Richard Shaw
Richard Shaw (born 1941 in Los Angeles, California, United States) is an American ceramicist and professor known for his trompe-l'œil (French for "fool the eye") style. A term often associated with paintings, referring to the illusion that a two-dimensional surface is three-dimensional. In Shaw's work, it refers to his replication of everyday objects (such as tin cans, playing cards, and cutlery) in porcelain.
Richard Shaw
- Born
- 1941. · Hollywood.
- Nationality
- United States.
- Occupation
- artist, ceramicist and sculptor.
- Education
- University of California, Davis, San Francisco Art Institute and State University of New York.
- Honours
- Fellow of the American Craft Council.
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Richard Shaw (born 1941 in Los Angeles, California, United States) is an American ceramicist and professor known for his trompe-l'œil (French for "fool the eye") style. A term often associated with paintings, referring to the illusion that a two-dimensional surface is three-dimensional. In Shaw's work, it refers to his replication of everyday objects (such as tin cans, playing cards, and cutlery) in porcelain.
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gnd · 1070601446 · wikidata · Q28741412
In this article
Education and career
Education and career
He then glazes these components and groups them in unexpected and even jarring combinations. Interested in how objects can reflect a person or identity, Shaw poses questions regarding the relationship between appearances and reality.
Richard Shaw studied at University of California, Davis, San Francisco Art Institute and State University of New York. Work by Richard Shaw is recorded in the collections of San Francisco Museum of Modern Art, Crocker Art Museum, Smithsonian American Art Museum, Stedelijk Museum Amsterdam and Whitney Museum of American Art. Distinctions recorded are Fellow of the American Craft Council.
The child of an artist mother and a Walt Disney cartoonist/animator father, Shaw was surrounded by art from a young age. Though he is now known for his work with ceramics, he initially planned on becoming a painter. For the last three years of high school, he attended Desert Sun School, located in the San Jacinto Mountains – a private school which had, according to Shaw, an environment that fostered creativity in its students. Still set on becoming a painter, Shaw then briefly attended Orange Coast College. At Orange Coast, he met Martha, a painter who would become his wife, and he first began to work with ceramics. Following his time at Orange Coast College, Shaw attended the San Francisco Art Institute. He identifies 1963 as the year during which he began seriously working with ceramics and pottery, citing professors Ron Nagle, Jim Melchert, Peter Voulkos, and John Mason as inspiring figures during his time at the Institute. From Voulkos and Mason – who Shaw credits with "revolutionizing" the ceramics scene in the later twentieth century – he learned to experiment with new kiln firing techniques. The trend in the artistic ceramics world (as opposed to the "commercial pottery" world) had been to create high-fire pieces – pieces fired at higher temperatures, which maximized durability. However, in 1965, Shaw's work was displayed in the Museum of Arts and Design (previously the Museum of Contemporary Crafts) in New York, and many of his pieces there were low-fire, which resulted in their having a different surface finish than traditional high-fire pieces. In 1965, Shaw earned a Bachelor of Fine Arts from San Francisco Art Institute, after which he attended the New York State College of Ceramics at Alfred University for a semester, about which he has said, "Where else do you go if you're into ceramics?" He returned to California to teach at the San Francisco Art Institute from 1966–1987. While teaching at the Institute, he also attended the University of California, Davis, earning his Master of Fine Arts in 1968. Shaw was Professor of Ceramics at the University of California, Berkeley from 1987 to 2012, and he currently lives in Fairfax, CA with his wife Martha.
Selected solo exhibitions
Selected solo exhibitions
Shaw's solo exhibitions around the United States include: • 2014: Richard Shaw: Ceramic Sculptures, B. Sakata Garo, Sacramento, California • 2010: Richard Shaw: Four Decades of Ceramics, Sonoma County Museum, Santa Rosa, California • 2007: Richard Shaw: Working Drawings from Studio Sketchbooks, Diablo Valley College, Pleasant Hill, California • 2003: Trompe l'Oeil Ceramics, Mobilia Gallery, Cambridge, Massachusetts • 1998: Master's Touch, Tempe Art Center, Tempe, Arizona • 1990: Palo Alto Cultural Center, Palo Alto, California • 1987: The Contemporary Museum, Honolulu, Hawaii • 1983: Madison Art Center, Madison, Wisconsin • 1979: Braunstein/Quay Gallery, San Francisco, California
Selected group exhibitions
Selected group exhibitions
Shaw's work has been included in the following group exhibitions around the United States: • 2017: Variations on a Theme: Teapots from RAM's Collection, Racine Art Museum, Racine, Wisconsin • 2016: Order & Nature, Anglim Gilbert Gallery, San Francisco, California • 2013: New Blue and White: Contemporary Art and Design, Museum of Fine Arts Boston, Boston, Massachusetts • 2013: Top 10 at 10: Favorites from RAM's Collection, Racine Art Museum, Racine, Wisconsin • 2012: Crafting Modernism, Midcentury American Art and Craft, Museum of Art and Design, New York, New York • 2012: Indelibly Yours: Smith Anderson Editions and the Tattoo Project, de Saisset Museum, Santa Clara, California • 2012: Invite and Ignite: the 25th Exhibitions Anniversary and Symposium, New Castle, Maine • 2011: Not So Still Life, Racine Art Museum, Racine, Wisconsin • 2007: The Reality of Things: Trompe l'Oeil in America, Vero Beach Museum, Vero Beach, Florida • 2005: I Hope You Learned Your Lesson, Sonoma Valley Museum of Art, Sonoma, California • 2004: Masters of Illusion: 150 Years of Trompe l'Oeil in America, Kresge Art Museum, Michigan State University, East Lansing, Michigan • 2002: Something, Anything, Matthew Marks Gallery, New York, New York • 2000: Expanded Visions, Bayly Art Museum, University of Virginia, Charlottesville, Virginia • 1995: Altered and Irrational, Selected Works from the Permanent Collection, Whitney Museum of American Art, New York, New York • 1994: The Ritual Vessel, Perimeter Gallery, Chicago, Illinois
Identity
Identity
Richard Shaw is recorded as artist, ceramicist and sculptor.
