Roland Pertwee
Roland Pertwee (15 May 1885 – 26 April 1963) was an English playwright, film and television screenwriter, director and actor. He was the father of Doctor Who actor Jon Pertwee and playwright and screenwriter Michael Pertwee. He was also the second cousin of actor Bill Pertwee and grandfather of actors Sean Pertwee and Dariel Pertwee.
Roland Pertwee
- Born
- 15 May 1885
- Birthplace
- Hove, Sussex, England
- Died
- 26 April 1963
- Place of death
- Sandhurst, Kent, England
- Occupation
- Writer, playwright, film director, actor
- Nationality
- United Kingdom · United Kingdom of Great Britain and Ireland
- Languages
- English
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Roland Pertwee (15 May 1885 – 26 April 1963) was an English playwright, film and television screenwriter, director and actor. He was the father of Doctor Who actor Jon Pertwee and playwright and screenwriter Michael Pertwee. He was also the second cousin of actor Bill Pertwee and grandfather of actors Sean Pertwee and Dariel Pertwee.
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Roland Pertwee (1885–1963) was an actor, director and screenwriter, of British and British nationality. The actor was born in Brighton and died in London. Languages used include English.
Composed from admitted, traceable facts · 01 October 2026
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In this article
Biography
Biography
From the 1910s to 1950s, he worked as a writer on many British films, providing either the basic story or full screenplay. He was one of many writers who worked on the script of A Yank at Oxford starring Robert Taylor and Vivien Leigh, the film in which his son Jon made his screen debut, and on Caravan. While he seemingly preferred writing, he acted in ten films (1915–45) and directed Breach of Promise (1942), which he also wrote.
Key facts
Key facts
• Born — 15 May 1885 • Birthplace — Hove, Sussex, England • Died — 26 April 1963 • Place of death — Sandhurst, Kent, England • Children — * Michael • Jon • Relatives — * Sean Pertwee (grandson) • Bill Pertwee (cousin) • Occupation — Writer, playwright, film director, actor • Period — 20th century
Life and career
Life and career
Pertwee had French Huguenot ancestry (his surname was an Anglicisation of "Perthuis"; the origins of his surname being "de Perthuis de Laillevault", the family being Counts descended from Charlemagne). His career began as a painter after he gained a scholarship to the Royal Academy Schools at the age of 17 and exhibited his first portrait at the Royal Academy two years later. He studied in Paris, then returned to London, where he began to write and act. Pertwee married in 1911, and he and his wife went to Australia for a year, while Pertwee appeared on stage with a touring company. The couple had two children. He worked as a musician and as an actor. His writing career essentially began in 1914, when four of his short plays, including Swank, were produced in London. Pertwee had a role in Caste (1915). He could also be seen in The Second Mrs Tanqueray (1916). The following year a novel The Transactions of Lord Louis Lewis was published. He joined the army in 1916 and was invalided out in Christmas 1917. He adapted a play Quinneys (1919), in which he also played a small role. He wrote The Bridal Chair (1919), Hope (1919), Charity (1919), The Right Element (1919), Faith (1919), The Last Rose of Summer (1920), and Aunt Rachel (1920). Pertwee co wrote a play Out to Win (1921) which was filmed in 1921. Pertwee divorced his wife in 1921. He wrote the plays Creaking Chair (1926) and Interference (1927). He wrote the scripts for 'the films Packing Up (1927), and The Vortex (1928). Interference (1928), based on his play, was filmed in Hollywood. His play Heat Wave, written in collaboration with Denise Robins, was produced at the St James's Theatre, London, in 1929. It was later filmed as The Road to Singapore (1931).
