Roland Young

• Name — Roland Young • Born — 11 November 1887 • Birthplace — London, England • Died — 5 June 1953 • Place of death — New York City, U.S. • Education — University College London Royal Academy of Dramatic Art • Occupation — Actor • Years Active — 1908–1953 • Spouse — * *

Born in London, England, Young was the son of an architect, and early indications were that he would pursue the father's career. He was educated at Sherborne School, Sherborne, Dorset and University College London before being accepted into the Royal Academy of Dramatic Art where his classmate was Gordon Richards.

Young made his first stage appearance in London's West End in Find the Woman in 1908, and in 1912 he made his Broadway debut in Hindle Wakes. He appeared in two comedies written for him by Clare Kummer, Good Gracious Annabelle! (1916) and A Successful Calamity (1917) before he served with the United States Army during World War I. He returned to New York when the war ended, and married Kummer's daughter Majorie in 1921 after they costarred in Kummer's Rollo's Wild Oat. For the next few years, he alternated between New York and London. He made his film debut in the 1922 silent film Sherlock Holmes, in which he played Watson opposite John Barrymore as Holmes. He signed a contract with Metro-Goldwyn-Mayer and made his talkie debut in The Unholy Night (1929), directed by Lionel Barrymore. He was loaned to Warner Bros. to appear in Her Private Life (also 1929), with Billie Dove and Fox Film Corporation, winning critical approval for his comedic performance as Jeanette MacDonald's husband in Don't Bet on Women (1931). He was again paired with MacDonald Annabelle's Affairs (1931), a talkie version of Good Gracious Annabelle!. He appeared in Cecil B. de Mille's The Squaw Man, and played opposite Alfred Lunt and Lynn Fontanne in The Guardsman (both 1931). He appeared with Evelyn Brent in Columbia's The Pagan Lady (also 1931) and Pola Negri in RKO's A Woman Commands (1932). His final film under his MGM contract was Lovers Courageous (1932), opposite Robert Montgomery. He had a starring role in a risqué comedy for Fox entitled Pleasure Cruise (1933) alongside Genevieve Tobin.

• Illustration — Charlie Ruggles (far left), Cary Grant (2nd from left), Lili Damita (centre), and Young (right) in film This is the Night (1932) Young began to work as a freelance performer and found himself in constant demand. He appeared with Jeanette MacDonald, Genevieve Tobin and Maurice Chevalier in One Hour With You (1932) and with Kay Francis in Street of Women (1932). Alexander Korda invited him to return to Britain to make his British film debut in Wedding Rehearsal (1932). He returned to Hollywood and appeared in a diverse group of films that included comedies, murder mysteries, and dramas, and also worked on Broadway. Among his films of this period were Ruggles of Red Gap (1935), David Copperfield (1935) (playing Uriah Heep), and the H. G. Wells fantasy The Man Who Could Work Miracles (1936). In 1937, he achieved one of the most important successes of his career in Topper, as a bank president haunted by the ghosts of his clients, played by Cary Grant and Constance Bennett. It was one of the most successful films of the year, and Young was nominated for the Academy Award for Best Supporting Actor. Topper's wife was played by Billie Burke, who wrote in her memoir that Young "was dry and always fun to work with". They also appeared together in The Young in Heart (1938), Dulcy (1940) and both of the Topper sequels, Topper Takes a Trip (1938) and Topper Returns (1941). He continued to play supporting roles in comedies such as Yes, My Darling Daughter, with Fay Bainter and Priscilla Lane, but over the next few years the importance of his roles again decreased. He achieved another success as Uncle Willie in The Philadelphia Story (1940) with Katharine Hepburn, Cary Grant and James Stewart. His last starring role was in the final instalment of the Topper series, Topper Returns in 1941, with Billie Burke, Joan Blondell and Carole Landis.

• Illustration — Not For Children As a visual artist, Young drew caricatures of notables, some of which appeared in Life magazine in the early 1920s. In 1925, a collection was published in the form of a limited-edition book, Actors and Others. A similar volume, Not For Children, was issued in 1930.

He continued working steadily through the 1940s, playing small roles opposite some of Hollywood's leading actresses, such as Joan Crawford, Marlene Dietrich, Paulette Goddard and Greta Garbo in her final film, Two-Faced Woman (1941). In 1945, he began his own radio show and appeared in the film adaption of Agatha Christie's And Then There Were None. By the end of the decade his film career had declined, and his final films, including The Great Lover (1949), in which he played a murderer opposite Bob Hope, and Fred Astaire's Let's Dance (1950), were not successful. In the 1950s, Young appeared on several episodic television series, including Lux Video Theatre, Studio One, Pulitzer Prize Playhouse and The Chevrolet Tele-Theatre.

Young has two stars on the Hollywood Walk of Fame, one for film at 6523 Hollywood Blvd. and another for television at 6315 Hollywood Blvd. Both were dedicated 8 February 1960.

Young was married twice, to Marjorie Kummer from 1921 until 1940, and to Patience DuCroz from 1948 until his death at home in New York City at 65 in 1953.

