • One Too Many Salty Swift and Not Goodbye (hat Hut, 1978) • Live in the Black Forest (MPS, 1978) With James Blood Ulmer • Are You Glad to Be in America? (Rough Trade, 1980) • America – Do You Remember the Love? (Blue Note, 1986) with others • Bertrand Gallaz, Talk To You In A Minute (Plainisphare, 1993) • Bill Laswell, Baselines (Elektra Musician, 1982) • Mooko, Japan Concerts (Celluloid, 1988) • Power Tools, Strange Meeting (Antilles, 1987) • Wadada Leo Smith, Tabligh (Cuneiform, 2008) • Charles Tyler, Charles Tyler Ensemble (ESP, 1966) • John Zorn, Spillane (Nonesuch, 1987) – rec. 1986–87