Hollywood
Hollywood
Pertwee moved to Hollywood, where he wrote I Like Your Nerve (1931), and Honor of the Family (1931). He also wrote a story for Marilyn Miller that was not used. A play The Metropolitan Players had a run on Broadway in 1932. Back in England he wrote Murder on the Second Floor (1932); Love Me, Love My Dog (1932); Postal Orders (1932); Impromptu (1932); Help Yourself (1932); A Voice Said Goodnight (1932); A Letter of Warning (1932); The Silver Greyhound(1932); Illegal (1932); Blind Spot (1932); Sleeping Car (1933), for Anatole Litvak; The Ghoul (1933) with Boris Karloff in the lead and The Crucifix (1934). In 1934, Pertwee signed a contract with Columbia Pictures. He also wrote British Agent (1934), directed by Michael Curtiz and The Night of the Party (1935), based on his play, directed by Michael Powell. He was credited on Honours Easy (1935), based on his play, and Man of the Moment (1935). Without Regret (1935) was based on his play. In 1936, it was announced Alfred Hitchcock would film his novel Such an Enmity but no movie resulted. He did some work on the scripts for Two's Company (1936) and King Solomon's Mines (1937). He wrote Non-Stop New York (1937), and Dinner at the Ritz (1937), and was one of many writers on A Yank at Oxford (1938). Pertwee wrote Kicking Around the Moon (1938), The Ware Case (1938) and A Voice Said Goodnight (1938) for TV.
World War II
World War II
He wrote A Spy in Black (1939) and adapted The Four Just Men (1939) in which he also had an acting role. He wrote Young Man's Fancy (1939), They Came by Night (1940), Return to Yesterday (1940), and The Proud Valley (1940). He wrote a short, Dangerous Comment (1940), and did It Happened to One Man (1940), and Freedom Radio (1941). In 1940, his autobiography Master of None was published. Pertwee wrote Pimpernel Smith (1941) and had a small role on screen. He appeared in The Day Will Dawn (1942), Talk About Jacqueline (1942), The Gentle Sex (1943), The Halfway House (1944), They Were Sisters (1945), Nightbeat (1947). In addition, he also wrote Jeannie (1941), Breach of Promise (1942) (which he also directed), Talk About Jacqueline (1942), The Gentle Sex (1943), The Lamp Still Burns (1943), The Night Invader (1943) and The Halfway House (1944).
Gainsborough
Gainsborough
Pertwee went to Gainsborough Pictures to work on the melodramas Madonna of the Seven Moons (1945), They Were Sisters (1945), Caravan (1946), and The Magic Bow (1946). His play Pink String and Sealing Wax was filmed in 1945. He wrote Nightbeat (1947), Silent Dust (1949) (based on his play The Paragon), Diamond City (1949), and Captain Blackjack (1950). He wrote for TV on Rheingold Theatre and did the feature Give Them a Ring (1954).
The Grove Family
The Grove Family
In 1954, he and his elder son Michael created The Grove Family – generally regarded as being the first soap opera on British television – for the BBC. Having previously written an episode of Douglas Fairbanks, Jr., Presents, this marked Pertwee's second and final foray into television writing. Like many BBC television productions of the era, it was broadcast live. At its height, the series had drawn in almost a quarter of British people who owned a television. Reportedly, Queen Elizabeth, The Queen Mother was a great fan. A film version, entitled It's a Great Day, was produced in 1955, likewise written by the Pertwees. His final feature credit was Not Wanted on Voyage (1957).
Juvenile fiction
Juvenile fiction
Pertwee also wrote works of juvenile fiction, including the series The Islanders, which serves up typical Boy's Own adventure with a strong field sports theme. The Islanders (1950) and Rough Water (1951) tell the adventures of three boys with the run of a sporting estate in the wild Devon countryside during a summer holiday. The third book, Operation Wild Goose (1955), takes place some years later, on a trip to Iceland, where the boys come up against Russian spies, in between landing fat salmon. A further book, An Actor's Life for Me (1953), features just one of the Islanders boys, Nick, as he follows his parents onto the stage. Pertwee wrote two short stories, "The River God" and "Fish Are Such Liars" which are now considered classics and have been anthologized in the book, Fisherman's Bounty, edited by Nick Lyons, and originally published by Crown in 1970, then by Fireside in 1988.
Later years and death
Later years and death
Following the cancellation of The Grove Family in 1957, Pertwee retired from writing. He died in April 1963.