• Year — Film — Role — Director — Notes • 1922 — Sherlock Holmes — Dr. Watson — Albert Parker • 1924 — Grit — Houdini Hart — Frank Tuttle — Lost film • 1926 — Camille — Lord Kyne — Ralph Barton — Short • 1928 — Walls Tell Tales — Short • 1929 — Her Private Life — Charteris — Alexander Korda • The Unholy Night — Lord Montague — Lionel Barrymore • Wise Girls — Duke Merrill — E. Mason Hopper • 1930 — The Bishop Murder Case — Sigurd Arnesson — Nick Grinde • Madam Satan — Jimmy Wade — Cecil B. DeMille • New Moon — Count Strogoff — Jack Conway • 1931 — Don't Bet on Women — Herbert Drake — William K. Howard • The Prodigal — Doc aka Somerset Greenman — Harry A. Pollard • Annabelle's Affairs — Roland Wimbleton — Alfred L. Werker • The Squaw Man — Sir John Applegate — Cecil B. DeMille • The Pagan Lady — Dr. Heath — John Francis Dillon • 1931 — The Guardsman — The Critic — Harold S. Bucquet • 1932 — Lovers Courageous — Jeffrey — Robert Z. Leonard • A Woman Commands — King Alexander — E. J. Babille • One Hour with You — Professor Olivier — Ernst Lubitsch • This Is the Night — Gerald Gray — Frank Tuttle • Street of Women — Linkhorne 'Link' Gibson — Archie Mayo • Wedding Rehearsal — The Marquis of Buckminster — Alexander Korda • They Just Had to Get Married — Hillary Hume — Edward Ludwig • 1933 — A Lady's Profession — Lord Reginald Withers — Norman Z. McLeod • Pleasure Cruise — Andrew Poole — Frank Tuttle • Blind Adventure — The Burglar — Ernest B. Schoedsack • His Double Life — Priam Farrel — William C. deMille • 1934 — Here is My Heart — Prince Nicholas/Nicki — Frank Tuttle • 1935 — David Copperfield — Uriah Heep — George Cukor • Ruggles of Red Gap — George – Earl of Burnstead — Leo McCarey • 1936 — The Unguarded Hour — Bunny — Sam Wood • One Rainy Afternoon — Maillot — Rowland V. Lee • Give Me Your Heart — Tubbs Barrow — Archie Mayo • 1937 — The Man Who Could Work Miracles — George McWhirter Fotheringay — Lothar Mendes • Gypsy — Alan Brooks — Roy William Neill • Call It a Day — Frank Haines — Archie Mayo • King Solomon's Mines — Commander John Good — Geoffrey Barkas • Topper — Mr. Cosmo Topper — Norman Z. McLeod — Academy Award nomination – Best Supporting Actor • Ali Baba Goes to Town — Sultan — David Butler • 1938 — Sailing Along — Anthony Gulliver — Sonnie Hale • The Young in Heart — 'Sahib' Carleton — Richard Wallace • Topper Takes a Trip — Mr. Cosmo Topper — Norman Z. McLeod • 1939 — Yes, My Darling Daughter — Titus Jaywood — William Keighley • Here I Am a Stranger — Prof. Daniels — Roy Del Ruth • The Night of Nights — Barry Keith-Trimble — Lewis Milestone • 1940 — He Married His Wife — Bill Carter — Roy Del Ruth • Star Dust — Thomas Brooke — Walter Lang • Irene — Mr. Smith — Herbert Wilcox • Private Affairs — Amos Bullerton — Albert S. Rogell • Dulcy — Roger Forbes — S. Sylvan Simon • The Philadelphia Story — William Q. Tracy (Uncle Willie) — George Cukor • No, No, Nanette — Mr. 'Happy' Jimmy Smith — Herbert Wilcox • 1941 — Topper Returns — Cosmo Topper — Roy Del Ruth • The Flame of New Orleans — Charles Giraud — René Clair • Two-Faced Woman — O.O. Miller — George Cukor • 1942 — The Lady Has Plans — Ronald Dean — Sidney Lanfield • They All Kissed the Bride — Marsh — Alexander Hall • Tales of Manhattan — Edgar — Julien Duvivier • 1943 — Forever and a Day — Henry Barringer — [1] • 1944 — Standing Room Only — Ira Cromwell — Sidney Lanfield • 1945 — And Then There Were None — Detective William Henry Bloor — René Clair • 1948 — Bond Street — George Chester-Barrett — Gordon Parry • You Gotta Stay Happy — Ralph Tutwiler — H.C. Potter • 1949 — The Great Lover — C.J. Dabney — Alexander Hall • 1950 — Let's Dance — Edmund Pohlwhistle — Norman Z. McLeod • 1951 — St. Benny the Dip — Matthew — Edgar G. Ulmer • Lux Video Theatre — Sumner — TV • 1953 — That Man from Tangier — George — Robert Elwyn

• Hindle Wakes (1912) • Good Gracious, Annabelle (1916) • A Successful Calamity (1917) • The Gipsy Trail (1917) • Buddies (1919) • Rollo's Wild Oat (1920) • The Devil's Disciple (1923) • Beggar on Horseback (1924) • The Last of Mrs. Cheyney (1925) • The Queen's Husband (1928) • Her Master's Voice (1933) • Spring Thaw (1938) • Another Love Story (1943)

• Actors and Others (Pascal Covici, 1925) • Not For Children: Pictures and Verse (Doubleday, Doran & Co., 1930) • Thorne Smith: His Life and Times (Doubleday, Doran & Co., 1934)

Roland Young is recorded as actor.