Richard Genée
Illustration — Richard Genée Franz Friedrich Richard Genée (7 February 1823 – 15 June 1895) was a Prussian-born Austrian librettist, playwright, and composer.
Also recorded as Richard Genee · Franz Friedrich Richard Genée
Richard Genée

Fritz Luckhardt · Österreichische Nationalbibliothek, Bildarchiv Austria, Inventarnr. Pf 5.808: C (1) · Public domain
- Born
- 1823 · Gdańsk.
- Died
- 1895 · Baden.
- Nationality
- Cisleithania
- Occupation
- composer · librettist · writer · conductor · dramaturge · bandleader · translator · chapelmaster
- Fields
- opera
- Languages
- German
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Richard Genée Franz Friedrich Richard Genée (7 February 1823 – 15 June 1895) was a Prussian-born Austrian librettist, playwright, and composer.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
No house-authored Note is published until its assertions and sources pass the VALÉORINE evidence contract. The documentary article remains available in full while that enrichment is being consolidated.
Documentary enrichment in progress · no unsupported statement published
Reference Check
Propose documentary evidence for Richard Genée. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Evidence Panel
not yet certified
- Identity
- resolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
museum · b4bc6000-63a0-4170-921e-72a0b64694ad · wikidata · Q694654 · wikipedia · Richard Genée
In this article
Life
Life
Genée was born in Danzig. He died in Baden bei Wien.
Works
Works
He is most famous for the libretto of Die Fledermaus, Johann Strauss II's most famous operetta. He co-wrote the libretto without having met top-billed librettist Karl Haffner, who constructed the new story based on a play by Henri Meilhac and Ludovic Halévy, which was considered too shocking to perform outside Paris. Genée, however, wrote the operetta's actual text and drew nothing from Haffner beyond the names of the characters. One of his best-known works was the libretto of Carl Millöcker's operetta Der Bettelstudent, which he co-wrote with Friedrich Zell (the pseudonym of Camillo Walzel). He also wrote the libretto to Ella Adayevskaya's 1877 opera Zarya. In 1857, he was conductor of the Philharmonic Orchestra Mainz.
Librettos and plays
Librettos and plays
• Polyphen oder Ein Abenteuer auf Martinique (1856) • Der Geiger aus Tirol (1857) • Der Liebesring um (1860) • Ein Trauerspiel (1860) • Ein Narrentraum (1861) • Die Generalprobe (1862) • Die Herren von der Livrée (1862) • Die Talismänner (1863) • Rosita (1864) • Der schwarze Prinz (1866) • Die Zopfabschneider (1866) • Am Runenstein (1868) • Schwefeles, der Höllenagent (1869) • Eine Konzertprobe (1870) • Der Hexensabbath (1870) • Der Sänger mit drei Tönen (1871) • Der Karneval in Rom (1873), with Josef Braun, operetta in 3 acts (Music: Johann Strauss II) • Die Fledermaus (1874), with Carl Haffner, operetta in 3 acts (Music: Johann Strauss II) • Cleopatra oder Durch drei Jahrtausende (1875) • Cagliostro in Wien (1875), with F. Zell, operetta in 3 acts (Music: Johann Strauss II) • Fatinitza (1876), with F. Zell, Operetten in 3 acts (Music: Franz von Suppé) • Der Seekadett (operetta) (1876), with F. Zell, operetta in 3 acts (Music: Richard Genée) • Luftschlösser (1876) • Im Wunderland der Pyramiden (1877) • Die letzten Mohikaner (1878) • Die Fornarina (1879), with F. Zell and Moritz West, operetta in 3 acts (Music: Carl Zeller) • Boccaccio (1879), with F. Zell, operetta in 3 acts (Music: Franz von Suppé) • Die Dubarry (1879), with F. Zell, operetta in 3 acts (Music: Carl Millöcker) • Das Spitzentuch der Königin (1880), with Heinrich Bohrmann-Riegen, operetta in 3 acts (Music: Johann Strauss II) • Apajune, der Wassermann (1880), with F. Zell, operetta in 3 acts (Music: Carl Millöcker) • Donna Juanita (1880), with F. Zell, operetta in 3 acts (Music: Franz von Suppé) • Nisida (1880) • Der Gascogner (1881), with F. Zell, operetta in 3 acts (Music: Franz von Suppé) • Rosina (1881) • Der lustige Krieg (1881), with F. Zell, operetta in 3 acts (Music: Johann Strauss II) • Der Bettelstudent (1882), with F. Zell, operetta in 3 acts (Musik: Carl Millöcker) • Eine Nacht in Venedig (1883), with F. Zell, operetta in 3 acts (Music: Johann Strauss II) • Die Afrikareise (1883), with Moritz West, operetta in 3 acts (Music: Franz von Suppé) • Gasparone (1884), with F. Zell, operetta in 3 acts (Music: Carl Millöcker) • Eine gemachte Frau (1885) • Zwillinge (1885) • Die Piraten (1886) • Der Vizeadmiral (1886), with F. Zell, operetta in 3 acts (Music: Carl Millöcker) • Die Dreizehn (1887) • Die Jagd nach dem Glück (1888), with Bruno Zappert, operetta in 3 acts (Music: Franz von Suppé) • Signora Vedetta (1892) • Die wachsame Schildwache (1893) • Freund Felix (1894)
Identity
Identity
Richard Genée is recorded as composer, librettist, writer, conductor and dramaturge.