Complete filmography
Complete filmography
• Caste (1915) • The Second Mrs Tanqueray (1916) • Quinneys (1919) • The Four Just Men (1939) • Pimpernel Smith (1941) as Sir George Smith • The Day Will Dawn (1942) • Talk About Jacqueline (1942) (uncredited) • The Gentle Sex (1943) (uncredited) • The Halfway House (1944) as the Prison Governor • They Were Sisters (1945) as Sir Hamish Nair
Stage
Stage
• SOS (1928)
Short stories
Short stories
• A Call on the Country • Camouflage (1917) • Jackie Play Alone (1918) • Delayed It May Be (1918) • The Hero (1918) • Why Not? (1919) • The RedMoth (1920) • The Little Princess (1920) • A Silly Thing to Do (1921) • The Man Who Didn't Matter (1922) • Men of Affairs (1922) • The Chap Upstairs (1922) • The Money Spider's Web (1923) • The eagle and the Wren (1923) • Security (1926) • A Trial Run (1926) • The Common Cause (1926) • Rodney Darling (1927) • A Modern Knight Errant (1927) • A Bowl of Contention (1928) • Sentiment to the Rescue (1928) • The Fox and the Eggs (1929) • Empty Arms (1931) • Damaged Sixpence (1937) • The Governor's Lady and Judy O'Grady (1937) • A Chalk Stream Killing (1939) • Irene Marries Money (1939) • Greater London (1943) • Move Brittania (1945) • Reflected Glory (1952)
Novels
Novels
• Transactions of Lord Louis Lewis (1917) • The Old Card (1918) • Our Wonderful Selves (1919) • Out to Win (1922) – based on the play • The Singing Wells (1923) • A South Sea Bubble (1924) or Treasure Trail • Rivers to Cross (1926) • The Romance of Nikko Cheyne (1927) • Gentlemen March (1927) • Interference (1927) – based on his play • Pursuit (1931) • It Means Mischief (1931) • A Price of Romance (1932) • No Such Word (1934) • Morosco (1934) • Four Winds (1935) • Such an Enmity (1936) • The Camelion's Dish (1940) • Lovers Are Losers (1941) • The Utterly Udder (1952)
Plays
Plays
• Swank, Falling Upstairs, Vantage Out, and The Return of Imray – four short plays (1914) • Out to Win (1921) • I Serve (1922) • The Loveliest Thing (1923) • Evening Dress Indispensable (1925) • Interference (1927) with Harold Deane • The Odd Streak (1927) • It Might Happen to Anyone • The Spider (1928) • Heat Wave (1929) • Honours Easy (1930) • Fly Away Birdie • Pink String and Sealing Wax (1943) • The Paragon with Michael Pertwee – filmed as Silent Dust • To Kill a Cat with Harold Dearden • Postal Orders • School for Spinsters • Night was Our Friend • Ladies in Retirement with Michael Pertwee • Bridge of Sighs • The Cord
Junior fiction
Junior fiction
• The Islanders (1951) • Rough Water (1952) • An Actor's Life for Me (1953) • Young Harry Tremayne (1954) • Operation Wild Goose (1955)
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Brighton.
Birth place
London.
Death place
Screenwriter (partial listing)
• I Like Your Nerve (1931) • The Ghoul (1933) • British Agent (1934) • The Night of the Party (1935) • Non-Stop New York (1937) • King Solomon's Mines (1937) • A Yank at Oxford (1938) • The Ware Case (1938) • Young Man's Fancy (1939) • The Spy in Black (1939) • The Proud Valley (1940) • Return to Yesterday (1940) • Freedom Radio (1941) • Pimpernel' Smith (1941) • Jeannie (1941) • The Gentle Sex (1943) • The Lamp Still Burns (1943) • The Halfway House (1944) • They Were Sisters (1945) • Caravan (1946) • Diamond City (1949) • Black Jack (1950)
Plays turned into films
• Out to Win (1923) • The Road to Singapore (1931) • A Voice Said Goodnight. (1932) • Pink String and Sealing Wax (1945)
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Birth notice in The Morning Post, 20 May 1885.
- 2.Obituary in The Times, 29 April 1963.
- 3.Pertwee's entry on the 1939 England & Wales Register.
- 4.findmypast.co.uk. search.findmypast.co.uk.
- 5.NAMES ARE HIS GAME. The Australian Women's Weekly. 42. 31. 18. 1 January 1975.
- 6.NEW FILMS REVIEWED. The Advertiser. 12. 8 February 1947.
- 7.An Hour with Jon Pertwee, broadcast by BBC Radio 7 on 17 May 2008
- 8.Pertwee, Jon. Moon Boots and Dinner Suits. Elm Tree Books. 7. 1984. 0-241-11337-7.
- 9.ROLAND PERTWEE.Los Angeles Times; 24 August 1919: III32
- 10.PRIVATE LIVES. The Sydney Morning Herald. 31,903. 12. 30 March 1940.