Museum collections
Museum collections
Shaw is represented in the following museum collections: • Museum of Arts and Design, New York, New York • National Museum of Modern Art, Tokyo, Japan • Oakland Museum of California, Oakland, California • Racine Art Museum, Racine, Wisconsin • Renwick Gallery of the Smithsonian American Art Museum, Washington, DC • San Francisco Museum of Modern Art, San Francisco, California • Stedelijk Museum, Amsterdam, the Netherlands • Utah Museum of Fine Arts, Salt Lake City, Utah • De Young Museum, San Francisco, CA
Documents and archives
Primary material
Documents and archives
scholarly publication
- Shaw, Richard Blake, Benezit Dictionary of Artists, 2011
Scholarly · Crossref registry · 2011
Institutional database
- Wikidata, structured authority record Q28741412: Richard Shaw
Scholarly · Wikimedia Foundation
Awards
Shaw has received the following awards: • 2000: Marin Arts Council Board Award, San Rafael, California • 1998: Shigaraki Cultural Ceramic Park, Shigaraki, Japan • 1998: Artist in Residence, Phillips Academy, Andover, Massachusetts • 1996: Annual Life Member Award, Falkirk Arts Center, San Rafael, California • 1988: Honorary Doctor of Fine Arts Degree, San Francisco Art Institute • 1987: Visiting Artist Grant, Atelier Experimental de Recherche et de Création, Manufacture Nationale de Sèvres, Paris, France • 1974: National Endowment for the Arts Fellowship • 1971: National Endowment for the Arts Fellowship
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Richard Shaw: Four Decades of Ceramics", Sonoma County Museum, 2010. Retrieved on 9 February 2017.
- 2.Meisel, Alan. "San Francisco", Craft Horizons, August 1976.
- 3.White, Cheryl. "Master of Illusion: Richard Shaw", American Ceramics, 1987.
- 4.Shaw, Richard. "Welcome to the Web Home of Ceramist Richard Shaw", Richardshawart.com, 2008. Retrieved on 9 February 2017.
- 5.Fuller, Mary. The Ceramics of Richard Shaw. Craft Horizons. December 1976.
- 6."High Fire Glaze Recipes", Ceramic Arts Daily. Retrieved on 9 February 2017.
- 7."Low-firing and Burnishing", Ceramic Arts Daily, 21 Jan. 2010. Retrieved on 9 February 2017.
- 8."Fellow: Richard Shaw", American Craft, Oct./Nov. 1998.
- 9."Richard Shaw: Four Decades of Ceramics", Sonoma County Museum, 2010. Retrieved on 9 February 2017
- 10.Richard Shaw. Artnet.com.
- 11."Ceramics", Racine Art Museum. Retrieved on 9 February 2017.
- 12."Richard Shaw", Frank Lloyd Gallery. Retrieved on 9 February 2017.
- 13."Richard Shaw", Anglim Gilbert Gallery. Retrieved on 9 February 2017.
- 14."Variations on a Theme: Teapots from RAM's Collection: January 29 – July 9, 2017" , Racine Art Museum. Retrieved on 9 February 2017.
- 15.Richard Shaw: Exhibitions. MutualArt.com.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Shaw, Richard Blake, Benezit Dictionary of Artists, 2011Crossref registry
Institutional witnessInstitutional database
Wikidata, structured authority record Q28741412: Richard ShawWikimedia Foundation
Institutional witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Richard Shaw received Fellow of the American Craft Council. Naming and authority record. Those registers additionally record the form Shaw Pooler, Richard.
Recognition and collections
Work by Richard Shaw is
San Francisco Museum of Modern Art, Crocker Art Museum, Smithsonian American Art Museum and Stedelijk Museum Amsterdam
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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