Grab Richard Genee (1823-1895) am Stadtpfarrfriedhof Baden bei Wien
Ferry Paur

Guerra alegre (alemán: Der lustige Krieg), opereta cómica en tres actos y en prosa, arreglada libremente del original austríaco a la escena española por Juan Manuel Casademunt y Joaquín Henrich, música del maestro Juan Strauss instrumentada por el maestro D. Mariano Taberner
Casademunt, Juan Manuel
Life and career
Dated record
Life and career
The full dated record · 1 entries
1895
Richard Genée died at Baden.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Gdańsk.
Birth place
Baden.
Death place
Musical compositions
• In 1876, Genée composed the operetta Der Seekadett (operetta). The operetta featured a game of chess in its second act and later lent its name to the chess opening trap, the Seekadettenmatt (German for midshipman's mate). The move is usually known in English as the Légal Trap. • Rosita (1864), opera • Nanon, die Wirtin Zum Goldenen Lamm (1877), with F. Zell, operetta in 3 acts • Der Musikfeind (1862), operetta • Insalata Italiana, Op. 68 ("Piano, piano, dolce, soave!"), for madrigal choir and soloists, in which the words are Italian musical expressions sung according to the meaning of the words.
Films based on his works
• Das fidele Gefängnis, directed by Ernst Lubitsch (Germany, 1917, loosely based on the operetta Die Fledermaus) • Die Fledermaus, directed by Max Mack (Germany, 1923, based on the operetta Die Fledermaus) • Nanon, directed by Hanns Schwarz (Germany, 1924, based on the operetta Nanon) • The Beggar Student, directed by Luise Fleck and Jacob Fleck (Germany, 1927, based on the operetta Der Bettelstudent) • The Beggar Student, directed by Victor Janson (Germany, 1931, based on the operetta Der Bettelstudent) • The Beggar Student, directed by Victor Hanbury and John Harvel (UK, 1931, based on the operetta Der Bettelstudent) • Die Fledermaus, directed by Karel Lamač (Germany, 1931, based on the operetta Die Fledermaus) • ', directed by Karel Lamač and Pierre Billon (France, 1932, based on the operetta Die Fledermaus) • Waltz Time, directed by Wilhelm Thiele (UK, 1933, based on the operetta Die Fledermaus) • The Loves of Madame Dubarry, directed by Marcel Varnel (UK, 1935, based on the operetta Die Dubarry) • The Beggar Student, directed by Georg Jacoby (Germany, 1936, based on the operetta Der Bettelstudent) • ', directed by Paul Verhoeven (Germany, 1937, based on the operetta Die Fledermaus) • Gasparone, directed by Georg Jacoby (Germany, 1937, based on the operetta Gasparone) • Nanon, directed by Herbert Maisch (Germany, 1938, based on the operetta Nanon) • Boccaccio, directed by Marcello Albani (Italy, 1940, based on the operetta Boccaccio) • Die Fledermaus, directed by Géza von Bolváry (Germany, 1944–46, based on the operetta Die Fledermaus) • A Night in Venice, directed by Georg Wildhagen (Austria, 1953, based on the operetta Eine Nacht in Venedig) • Oh... Rosalinda!!, directed by Michael Powell and Emeric Pressburger (UK, 1955, based on the operetta Die Fledermaus) • Swelling Melodies, directed by E. W. Fiedler (East Germany, 1955, based on the operetta Die Fledermaus) • Gasparone, directed by Karl Paryla (Austria, 1956, based on the operetta Gasparone) • The Beggar Student, directed by Werner Jacobs (West Germany, 1956, based on the operetta Der Bettelstudent) • Mazurka der Liebe, directed by Hans Müller (East Germany, 1957, based on the operetta Der Bettelstudent) • Die Fledermaus, directed by Géza von Cziffra (Austria, 1962, based on the operetta Die Fledermaus) • Flagermusen, directed by Annelise Meineche (Denmark, 1966, based on the operetta Die Fledermaus) • Die Fledermaus, directed by Yan Frid (Soviet Union, 1979, based on the operetta Die Fledermaus)
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q694654: Richard Genée
Reputable secondary · Wikidata
- “Richard Genée”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Institutional database
- MusicBrainz artist record for Richard Genée
Scholarly · MetaBrainz Foundation
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
MusicBrainz artist record for Richard GenéeMetaBrainz Foundation
Verifiedreference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 August 2026.
Elsewhere in Music memorabilia
42,307 published records in this field, each with its sources named.
- Richard FranckPerson
- Richard FranklandPerson
- Richard GallianoPerson
- Richard GendallPerson
- Richard GibbsPerson
- Richard GoodePerson
- Richard GottehrerPerson
- Richard GrégoirePerson
Best supported in this field
For owners
Own a work by Richard Genée?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.