Robin Barton

Later he worked for other publications Sunday Times, Sunday Telegraph, Elle, Vogue, Tatler and Blueprint. Four of his works have been placed with the National Portrait Gallery permanent collection: Martin Clunes, Sir Paul Scofield, Jack Charlton and Sir Peter Hall.

• Name — Robin Barton • Born — 5 November 1958 • Birthplace — Royal Leamington Spa, England • Field — Art dealership, photographer, Banksy • Training — Exeter College of Art and Design • Website — bankrobberlondon.com

In 2007 he curated and hosted the controversial first showing of Pete Doherty Blood Paintings to coincide with the publication of his autobiography, Books of Albion. Later in 2007 he curated his first Banksy exhibition in New York City at Vanina Holasek Gallery 502, West 27th Street.

In June 2007, he launched art dealership Bankrobber London, in London's Notting Hill, moving to its current location in Mayfair, Shepherd Market, London, in November 2013.

Robin Barton purports to be a specialist in Banksy's work, featuring in Will Ellsworth-Jones' book The Man Behind the Wall. Robin Barton and Bankrobber London were responsible for the sale of the Banksy mural Slave Labour. Earlier in 2014 Robin Barton and Bankrobber London were involved in the preservation of Banksy's Spy Booth in Cheltenham In late 2014, Barton was responsible for the removal and sale of Banksy's Art Buff, and putting it up for auction in aid of a cancer charity set up in memory of Jimmy Godden. However, the work did not sell and was put into storage. It was later discovered that the work had been removed illegally as the building it was on did not belong to the Godden family, they only rented it. Art Buff was returned to the Creative Foundation in Folkestone and was resited outside the Kollective gallery on The Old High Street. However, none of these works can actually be authenticated as being by Banksy due to non-compliance on the part of Pest Control, the artist's appointed handling and authentication service. The removal of purported Banksy works from public locations is frequently protested by communities and local authorities in those locations, and thus attracts significant controversy.