Richard Karpen

Richard Karpen studied at Stanford University. Training under Charles Dodge is recorded. Ivan Arteaga, Alisa Sargsyan and Lynette Westendorf are recorded as having studied under Richard Karpen. The recorded working language is English. The field of work recorded is electronic music and music composing.

Born in New York City, Karpen studied composition with Georghe Costinescu and Charles Dodge. He received his doctorate in composition from Stanford University, where he also worked at the Center for Computer Research in Music and Acoustics (CCRMA). He joined the Composition faculty of the School of Music at the University of Washington in 1989. In 1994 he founded CARTAH, a center for computer-based research in the arts and humanities and the Center for Digital Arts and Experimental Media (DXARTS) at the University of Washington, serving as its initial Director from 2001– 2006. He has also served as Divisional Dean for Research in the College of Arts and Sciences at the University of Washington. From 2009 to 2020 he served as Director of the School of Music. While he is primarily known for his work in electronic media, Karpen has also composed symphonic and chamber works for a wide variety of ensembles. He has composed works for many leading international soloists such as soprano Judith Bettina, violist Garth Knox, trombonist Stuart Dempster, flutists Laura Chislett and Jos Zwaanenberg, oboist Alex Klein, and guitarist Stefan Ostersjo. Along with numerous concert and radio performances, his works have been set to dance by groups such as the Royal Danish Ballet and the Guandong Dance Company of China. Karpen has been the recipient of grants and awards from the National Endowment for the Arts, the ASCAP Foundation, the Bourges Competition in France, and the Luigi Russolo Foundation in Italy. Fellowships and grants for work outside of the U.S. include a Fulbright to Italy, a residency at IRCAM in Paris, and a Leverhulme Visiting Fellowship to the United Kingdom.

• Mu Song (1983) • The Vision (1985) • Eclipse (1986) • Exchange (1987) • Il Nome (1987) • Pour la Terre (1989) • Saxonomy (1990) • Terra Infirma (1992) • The Other (1992) • The Silence of Time (1993) • Life-Study #1 (1993) • Life-Studies 3–5 (1995–1996) • No Man's Land (1998) • Sotto/Sopra (1999) • Pericolose, un giorno bellezze (2000) • Camera Cantorum (2000) • Anterior View of an Interior with Reclining Trombonist: The Conservation of Energy (2003) • Solo/Tutti: Variations on an Irrational Number for amplified viola and real-time computer processing (2002) • Aperture for amplified viola and interactive electronics (2006) • Strandlines (2007)