- 11.MAN OF MANY PARTS. The Telegraph. 6. 6 July 1940.
- 12.Mainly About People. The Daily News. XXXIII. 12,193. 5. 29 July 1914.
- 13."ROLAND PERTWEE, PLAYWRIGHT, DIES: Film Writer and Novelist Studied Art With Sargent" The New York Times 28 April 1963: 88.
- 14.LORD LOUIS LEWIS IS WELL WORTH KNOWING!. Geelong Advertiser. 21,928. 8. 18 August 1917.
- 15.LEFT FOR LOVE. The World. VI. 238. 6. 6 October 1921.
- 16.AUTHOR'S FIND. Truth. 950. 8. 15 October 1921.
- 17.INTERFERENCE. Table Talk. 3168. 27. 24 January 1929.
- 18.Robins, Denise, Stranger Than Fiction (London, Hodder & Stoughton, 1965, autobiography)
- 19.PICTURES and PLAYS. The World's News. 1535. 11. 13 May 1931.
- 20.BEST-PAID IDLER. The Mail. 20. 999. 10. 18 July 1931.
- 21.FOR HOLLYWOOD. Morning Bulletin. 21,104. 11. 14 March 1934.
- 22.Wait Disney's. The Mercury. CXLVIII. 21,068. 5. 4 June 1938.
- 23.PICTURES AND PERSONALITIES. The TECHNICOLOR ART. The Mercury. CXLVIII. 21,015. 5. 2 April 1938.
- 24.MAN OF MANY PARTS. The Telegraph. 6. 6 July 1940.
- 25.BFI Screenonline. Grove Family, The (1954–57).
- 26.BFI Screenonline
- 27.LONDON SEASON, 1928. The Sydney Morning Herald. 28,269. 11. 11 August 1928.
- 28.in a short (15 min) and a long (35 min) version, see IMDb. As prose The voice that said Goodnight., in Crime stories from the 'Strand, ed. Geraldine Beare, London 1961; in German: Die Stimme, die 'Gute Nacht' sagte. Transl. Richard Fenzl, in Classical Detective Stories – Klassische Detektivgeschichten, Deutscher Taschenbuch-Verlag dtv, Munich 1993, p. 198–243
- 29.A CALL ON THE COUNTRY. The Journal. LII. 14254. 7. 24 February 1917.
- 30.GENERAL NEWS. The Advertiser. LIX. 18,313. 6. 23 June 1917.
- 31.JACKIE PLAY-ALONE. The Leader. 3237. 50 (WEEKLY). 26 January 1918.
- 32.THE NEW MAGAZINE. The Telegraph. 14,346. 9. 16 November 1918.
- 33.THE MARCH MAGAZINES. The Week. LXXXIX. 2,316. 26. 14 May 1920.
- 34.A Story in Two Parts. The Chronicle. LXIII. 3,332. 40. 31 July 1920.
- 35.A Story in Two Parts. The Chronicle. LXIII. 3,333. 40. 7 August 1920.
- 36.A SILLY THING TO DO. The Age. 20,661. 19. 18 June 1921.
- 37.Tripped. Shepparton Advertiser. 3902. 4. 5 January 1922.
- 38.The Story Pages. The Chronicle. LXVIII. 3,631. 63. 24 April 1926.
- 39.EMPTY ARMS. Queensland Figaro. XXXVIII. 33. 15. 29 August 1931.
- 40.Greater London. The World's News. 2151. 16. 27 February 1943.
- 41.Move, Britannia. The Australasian. CLIX. 5,054. 8. 10 November 1945.
- 42.This week. The Australian Women's Weekly. 19. 46. 10. 16 April 1952.
- 43.Books and Writers. Table Talk. 1732. 34. 3 October 1918.
- 44.THE LITERARY PAGE. The Register. LXXXIV. 22,597. 4. 12 April 1919.
- 45.SERIOUS STUDY BY ROLAND PERTWEE. The Mail. 29. 1,485. 3 (Supplement to "THE MAIL" MAGAZINE SECTION). 9 November 1940.
- 46.FROM LONDON TOWN. The Week. XCIV. 2,448. 22. 24 November 1922.
- 47.JUNIOR BOOKSHELF. The Age. 30233. 17. 22 March 1952.
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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